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The Improvisation of Musical Dialogue
A Phenomenology of Music
Taschenbuch von Bruce Benson
Sprache: Englisch

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Beschreibung
Whereas most books on the philosophy of music focus on the creation and reproduction of music, Bruce Benson's concern is the phenomenology of music making as an activity. He offers a radical thesis that improvization is of primary importance at the moment of music making. The book brings together a wide range of musical examples from classical music, jazz, early music and other genres. Incorporating analytic and continental philosophy, musicology and performance-practice issues, it is a provocative study for philosophers of art and musicologists. It also appeals to general readers; especially those who perform.
Whereas most books on the philosophy of music focus on the creation and reproduction of music, Bruce Benson's concern is the phenomenology of music making as an activity. He offers a radical thesis that improvization is of primary importance at the moment of music making. The book brings together a wide range of musical examples from classical music, jazz, early music and other genres. Incorporating analytic and continental philosophy, musicology and performance-practice issues, it is a provocative study for philosophers of art and musicologists. It also appeals to general readers; especially those who perform.
Inhaltsverzeichnis
1. Between composition and performance; 2. Composing: from Ursprung to Fassung letzter Hand; 3. Performing: the improvisation of preservation; 4. The ergon within energeia; 5. The ethics of musical dialogue.
Details
Erscheinungsjahr: 2009
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musiktheorie & Musiklehre
Medium: Taschenbuch
ISBN-13: 9780521009324
ISBN-10: 0521009324
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Benson, Bruce
Hersteller: Cambridge University Press
Maße: 216 x 140 x 14 mm
Von/Mit: Bruce Benson
Erscheinungsdatum: 30.03.2009
Gewicht: 0,311 kg
Artikel-ID: 123694812
Inhaltsverzeichnis
1. Between composition and performance; 2. Composing: from Ursprung to Fassung letzter Hand; 3. Performing: the improvisation of preservation; 4. The ergon within energeia; 5. The ethics of musical dialogue.
Details
Erscheinungsjahr: 2009
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musiktheorie & Musiklehre
Medium: Taschenbuch
ISBN-13: 9780521009324
ISBN-10: 0521009324
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Benson, Bruce
Hersteller: Cambridge University Press
Maße: 216 x 140 x 14 mm
Von/Mit: Bruce Benson
Erscheinungsdatum: 30.03.2009
Gewicht: 0,311 kg
Artikel-ID: 123694812
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