Zum Hauptinhalt springen Zur Suche springen Zur Hauptnavigation springen
Beschreibung
This book offers a spirited analysis of the unique improvisational character of Grateful Dead music and its impact on appreciative fans. The 20 essays capture distinct facets of the Grateful Dead phenomenon from a broad range of scholarly angles. The band's trademark synergizing focus is discussed as a function of complex musical improvisation interlaced with the band members' collective assimilation of an impressive range of marginal musical forms and lyrical traditions. These facets are shown to produce a vibrant Deadhead experience, resulting in community influences still morphing in new directions 45 years after the band's initial impact.
This book offers a spirited analysis of the unique improvisational character of Grateful Dead music and its impact on appreciative fans. The 20 essays capture distinct facets of the Grateful Dead phenomenon from a broad range of scholarly angles. The band's trademark synergizing focus is discussed as a function of complex musical improvisation interlaced with the band members' collective assimilation of an impressive range of marginal musical forms and lyrical traditions. These facets are shown to produce a vibrant Deadhead experience, resulting in community influences still morphing in new directions 45 years after the band's initial impact.
Über den Autor
Jim Tuedio, professor of philosophy and director of the university honors program at California State University-Stanislaus, is the author of numerous scholarly articles and is a past president of the American Society for Philosophy, Counseling and Psychotherapy. He lives in Denair, California. Stan Spector is a professor of philosophy at Modesto Junior College in Modesto, California, and is the author of many scholarly articles. He is a past director of the college honors program and is currently co-chair of the Grateful Dead Caucus.
Inhaltsverzeichnis
Table of Contents

Tuning Up
Foreword: The Grateful Dead Phenomenon

STANLEY KRIPPNER
Preface: Kaleidoscopic Entry to the Show
Introduction: "Shall We Go?"

First Set: Musical and Lyrical Elements of Grateful Dead Improvisation

Non-Systematic Thoughts About Improvisation

CRISTIAN AMIGO

Mandalas and the Dead

GRAEME M. BOONE

The Eccentric Revolutions of Phil Lesh

BRENT WOOD

American Chaos: Charles Ives and the Grateful Dead

SHAUGN O'DONNELL

"Mr. Charlie Told Me So": Heidegger and the Dead's Early Assimilation to the Technology of the Blues

DAVID MALVINNI

Dark Star Mandala

GRAEME M. BOONE

"Where All the Pages Are My Days": Metacantric Moments in Deadhead Lyrical Experience

REVELL CARR

"Not Just a Change of Style": Reading Workingman's Dead as an American Commentary with Americana Roots

ERIN MCCOY

Second Set: Some Philosophical Contours of Grateful Dead Improvisation

Improvised Philosophy

ALAN TRIST

"Pouring Its Light Into Ashes": Exploring the Multiplicity of Becoming in Grateful Dead Improvisation

JIM TUEDIO

"Searching for the Sound": Grateful Dead Music and Interpretive Transformation

JASON KEMP WINFREE

Plato's Pharmakon: Grateful Dead Concerts and the Politics of Getting High

ELIZABETH CARROLL

When "Reason Tatters": Nietzsche and the Grateful Dead on Living a Healthy Life

STAN SPECTOR

The Other One and the Other: Moral Lessons from a Reluctant Teacher

STEVEN GIMBEL

Innocence and Experience in the Grateful Dead: A Reading of Stuart Hampshire

NICHOLAS MERIWETHER

Third Set: Experiencing Community Through Grateful Dead Improvisation

Modeling Improvisation

MARY GOODENOUGH

"Mysteries Dark and Vast": Grateful Dead Concerts and Initiation into the Sublime

ERIC K. SILVERMAN

Bears and Flags: The Grateful Dead's America and Bohemian Nationalism

JAY WILLIAMS

Improvising Community: A Hermeneutic Analysis of Deadheads and Virtual Communities

GARY BURNETT

Strategic Improvisation: Management Lessons from the Dead

BARRY BARNES

Cultural Communication Codes Among Deadheads: A Chronological Account of Communicative Improvisation

NATALIE J. DOLLAR

Examining Grateful Dead Improvisation as a Catalyst for Creating Sustained Communitas

AMANDA DIEDERICH-HIRSH

"I Can't Do Anything but Lie": Studying Deadheads While Wearing Simmelian Lenses

REBECCA G. ADAMS

Encore

The Thing Is the Thing Is the Thing Is the Thing Is There Is No Thing

CHRISTIAN CRUMLISH

All His Children Grew and Grew (Who Killed Uncle John?)

DAVID GANS

Greensleeves

The Grateful Dead Came to Our House One Day (with 20 People and a Bottle of LSD): A Story About Discovering the Power of Channeling Healing Energy

JEAN MILLAY

Contributors
Index
Details
Empfohlen (von): 18
Erscheinungsjahr: 2010
Genre: Importe, Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780786443574
ISBN-10: 078644357X
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Tuedio, Jim
Redaktion: Tuedio, Jim
Spector, Stan
Hersteller: McFarland
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 229 x 152 x 20 mm
Von/Mit: Jim Tuedio (u. a.)
Erscheinungsdatum: 30.03.2010
Gewicht: 0,53 kg
Artikel-ID: 129550605