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"Brisk [and] forceful." Sight & Sound"Lucidly argued." Total Film
Margarethe von Trotta and Volker Schlöndorff's The Lost Honour of Katharina Blum (1975) was a pivotal film for the New German Cinema movement. Julian Preece considers what makes Katharina Blum new and radical, in particular in respect of women's cinema and its portrayal of the ordeal of its female lead in a world run by men. Drawing on archival material including drafts of the screenplay, brochures and props, reviews and interviews, Preece traces the conception of the film and its development from Heinrich Böll's original novel.
Preece analyses how the film continues to resonate with our contemporary moment and has influenced film-makers from the German-Turkish director Fatih Akin to the British screenwriter Peter Morgan.
Margarethe von Trotta and Volker Schlöndorff's The Lost Honour of Katharina Blum (1975) was a pivotal film for the New German Cinema movement. Julian Preece considers what makes Katharina Blum new and radical, in particular in respect of women's cinema and its portrayal of the ordeal of its female lead in a world run by men. Drawing on archival material including drafts of the screenplay, brochures and props, reviews and interviews, Preece traces the conception of the film and its development from Heinrich Böll's original novel.
Preece analyses how the film continues to resonate with our contemporary moment and has influenced film-makers from the German-Turkish director Fatih Akin to the British screenwriter Peter Morgan.
"Brisk [and] forceful." Sight & Sound"Lucidly argued." Total Film
Margarethe von Trotta and Volker Schlöndorff's The Lost Honour of Katharina Blum (1975) was a pivotal film for the New German Cinema movement. Julian Preece considers what makes Katharina Blum new and radical, in particular in respect of women's cinema and its portrayal of the ordeal of its female lead in a world run by men. Drawing on archival material including drafts of the screenplay, brochures and props, reviews and interviews, Preece traces the conception of the film and its development from Heinrich Böll's original novel.
Preece analyses how the film continues to resonate with our contemporary moment and has influenced film-makers from the German-Turkish director Fatih Akin to the British screenwriter Peter Morgan.
Margarethe von Trotta and Volker Schlöndorff's The Lost Honour of Katharina Blum (1975) was a pivotal film for the New German Cinema movement. Julian Preece considers what makes Katharina Blum new and radical, in particular in respect of women's cinema and its portrayal of the ordeal of its female lead in a world run by men. Drawing on archival material including drafts of the screenplay, brochures and props, reviews and interviews, Preece traces the conception of the film and its development from Heinrich Böll's original novel.
Preece analyses how the film continues to resonate with our contemporary moment and has influenced film-makers from the German-Turkish director Fatih Akin to the British screenwriter Peter Morgan.
Über den Autor
Julian Preece is Professor of German at Swansea University, UK. His articles have featured in The German Monitor, German Life and Letters, and Monatshefte. His previous books include the BFI Film Classic The Lost Honour of Katharina Blum (2022), Günter Grass (2018), Baader-Meinhof and the Novel: Narratives of the Nation / Fantasies of the Revolution, 1970-2010 (2012), and Out of the Shadows of a Husband: The Rediscovered Writings of Veza Canetti (2007).
Zusammenfassung
Katharina Blum continues to feature in retrospectives of the New German Cinema, its co-director Margarethe von Trotta, and because of its themes of terrorism, violence and trial by media
Inhaltsverzeichnis
Acknowledgments
Introduction: A Pivotal Film for New German Cinema
1. Political Context
2. The Novel
3. The Film
4. Reception, Influence and Afterlives
Conclusion
Notes
Bibliography
Credits
Introduction: A Pivotal Film for New German Cinema
1. Political Context
2. The Novel
3. The Film
4. Reception, Influence and Afterlives
Conclusion
Notes
Bibliography
Credits
Details
Erscheinungsjahr: | 2022 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Reihe: | BFI Film Classics |
ISBN-13: | 9781839024375 |
ISBN-10: | 1839024372 |
Sprache: | Englisch |
Herstellernummer: | 553085 |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Preece, Julian |
Hersteller: |
Bloomsbury Academic
British Film Institute |
Abbildungen: | 60 colour illus |
Maße: | 188 x 134 x 8 mm |
Von/Mit: | Julian Preece |
Erscheinungsdatum: | 04.04.2022 |
Gewicht: | 0,17 kg |
Über den Autor
Julian Preece is Professor of German at Swansea University, UK. His articles have featured in The German Monitor, German Life and Letters, and Monatshefte. His previous books include the BFI Film Classic The Lost Honour of Katharina Blum (2022), Günter Grass (2018), Baader-Meinhof and the Novel: Narratives of the Nation / Fantasies of the Revolution, 1970-2010 (2012), and Out of the Shadows of a Husband: The Rediscovered Writings of Veza Canetti (2007).
Zusammenfassung
Katharina Blum continues to feature in retrospectives of the New German Cinema, its co-director Margarethe von Trotta, and because of its themes of terrorism, violence and trial by media
Inhaltsverzeichnis
Acknowledgments
Introduction: A Pivotal Film for New German Cinema
1. Political Context
2. The Novel
3. The Film
4. Reception, Influence and Afterlives
Conclusion
Notes
Bibliography
Credits
Introduction: A Pivotal Film for New German Cinema
1. Political Context
2. The Novel
3. The Film
4. Reception, Influence and Afterlives
Conclusion
Notes
Bibliography
Credits
Details
Erscheinungsjahr: | 2022 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Reihe: | BFI Film Classics |
ISBN-13: | 9781839024375 |
ISBN-10: | 1839024372 |
Sprache: | Englisch |
Herstellernummer: | 553085 |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Preece, Julian |
Hersteller: |
Bloomsbury Academic
British Film Institute |
Abbildungen: | 60 colour illus |
Maße: | 188 x 134 x 8 mm |
Von/Mit: | Julian Preece |
Erscheinungsdatum: | 04.04.2022 |
Gewicht: | 0,17 kg |
Warnhinweis