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The Godfather
Taschenbuch von Jon Lewis
Sprache: Englisch

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Beschreibung
Francis Ford Coppola's The Godfather (1972) marked a transition in American film-making, and its success - as a work of art, as a creative 'property' exploited by its studio, Paramount Pictures; and as a model for aspiring auteurist film-makers - changed Hollywood forever.

Jon Lewis's study of The Godfather begins with a close look at the film's audacious visual style (the long, theatrical set pieces; the chiaroscuro lighting, the climactic montage paralleling a family baptism with a series of brutal murders). The analysis of visual style is paired with a discussion of the movie's principal themes: Vito and Michael's attempt to balance the obligations of business and family, their struggle with assimilation, the temptations and pitfalls of capitalist accumulation, and the larger drama of succession from father to son, from one generation to the next.

The textual analysis precedes a production history that views The Godfather as a singularly important film in Hollywood's dramatic box-office turnaround in the early 1970s. And then, finally, the book takes a long hard look at the gangster himself both on screen and off. Hollywood publicity attending the gangster film from its inception in the silent era to the present has endeavoured to dull the distinction between the real and movie gangster, insisting that each film has been culled from the day's sordid headlines. Looking at the drama on screen and the production history behind the scenes, Lewis uncovers a series of real gangster backstories, revealing, finally, how millions of dollars of mob money may well have funded the film in the first place, and how, as things played out, The Godfather saved Paramount Studios and the rest of Hollywood as well.
Francis Ford Coppola's The Godfather (1972) marked a transition in American film-making, and its success - as a work of art, as a creative 'property' exploited by its studio, Paramount Pictures; and as a model for aspiring auteurist film-makers - changed Hollywood forever.

Jon Lewis's study of The Godfather begins with a close look at the film's audacious visual style (the long, theatrical set pieces; the chiaroscuro lighting, the climactic montage paralleling a family baptism with a series of brutal murders). The analysis of visual style is paired with a discussion of the movie's principal themes: Vito and Michael's attempt to balance the obligations of business and family, their struggle with assimilation, the temptations and pitfalls of capitalist accumulation, and the larger drama of succession from father to son, from one generation to the next.

The textual analysis precedes a production history that views The Godfather as a singularly important film in Hollywood's dramatic box-office turnaround in the early 1970s. And then, finally, the book takes a long hard look at the gangster himself both on screen and off. Hollywood publicity attending the gangster film from its inception in the silent era to the present has endeavoured to dull the distinction between the real and movie gangster, insisting that each film has been culled from the day's sordid headlines. Looking at the drama on screen and the production history behind the scenes, Lewis uncovers a series of real gangster backstories, revealing, finally, how millions of dollars of mob money may well have funded the film in the first place, and how, as things played out, The Godfather saved Paramount Studios and the rest of Hollywood as well.
Über den Autor
Jon Lewis is Professor in the Department of English at Oregon State University, USA. He is the author of a number of books, including American Film: A History (2008), Hollywood v. Hard-Core: How the Struggle Over Censorship Created the Modern Film Industry (2000) and Whom God Wishes to Destroy ... Francis Coppola and the New Hollywood (1995) and a study of The Godfather Part II in the BFI Film Classics series (forthcoming, BFI, 2022).
Zusammenfassung
Richly illustrated with stills from the BFI Archive and screengrabs from the film
Inhaltsverzeichnis
Acknowledgements
Foreword to the 2022 edition
1. Believe in America
2. I Believe in Hollywood
3. I Believe in the Mafia
Notes
Credits.
Details
Erscheinungsjahr: 2022
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Seiten: 104
Reihe: BFI Film Classics
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781839024580
ISBN-10: 1839024585
Sprache: Englisch
Herstellernummer: 563957
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Lewis, Jon
Auflage: 2. Auflage
Hersteller: Bloomsbury Academic
British Film Institute
Abbildungen: 65 colour illus
Maße: 188 x 134 x 10 mm
Von/Mit: Jon Lewis
Erscheinungsdatum: 04.04.2022
Gewicht: 0,168 kg
preigu-id: 120417155
Über den Autor
Jon Lewis is Professor in the Department of English at Oregon State University, USA. He is the author of a number of books, including American Film: A History (2008), Hollywood v. Hard-Core: How the Struggle Over Censorship Created the Modern Film Industry (2000) and Whom God Wishes to Destroy ... Francis Coppola and the New Hollywood (1995) and a study of The Godfather Part II in the BFI Film Classics series (forthcoming, BFI, 2022).
Zusammenfassung
Richly illustrated with stills from the BFI Archive and screengrabs from the film
Inhaltsverzeichnis
Acknowledgements
Foreword to the 2022 edition
1. Believe in America
2. I Believe in Hollywood
3. I Believe in the Mafia
Notes
Credits.
Details
Erscheinungsjahr: 2022
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Seiten: 104
Reihe: BFI Film Classics
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781839024580
ISBN-10: 1839024585
Sprache: Englisch
Herstellernummer: 563957
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Lewis, Jon
Auflage: 2. Auflage
Hersteller: Bloomsbury Academic
British Film Institute
Abbildungen: 65 colour illus
Maße: 188 x 134 x 10 mm
Von/Mit: Jon Lewis
Erscheinungsdatum: 04.04.2022
Gewicht: 0,168 kg
preigu-id: 120417155
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