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The New Face of Political Cinema
Commitment in French Film since 1995
Taschenbuch von Martin O'Shaughnessy
Sprache: Englisch

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Beschreibung
Since 1995 there has been a widespread return of commitment to French cinema taking it to a level unmatched since the heady days following 1968. But this new wave of political film is very different and urgently calls out for an analysis that will account for its development, its formal characteristics and its originality. This is what this book provides. It engages with leading directors such as Cantet, Tavernier, Dumont, Kassovitz, Zonca and Guédiguian, takes in a range of less well known but important figures and strays across the Belgian border to engage with the seminal work of the Dardenne brothers. It shows how the works discussed are helping to reinvent political cinema by finding stylistic and narrative strategies adequate to the contemporary context.
Since 1995 there has been a widespread return of commitment to French cinema taking it to a level unmatched since the heady days following 1968. But this new wave of political film is very different and urgently calls out for an analysis that will account for its development, its formal characteristics and its originality. This is what this book provides. It engages with leading directors such as Cantet, Tavernier, Dumont, Kassovitz, Zonca and Guédiguian, takes in a range of less well known but important figures and strays across the Belgian border to engage with the seminal work of the Dardenne brothers. It shows how the works discussed are helping to reinvent political cinema by finding stylistic and narrative strategies adequate to the contemporary context.
Über den Autor

Martin O'Shaughnessy is Reader in French Cultural Studies at Nottingham Trent University. He has written widely on French cinema and is the author of Jean Renoir (Manchester University Press, 2000) and La Grande Illusion (I. B. Tauris, 2009) and co-editor of Cinéma et engagement (L'Harmattan, 2005).

Inhaltsverzeichnis

Acknowledgements

Introduction

Chapter 1. Contexts
Chapter 2. Debates
Chapter 3. A Genealogy of Contemporary Oppositional Cinema
Chapter 4. Class in Pieces
Chapter 5. Class Reassembled?
Chapter 6. An Aesthetic of the Fragment
Chapter 7. Melodramatic Politics
Chapter 8. Elusive Capital

Conclusion

Filmography

Bibliography

Index

Details
Erscheinungsjahr: 2009
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Fotografie
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781845456733
ISBN-10: 1845456734
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: O'Shaughnessy, Martin
Hersteller: Berghahn Books
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 229 x 152 x 12 mm
Von/Mit: Martin O'Shaughnessy
Erscheinungsdatum: 01.07.2009
Gewicht: 0,307 kg
Artikel-ID: 101072822
Über den Autor

Martin O'Shaughnessy is Reader in French Cultural Studies at Nottingham Trent University. He has written widely on French cinema and is the author of Jean Renoir (Manchester University Press, 2000) and La Grande Illusion (I. B. Tauris, 2009) and co-editor of Cinéma et engagement (L'Harmattan, 2005).

Inhaltsverzeichnis

Acknowledgements

Introduction

Chapter 1. Contexts
Chapter 2. Debates
Chapter 3. A Genealogy of Contemporary Oppositional Cinema
Chapter 4. Class in Pieces
Chapter 5. Class Reassembled?
Chapter 6. An Aesthetic of the Fragment
Chapter 7. Melodramatic Politics
Chapter 8. Elusive Capital

Conclusion

Filmography

Bibliography

Index

Details
Erscheinungsjahr: 2009
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Fotografie
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781845456733
ISBN-10: 1845456734
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: O'Shaughnessy, Martin
Hersteller: Berghahn Books
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 229 x 152 x 12 mm
Von/Mit: Martin O'Shaughnessy
Erscheinungsdatum: 01.07.2009
Gewicht: 0,307 kg
Artikel-ID: 101072822
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