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Introduction: The Choreographic Work of Alain Platel in Context (Christel Stalpaert, Ghent University, Belgium; Guy Cools, Ghent University, Belgium; and Hildegard De Vuyst, Les Ballets C de la B, Belgium)
1. Collaborative Dramaturgy: An Experiment in Democracy (Katalin Trencsenyi, Freelance Dramaturg, UK)
Part I: Emotions
2. Alain Platel is a Barbarian: Perceiving Emotions as Forms of Intelligent Awareness (Hildegard De Vuyst, Les Ballets C de la B, Belgium)
3. Desire amongst the Dodgems: The Scene of Seduction (Adrian Kear, Aberystwyth University, UK)
4. Platel's Quest for Embodied Salvation: A Musical Perspective on Choeurs (Francis Maes, Ghent University, Belgium)
5. Poetics of Fight in Nicht Schlafen (Claire Besuelle, École Doctorale Sciences de l'homme et de la Société, France)
Part II: Gestures
6. How to Witness the Hyper-Sensitive Through the Virtuosic: "I Have Never Seen Anybody Who Can Participate So Intensely While Standing Aside" (Guy Cools, Ghent University, Belgium)
7. Choreic Gesture: Virtuosic Angularity and Alterkinetic Dance in Platel's Out of Context: For Pina (2010) (Kélina Gotman, King's College, London, UK)
8. Being Alone Together: The 'Disturbance of Violent Relatedness' in La Tristeza Complice, Pitié and Tauberbach (Ann Cooper Albright, Oberlin College and Conservatory, USA)
9. Staging the Precarious: Vulnerability and Sexual Identity in Gardenia (Miriam Dreysse, Universität Hildesheim, Germany)
10. Schizophrenia and Resistance: On Tauberbach (Jeroen Donckers, Independent Psychotherapist, Belgium)
Part III: Politics
11. Catastrophe as Political Gesture: On Gestus and Hieroglyphs in Bernadetje (Erwin Jans, Dramaturg, Toneelhuis, Belgium)
12. Tauberbach: A Diagrammatical Reading (Piet Defraeye, University of Alberta, Canada)
13. Mourning a Europe in Crisis: En Avant, Marche! (Lourdes Orozco, University of Leeds, UK)
14. Troubled Pasts, Differential Futures: Platel's Choreopolitics with Les Ballets C de la B (Christel Stalpaert, Ghent University, Belgium)
Conclusion: A Genealogical Perspective on Les Ballets C de la B's Influences and Offspring (Christel Stalpaert, Ghent University, Belgium; Guy Cools, Ghent University, Belgium; and Hildegard De Vuyst, Les Ballets C de la B, Belgium)
Bibliography
Index
1. Collaborative Dramaturgy: An Experiment in Democracy (Katalin Trencsenyi, Freelance Dramaturg, UK)
Part I: Emotions
2. Alain Platel is a Barbarian: Perceiving Emotions as Forms of Intelligent Awareness (Hildegard De Vuyst, Les Ballets C de la B, Belgium)
3. Desire amongst the Dodgems: The Scene of Seduction (Adrian Kear, Aberystwyth University, UK)
4. Platel's Quest for Embodied Salvation: A Musical Perspective on Choeurs (Francis Maes, Ghent University, Belgium)
5. Poetics of Fight in Nicht Schlafen (Claire Besuelle, École Doctorale Sciences de l'homme et de la Société, France)
Part II: Gestures
6. How to Witness the Hyper-Sensitive Through the Virtuosic: "I Have Never Seen Anybody Who Can Participate So Intensely While Standing Aside" (Guy Cools, Ghent University, Belgium)
7. Choreic Gesture: Virtuosic Angularity and Alterkinetic Dance in Platel's Out of Context: For Pina (2010) (Kélina Gotman, King's College, London, UK)
8. Being Alone Together: The 'Disturbance of Violent Relatedness' in La Tristeza Complice, Pitié and Tauberbach (Ann Cooper Albright, Oberlin College and Conservatory, USA)
9. Staging the Precarious: Vulnerability and Sexual Identity in Gardenia (Miriam Dreysse, Universität Hildesheim, Germany)
10. Schizophrenia and Resistance: On Tauberbach (Jeroen Donckers, Independent Psychotherapist, Belgium)
Part III: Politics
11. Catastrophe as Political Gesture: On Gestus and Hieroglyphs in Bernadetje (Erwin Jans, Dramaturg, Toneelhuis, Belgium)
12. Tauberbach: A Diagrammatical Reading (Piet Defraeye, University of Alberta, Canada)
13. Mourning a Europe in Crisis: En Avant, Marche! (Lourdes Orozco, University of Leeds, UK)
14. Troubled Pasts, Differential Futures: Platel's Choreopolitics with Les Ballets C de la B (Christel Stalpaert, Ghent University, Belgium)
