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Brad Prager's study of the film considers its significance as a war movie and contextualizes its critical reception. Drawing on an archive of contemporaneous materials, as well as an in-depth analysis of the film's lighting, mise-en-scène, multiple cameras and shifting depths of field, Prager examines how the film simultaneously presents itself as a work of cinematic realism, while problematically blurring the lines between fact and fiction. While Cimino felt he had no responsibility to historical truth, depicting a highly stylized version of his own fantasies about the Vietnam War, Prager argues that The Deer Hunter's formal elements were used to bolster his troubling depictions of war and race.
Finally, comparing the film with later depictions of US-led intervention such as Albert and Allen Hughes's Dead Presidents (1995) and Spike Lee's Da Five Bloods (2020), Prager illuminates The Deer Hunter's major presumptions, blind spots and omissions, while also presenting a case for its classic status.
Brad Prager's study of the film considers its significance as a war movie and contextualizes its critical reception. Drawing on an archive of contemporaneous materials, as well as an in-depth analysis of the film's lighting, mise-en-scène, multiple cameras and shifting depths of field, Prager examines how the film simultaneously presents itself as a work of cinematic realism, while problematically blurring the lines between fact and fiction. While Cimino felt he had no responsibility to historical truth, depicting a highly stylized version of his own fantasies about the Vietnam War, Prager argues that The Deer Hunter's formal elements were used to bolster his troubling depictions of war and race.
Finally, comparing the film with later depictions of US-led intervention such as Albert and Allen Hughes's Dead Presidents (1995) and Spike Lee's Da Five Bloods (2020), Prager illuminates The Deer Hunter's major presumptions, blind spots and omissions, while also presenting a case for its classic status.
Introduction
1. Realism and Truth
2. Mountains and Fog
3. "There's Rats in Here"
4. Coming Home
5. "God Bless America"
Conclusion
Notes
Credits
Bibliography
| Erscheinungsjahr: | 2023 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Seiten: | 120 |
| Reihe: | BFI Film Classics |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781839025419 |
| ISBN-10: | 1839025417 |
| Sprache: | Englisch |
| Herstellernummer: | 633603 |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Prager, Brad |
| Hersteller: | Bloomsbury Academic |
| Abbildungen: | 60 colour illus |
| Maße: | 185 x 131 x 9 mm |
| Von/Mit: | Brad Prager |
| Erscheinungsdatum: | 07.09.2023 |
| Gewicht: | 0,194 kg |
Introduction
1. Realism and Truth
2. Mountains and Fog
3. "There's Rats in Here"
4. Coming Home
5. "God Bless America"
Conclusion
Notes
Credits
Bibliography
| Erscheinungsjahr: | 2023 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Seiten: | 120 |
| Reihe: | BFI Film Classics |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781839025419 |
| ISBN-10: | 1839025417 |
| Sprache: | Englisch |
| Herstellernummer: | 633603 |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Prager, Brad |
| Hersteller: | Bloomsbury Academic |
| Abbildungen: | 60 colour illus |
| Maße: | 185 x 131 x 9 mm |
| Von/Mit: | Brad Prager |
| Erscheinungsdatum: | 07.09.2023 |
| Gewicht: | 0,194 kg |
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