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It was not until the sixteenth century that insects began to appear as the sole focus of paintings and drawings-as isolated objects, or specimens, against a blank background. The artists and other image makers Neri discusses deployed this "specimen logic" and so associated themselves with a mode of picturing in which the ability to create a highly detailed image was a sign of artistic talent and a keenly observant eye. The Insect and the Image shows how specimen logic both reflected and advanced a particular understanding of the natural world-an understanding that, in turn, supported the commodification of nature that was central to global trade and commerce during the early modern era.
Revealing how sixteenth- and seventeenth-century artists and image makers shaped ideas of the natural world, Neri's work enhances our knowledge of the convergence of art, science, and commerce today.
It was not until the sixteenth century that insects began to appear as the sole focus of paintings and drawings-as isolated objects, or specimens, against a blank background. The artists and other image makers Neri discusses deployed this "specimen logic" and so associated themselves with a mode of picturing in which the ability to create a highly detailed image was a sign of artistic talent and a keenly observant eye. The Insect and the Image shows how specimen logic both reflected and advanced a particular understanding of the natural world-an understanding that, in turn, supported the commodification of nature that was central to global trade and commerce during the early modern era.
Revealing how sixteenth- and seventeenth-century artists and image makers shaped ideas of the natural world, Neri's work enhances our knowledge of the convergence of art, science, and commerce today.
Janice Neri is associate professor of the history of art and visual culture at Boise State University.
Contents
Introduction: Specimen Logic
I. Insects as Objects and Insects as Subjects: Establishing Conventions for Illustrating
Insects
1. Joris Hoefnagel’s Imaginary Insects: Inventing an Artistic Identity
2. Cutting and Pasting Nature into Print: Ulisse Aldrovandi’s and Thomas Moffet’s
Images of Insects
3. Suitable for Framing: Insects in Early Still Life Paintings
II. New Worlds and New Selves
4. Between Observation and Image: Representations of Insects in Robert Hooke’s
Micrographia
5. Stitches, Specimens, and Pictures: Maria Sibylla Merian and the Processing of the
Natural World
Conclusion: Discipline and Specimenize
Acknowledgments
Notes
Index
| Erscheinungsjahr: | 2011 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Medium: | Taschenbuch |
| Seiten: | 264 |
| ISBN-13: | 9780816667659 |
| ISBN-10: | 0816667659 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Neri, Janice |
| Hersteller: | University of Minnesota Press |
| Maße: | 254 x 178 x 15 mm |
| Von/Mit: | Janice Neri |
| Erscheinungsdatum: | 27.10.2011 |
| Gewicht: | 0,503 kg |
Janice Neri is associate professor of the history of art and visual culture at Boise State University.
Contents
Introduction: Specimen Logic
I. Insects as Objects and Insects as Subjects: Establishing Conventions for Illustrating
Insects
1. Joris Hoefnagel’s Imaginary Insects: Inventing an Artistic Identity
2. Cutting and Pasting Nature into Print: Ulisse Aldrovandi’s and Thomas Moffet’s
Images of Insects
3. Suitable for Framing: Insects in Early Still Life Paintings
II. New Worlds and New Selves
4. Between Observation and Image: Representations of Insects in Robert Hooke’s
Micrographia
5. Stitches, Specimens, and Pictures: Maria Sibylla Merian and the Processing of the
Natural World
Conclusion: Discipline and Specimenize
Acknowledgments
Notes
Index
| Erscheinungsjahr: | 2011 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Medium: | Taschenbuch |
| Seiten: | 264 |
| ISBN-13: | 9780816667659 |
| ISBN-10: | 0816667659 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Neri, Janice |
| Hersteller: | University of Minnesota Press |
| Maße: | 254 x 178 x 15 mm |
| Von/Mit: | Janice Neri |
| Erscheinungsdatum: | 27.10.2011 |
| Gewicht: | 0,503 kg |
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