Dekorationsartikel gehören nicht zum Leistungsumfang.
Sprache:
Englisch
47,55 €
Versandkostenfrei per Post / DHL
Lieferzeit 1-2 Wochen
Kategorien:
Beschreibung
In 1954, troubled director Nicholas Ray chatted at a dinner party about his controversial plan for a film about middle-class juvenile delinquents. He was told of a book, written by a prison psychologist and owned by Warner Bros., called Rebel Without a Cause. Though he was initially unimpressed, Ray adapted the book into his own screenplay and Warner Bros. hired him to direct what would become a classic.
From the backgrounds of the many players to the pre-production, production, and post-production of the film, this complete history recounts every aspect of Rebel Without a Cause from its rudiments to the 1955 Academy Awards: the selection of cast and crew, legal fights, changing screenwriters and the many variations of the story, location scouting, auditions, script readings, difficulties with the censors, romances and fights, the editing, test screenings, and, of course, the death of its star. Dozens of intimate anecdotes, from wardrobe decisions to James Dean's pranks, add rich detail. An epilogue discusses the possible sequels, rights conflicts, documentaries, musicals, and spin-off attempts, and offers concluding words on the cast and crew.
From the backgrounds of the many players to the pre-production, production, and post-production of the film, this complete history recounts every aspect of Rebel Without a Cause from its rudiments to the 1955 Academy Awards: the selection of cast and crew, legal fights, changing screenwriters and the many variations of the story, location scouting, auditions, script readings, difficulties with the censors, romances and fights, the editing, test screenings, and, of course, the death of its star. Dozens of intimate anecdotes, from wardrobe decisions to James Dean's pranks, add rich detail. An epilogue discusses the possible sequels, rights conflicts, documentaries, musicals, and spin-off attempts, and offers concluding words on the cast and crew.
In 1954, troubled director Nicholas Ray chatted at a dinner party about his controversial plan for a film about middle-class juvenile delinquents. He was told of a book, written by a prison psychologist and owned by Warner Bros., called Rebel Without a Cause. Though he was initially unimpressed, Ray adapted the book into his own screenplay and Warner Bros. hired him to direct what would become a classic.
From the backgrounds of the many players to the pre-production, production, and post-production of the film, this complete history recounts every aspect of Rebel Without a Cause from its rudiments to the 1955 Academy Awards: the selection of cast and crew, legal fights, changing screenwriters and the many variations of the story, location scouting, auditions, script readings, difficulties with the censors, romances and fights, the editing, test screenings, and, of course, the death of its star. Dozens of intimate anecdotes, from wardrobe decisions to James Dean's pranks, add rich detail. An epilogue discusses the possible sequels, rights conflicts, documentaries, musicals, and spin-off attempts, and offers concluding words on the cast and crew.
From the backgrounds of the many players to the pre-production, production, and post-production of the film, this complete history recounts every aspect of Rebel Without a Cause from its rudiments to the 1955 Academy Awards: the selection of cast and crew, legal fights, changing screenwriters and the many variations of the story, location scouting, auditions, script readings, difficulties with the censors, romances and fights, the editing, test screenings, and, of course, the death of its star. Dozens of intimate anecdotes, from wardrobe decisions to James Dean's pranks, add rich detail. An epilogue discusses the possible sequels, rights conflicts, documentaries, musicals, and spin-off attempts, and offers concluding words on the cast and crew.
Über den Autor
Novelist and reference librarian Douglas L. Rathgeb has published in The Journal of Popular Film and Television, Literature/Film Quarterly, Post Script and the Steinbeck Newsletter. He lives and works in Davis, California.
Inhaltsverzeichnis
Table of Contents
Acknowledgments
Foreword by Stewart Stern
Preface
Prologue
Part I: Preliminaries
1. Nicholas Ray
2. "The Blind Run"
3. James Dean
4. Weisbart and Uris
5. Story into Script
6. Lindner and Shulman
7. Changes
8. Stewart Stern
9. Dead End
10. A Critique
11. Los Angeles and New York
Part II: Pre-Production
12. A Private Hell
13. Screenplay by Stewart Stern
14. Start Notice
15. Casting
16. Mr. Warner
17. Free-for-All
18. Locations
19. Mr. Warner Returns
20. Majors and Minors
21. The Excitement Gathers
22. Cold Feet
23. Rehearsals
24. Blackboard Jungle
25. Exit Stern
Part III: Production
26. On Location
27. Transformation
28. Red Channels
29. Hard Work, Hard Feelings
30. Lost Time
31. The Mansion
32. Fury and Sound
33. Looping and Ad-Libbing
34. Stern's Argument
35. Lonely Street
36. Night Work
37. Reckless Violence
38. Two Endings and an Argument
Part IV: Post-Production and Beyond
39. Two Assignments
40. Inquisition
41. Rough Cut
42. Final Preparations
43. Previews
44. Death in the Afternoon
45. Damage Control
46. Reaping the Whirlwind
47. Premiere
48. Box Office
49. Shulman Strikes Back
50. Oscar and Beyond
Epilogue: After Rebel
Appendix
Notes
Bibliography
Index
Acknowledgments
Foreword by Stewart Stern
Preface
Prologue
Part I: Preliminaries
1. Nicholas Ray
2. "The Blind Run"
3. James Dean
4. Weisbart and Uris
5. Story into Script
6. Lindner and Shulman
7. Changes
8. Stewart Stern
9. Dead End
10. A Critique
11. Los Angeles and New York
Part II: Pre-Production
12. A Private Hell
13. Screenplay by Stewart Stern
14. Start Notice
15. Casting
16. Mr. Warner
17. Free-for-All
18. Locations
19. Mr. Warner Returns
20. Majors and Minors
21. The Excitement Gathers
22. Cold Feet
23. Rehearsals
24. Blackboard Jungle
25. Exit Stern
Part III: Production
26. On Location
27. Transformation
28. Red Channels
29. Hard Work, Hard Feelings
30. Lost Time
31. The Mansion
32. Fury and Sound
33. Looping and Ad-Libbing
34. Stern's Argument
35. Lonely Street
36. Night Work
37. Reckless Violence
38. Two Endings and an Argument
Part IV: Post-Production and Beyond
39. Two Assignments
40. Inquisition
41. Rough Cut
42. Final Preparations
43. Previews
44. Death in the Afternoon
45. Damage Control
46. Reaping the Whirlwind
47. Premiere
48. Box Office
49. Shulman Strikes Back
50. Oscar and Beyond
Epilogue: After Rebel
Appendix
Notes
Bibliography
Index
Details
| Empfohlen (von): | 18 |
|---|---|
| Erscheinungsjahr: | 2010 |
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780786461158 |
| ISBN-10: | 0786461152 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Rathgeb, Douglas L. |
| Hersteller: | McFarland |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 254 x 178 x 14 mm |
| Von/Mit: | Douglas L. Rathgeb |
| Erscheinungsdatum: | 08.11.2010 |
| Gewicht: | 0,474 kg |