Notes on Contributors List of Illustrations Preface Irit Rogoff (Goldsmiths College, UK) and Jean-Paul Martinon(Goldsmiths College, UK) Introduction Jean-Paul Martinon (Goldsmiths College, UK) Part I: Send-Offs 1. On the Curatorial, From the Trapeze Raqs Media Collective 2. Theses in the Philosophy of Curating Jean-Paul Martinon (Goldsmiths College, UK) 3. Whence the Future? Alfredo Cramerotti (University of Wales, UK) 4. The Expanded Field Irit Rogoff (Goldsmiths College, UK) 5. Dear Art,Yours Sincerely Natasa Ilic (WHW, Croatia and Germany) Part II: Praxeologies 6. The Curator Crosses the River: A Fabulation Stefan Nowotny (Goldsmiths College, UK) 7. Becoming-Curator Suzana Milevska (Institute of Gender Studies, Macedonia) 8. An Exhausted Curating Leire Vergara (Goldsmiths College, UK and University of the Basque Country, Spain) 9. Eros, Plague, Olfaction: Three Allegories of the Curatorial Jenny Doussan (Goldsmiths College, UK) Part III: Moves 10. The Task at Hand: Transcending the Clamp of Sovereignty Ariella Azoulay (Brown University, USA) 11. The Simple Operator Sarah Pierce (Sandberg Institute, The Netherlands) 12. Three Short Takes on the Curatorial Doreen Mende (Dutch Art Institute, The Netherlands) 13. Aku menjadi saksi kepada / What I am Thinking Roopesh Sitharan (University of Santa Cruz, USA) 14. Betrayal and the Curatorial Joshua Simon (Museum of Bat Yam, Israel and New School, NY, USA) Part IV: Heresies 15. A Conspiracy Without a Plot Stefano Harney (Singapore Management University, Singapore) and Valentina Desideri 16. What does a Question Do? Micropolitics and Art Education Susan Kelly (Goldsmiths College, UK) 17. Being Able to Do Something Nora Sternfeld (Aalto University, Finland) 18. The Politics of Residual Fun Valeria Graziano (Queen Mary University, UK) Part V: Refigurations 19. Modern Art: Its Very Idea Helmut Draxler (Merz Academy, Germany) 20 Two Invoking Media: Radio and Exhibition Jean-Louis D otte (University of Paris, France) 21. In Unfamiliar Terrain Anshuman Dasgupta (Visva-Bharati University, India) 22. Curating Ghostly Objects Cihat Arin 23. Non-Museums Adnan Madani (Goldsmiths College, UK) Part VI: Stages 24. Curating, Dramatization, and the Diagram Bridget Crone(Goldsmiths College, UK) 25. Curating Context Aneta Szylak(Copenhagen University, Denmark and Goldsmiths, UK) 26. Backstage and Processuality Ines Moreira(Goldsmiths College, UK) 27. This is Not About Us Je Yun Moon(Goldsmiths College, UK) Coda The Curatorial Charles Esche (University of the Arts, London, UK) Bibliography Index
Notes on Contributors List of Illustrations Preface Irit Rogoff (Goldsmiths College, UK) and Jean-Paul Martinon(Goldsmiths College, UK) Introduction Jean-Paul Martinon (Goldsmiths College, UK) Part I: Send-Offs 1. On the Curatorial, From the Trapeze Raqs Media Collective 2. Theses in the Philosophy of Curating Jean-Paul Martinon (Goldsmiths College, UK) 3. Whence the Future? Alfredo Cramerotti (University of Wales, UK) 4. The Expanded Field Irit Rogoff (Goldsmiths College, UK) 5. Dear Art,Yours Sincerely Natasa Ilic (WHW, Croatia and Germany) Part II: Praxeologies 6. The Curator Crosses the River: A Fabulation Stefan Nowotny (Goldsmiths College, UK) 7. Becoming-Curator Suzana Milevska (Institute of Gender Studies, Macedonia) 8. An Exhausted Curating Leire Vergara (Goldsmiths College, UK and University of the Basque Country, Spain) 9. Eros, Plague, Olfaction: Three Allegories of the Curatorial Jenny Doussan (Goldsmiths College, UK) Part III: Moves 10. The Task at Hand: Transcending the Clamp of Sovereignty Ariella Azoulay (Brown University, USA) 11. The Simple Operator Sarah Pierce (Sandberg Institute, The Netherlands) 12. Three Short Takes on the Curatorial Doreen Mende (Dutch Art Institute, The Netherlands) 13. Aku menjadi saksi kepada / What I am Thinking Roopesh Sitharan (University of Santa Cruz, USA) 14. Betrayal and the Curatorial Joshua Simon (Museum of Bat Yam, Israel and New School, NY, USA) Part IV: Heresies 15. A Conspiracy Without a Plot Stefano Harney (Singapore Management University, Singapore) and Valentina Desideri 16. What does a Question Do? Micropolitics and Art Education Susan Kelly (Goldsmiths College, UK) 17. Being Able to Do Something Nora Sternfeld (Aalto University, Finland) 18. The Politics of Residual Fun Valeria Graziano (Queen Mary University, UK) Part V: Refigurations 19. Modern Art: Its Very Idea Helmut Draxler (Merz Academy, Germany) 20 Two Invoking Media: Radio and Exhibition Jean-Louis D otte (University of Paris, France) 21. In Unfamiliar Terrain Anshuman Dasgupta (Visva-Bharati University, India) 22. Curating Ghostly Objects Cihat Arin 23. Non-Museums Adnan Madani (Goldsmiths College, UK) Part VI: Stages 24. Curating, Dramatization, and the Diagram Bridget Crone(Goldsmiths College, UK) 25. Curating Context Aneta Szylak(Copenhagen University, Denmark and Goldsmiths, UK) 26. Backstage and Processuality Ines Moreira(Goldsmiths College, UK) 27. This is Not About Us Je Yun Moon(Goldsmiths College, UK) Coda The Curatorial Charles Esche (University of the Arts, London, UK) Bibliography Index
