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Englisch
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Beschreibung
Whereas most books on the philosophy of music focus on the creation and reproduction of music, Bruce Benson's concern is the phenomenology of music making as an activity. He offers a radical thesis that improvization is of primary importance at the moment of music making. The book brings together a wide range of musical examples from classical music, jazz, early music and other genres. Incorporating analytic and continental philosophy, musicology and performance-practice issues, it is a provocative study for philosophers of art and musicologists. It also appeals to general readers; especially those who perform.
Whereas most books on the philosophy of music focus on the creation and reproduction of music, Bruce Benson's concern is the phenomenology of music making as an activity. He offers a radical thesis that improvization is of primary importance at the moment of music making. The book brings together a wide range of musical examples from classical music, jazz, early music and other genres. Incorporating analytic and continental philosophy, musicology and performance-practice issues, it is a provocative study for philosophers of art and musicologists. It also appeals to general readers; especially those who perform.
Inhaltsverzeichnis
1. Between composition and performance; 2. Composing: from Ursprung to Fassung letzter Hand; 3. Performing: the improvisation of preservation; 4. The ergon within energeia; 5. The ethics of musical dialogue.
Details
Erscheinungsjahr: | 2009 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Musiktheorie & Musiklehre |
Medium: | Taschenbuch |
ISBN-13: | 9780521009324 |
ISBN-10: | 0521009324 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Benson, Bruce |
Hersteller: | Cambridge University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 216 x 140 x 14 mm |
Von/Mit: | Bruce Benson |
Erscheinungsdatum: | 30.03.2009 |
Gewicht: | 0,311 kg |
Inhaltsverzeichnis
1. Between composition and performance; 2. Composing: from Ursprung to Fassung letzter Hand; 3. Performing: the improvisation of preservation; 4. The ergon within energeia; 5. The ethics of musical dialogue.
Details
Erscheinungsjahr: | 2009 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Musiktheorie & Musiklehre |
Medium: | Taschenbuch |
ISBN-13: | 9780521009324 |
ISBN-10: | 0521009324 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Benson, Bruce |
Hersteller: | Cambridge University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 216 x 140 x 14 mm |
Von/Mit: | Bruce Benson |
Erscheinungsdatum: | 30.03.2009 |
Gewicht: | 0,311 kg |
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