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Beschreibung
A bold reimagining of T. S. Eliot's modernism through the structural logic of jazz.
This book proposes a new way of reading T. S. Eliot, positioning the poet as a "structural improviser" whose techniques mirror the formal principles of jazz. Drawing on Ted Gioia's jazz theory to explore six musical dimensions-rhythm, melody, harmony, timbre, texture, and form-the study reveals how Eliot internalized jazz's compositional strategies. From the riff-like refrains of Prufrock to the polyphonic, ensemble-like layering of The Waste Land and the extended improvisations of his later poetry, this book establishes a profound interdisciplinary methodology. It shows how Eliot's use of syncopation, theme-and-variation, and flexible phrasing redefines modernist free verse as an art that composes in motion.
A bold reimagining of T. S. Eliot's modernism through the structural logic of jazz.
This book proposes a new way of reading T. S. Eliot, positioning the poet as a "structural improviser" whose techniques mirror the formal principles of jazz. Drawing on Ted Gioia's jazz theory to explore six musical dimensions-rhythm, melody, harmony, timbre, texture, and form-the study reveals how Eliot internalized jazz's compositional strategies. From the riff-like refrains of Prufrock to the polyphonic, ensemble-like layering of The Waste Land and the extended improvisations of his later poetry, this book establishes a profound interdisciplinary methodology. It shows how Eliot's use of syncopation, theme-and-variation, and flexible phrasing redefines modernist free verse as an art that composes in motion.
Über den Autor
Abdi Ohadi is a musician, songwriter, and producer whose extensive career encompasses the creation of original music across a diverse array of genres, including rock, metal, contemporary folk, avant-garde, and experimental music. Drawing on his experience as a university lecturer in both literary and musical disciplines, he is a dedicated educator and mentor based in Iran, guiding emerging artists in instrumental skills, performance, theory, improvisation, and creative production. Bridging his practical expertise with rigorous academic scholarship, Ohadi holds a Ph.D. in English Literature. His research focuses on the interdisciplinary intersections of sound and text, particularly the structural parallels between jazz theory and modernist poetry, bringing a unique, practitioner-informed perspective to literary criticism.
Details
Erscheinungsjahr: 2026
Genre: Allg. & vergl. Sprachwissenschaft, Geisteswissenschaften, Kunst, Musik
Rubrik: Sprachwissenschaft
Medium: Taschenbuch
ISBN-13: 9783982816616
ISBN-10: 3982816610
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Ohadi, Abdi
Shahabi, Hassan
Hersteller: Pirmoni Verlag
Verantwortliche Person für die EU: Pirmoni Verlag, Lichtenraderstr. 40, D-12049 Berlin, pirmoni@t-online.de
Maße: 146 x 211 x 9 mm
Von/Mit: Abdi Ohadi (u. a.)
Erscheinungsdatum: 25.08.2026
Gewicht: 0,226 kg
Artikel-ID: 136899659