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On the other hand the pandemic has brought forth a boost of creative alternatives from single musicians, from greater ensembles and from orchestra managements to upkeep operations under new physically distanced conditions and on the internet. Highest flexibility was shown in artistic planning, in creating new programs, in digital and recording work, in outreach and education activities, in new concert formats or support of pandemic-related charity campaigns. The pandemic has shown, how agile orchestras might be.
The very questions are: What are the lessons learned from the pandemic challenges? What are new structural approaches for musicians and managements to rethink orchestral organizations for the post-pandemic future? How can the engagement of musicians and staff for the own organization be enhanced? How can the ties towards the members of already familiar audience groups be strengthened?
Every co-author of this book is a specialist in his or her field. Together we're looking out to all aspects from which we think that orchestral organizations should take a breeze of fresh air and rethink their operations in the "new normal" after the pandemic. There is no step back, there only are steps forward.
On the other hand the pandemic has brought forth a boost of creative alternatives from single musicians, from greater ensembles and from orchestra managements to upkeep operations under new physically distanced conditions and on the internet. Highest flexibility was shown in artistic planning, in creating new programs, in digital and recording work, in outreach and education activities, in new concert formats or support of pandemic-related charity campaigns. The pandemic has shown, how agile orchestras might be.
The very questions are: What are the lessons learned from the pandemic challenges? What are new structural approaches for musicians and managements to rethink orchestral organizations for the post-pandemic future? How can the engagement of musicians and staff for the own organization be enhanced? How can the ties towards the members of already familiar audience groups be strengthened?
Every co-author of this book is a specialist in his or her field. Together we're looking out to all aspects from which we think that orchestral organizations should take a breeze of fresh air and rethink their operations in the "new normal" after the pandemic. There is no step back, there only are steps forward.
| Erscheinungsjahr: | 2021 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Seiten: | 128 |
| Reihe: | Edition das Orchester |
| Inhalt: | 128 S. |
| ISBN-13: | 9783795723118 |
| ISBN-10: | 3795723116 |
| Sprache: | Englisch |
| Herstellernummer: | ORCH 5008 |
| Ausstattung / Beilage: | Buch (Broschur) |
| Einband: | Kartoniert / Broschiert |
| Autor: |
Fehlmann, Beat
Gartiser, Peter Grün, Lydia Hutter, Nico Knava, Irene Kountidou, Elena Scherz-Schade, Sven Spahn, Claudia Still, Magnus |
| Redaktion: | Mertens, Gerald |
| Herausgeber: | Gerald Mertens |
| Hersteller: | Schott Music |
| Maße: | 210 x 151 x 10 mm |
| Von/Mit: | Beat Fehlmann (u. a.) |
| Erscheinungsdatum: | 11.08.2021 |
| Gewicht: | 0,255 kg |
| Erscheinungsjahr: | 2021 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Seiten: | 128 |
| Reihe: | Edition das Orchester |
| Inhalt: | 128 S. |
| ISBN-13: | 9783795723118 |
| ISBN-10: | 3795723116 |
| Sprache: | Englisch |
| Herstellernummer: | ORCH 5008 |
| Ausstattung / Beilage: | Buch (Broschur) |
| Einband: | Kartoniert / Broschiert |
| Autor: |
Fehlmann, Beat
Gartiser, Peter Grün, Lydia Hutter, Nico Knava, Irene Kountidou, Elena Scherz-Schade, Sven Spahn, Claudia Still, Magnus |
| Redaktion: | Mertens, Gerald |
| Herausgeber: | Gerald Mertens |
| Hersteller: | Schott Music |
| Maße: | 210 x 151 x 10 mm |
| Von/Mit: | Beat Fehlmann (u. a.) |
| Erscheinungsdatum: | 11.08.2021 |
| Gewicht: | 0,255 kg |
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