Conclusion: A Genealogical Perspective on Les Ballets C de la B's Influences and Offspring (Christel Stalpaert, Ghent University, Belgium; Guy Cools, Ghent University, Belgium; and Hildegard De Vuyst, Les Ballets C de la B, Belgium)
Bibliography
Index
Introduction: The Choreographic Work of Alain Platel in Context (Christel Stalpaert, Ghent University, Belgium; Guy Cools, Ghent University, Belgium; and Hildegard De Vuyst, Les Ballets C de la B, Belgium)
1. Collaborative Dramaturgy: An Experiment in Democracy (Katalin Trencsenyi, Freelance Dramaturg, UK)
Part I: Emotions
2. Alain Platel is a Barbarian: Perceiving Emotions as Forms of Intelligent Awareness (Hildegard De Vuyst, Les Ballets C de la B, Belgium)
3. Desire amongst the Dodgems: The Scene of Seduction (Adrian Kear, Aberystwyth University, UK)
4. Platel's Quest for Embodied Salvation: A Musical Perspective on Choeurs (Francis Maes, Ghent University, Belgium)
5. Poetics of Fight in Nicht Schlafen (Claire Besuelle, École Doctorale Sciences de l'homme et de la Société, France)
Part II: Gestures
6. How to Witness the Hyper-Sensitive Through the Virtuosic: "I Have Never Seen Anybody Who Can Participate So Intensely While Standing Aside" (Guy Cools, Ghent University, Belgium)
7. Choreic Gesture: Virtuosic Angularity and Alterkinetic Dance in Platel's Out of Context: For Pina (2010) (Kélina Gotman, King's College, London, UK)
8. Being Alone Together: The 'Disturbance of Violent Relatedness' in La Tristeza Complice, Pitié and Tauberbach (Ann Cooper Albright, Oberlin College and Conservatory, USA)
9. Staging the Precarious: Vulnerability and Sexual Identity in Gardenia (Miriam Dreysse, Universität Hildesheim, Germany)
10. Schizophrenia and Resistance: On Tauberbach (Jeroen Donckers, Independent Psychotherapist, Belgium)
Part III: Politics
11. Catastrophe as Political Gesture: On Gestus and Hieroglyphs in Bernadetje (Erwin Jans, Dramaturg, Toneelhuis, Belgium)
12. Tauberbach: A Diagrammatical Reading (Piet Defraeye, University of Alberta, Canada)
13. Mourning a Europe in Crisis: En Avant, Marche! (Lourdes Orozco, University of Leeds, UK)
14. Troubled Pasts, Differential Futures: Platel's Choreopolitics with Les Ballets C de la B (Christel Stalpaert, Ghent University, Belgium)
Conclusion: A Genealogical Perspective on Les Ballets C de la B's Influences and Offspring (Christel Stalpaert, Ghent University, Belgium; Guy Cools, Ghent University, Belgium; and Hildegard De Vuyst, Les Ballets C de la B, Belgium)
Bibliography
Index
1. Collaborative Dramaturgy: An Experiment in Democracy (Katalin Trencsenyi, Freelance Dramaturg, UK)
Part I: Emotions
2. Alain Platel is a Barbarian: Perceiving Emotions as Forms of Intelligent Awareness (Hildegard De Vuyst, Les Ballets C de la B, Belgium)
3. Desire amongst the Dodgems: The Scene of Seduction (Adrian Kear, Aberystwyth University, UK)
4. Platel's Quest for Embodied Salvation: A Musical Perspective on Choeurs (Francis Maes, Ghent University, Belgium)
5. Poetics of Fight in Nicht Schlafen (Claire Besuelle, École Doctorale Sciences de l'homme et de la Société, France)
Part II: Gestures
6. How to Witness the Hyper-Sensitive Through the Virtuosic: "I Have Never Seen Anybody Who Can Participate So Intensely While Standing Aside" (Guy Cools, Ghent University, Belgium)
7. Choreic Gesture: Virtuosic Angularity and Alterkinetic Dance in Platel's Out of Context: For Pina (2010) (Kélina Gotman, King's College, London, UK)
8. Being Alone Together: The 'Disturbance of Violent Relatedness' in La Tristeza Complice, Pitié and Tauberbach (Ann Cooper Albright, Oberlin College and Conservatory, USA)
9. Staging the Precarious: Vulnerability and Sexual Identity in Gardenia (Miriam Dreysse, Universität Hildesheim, Germany)
10. Schizophrenia and Resistance: On Tauberbach (Jeroen Donckers, Independent Psychotherapist, Belgium)
Part III: Politics
11. Catastrophe as Political Gesture: On Gestus and Hieroglyphs in Bernadetje (Erwin Jans, Dramaturg, Toneelhuis, Belgium)
12. Tauberbach: A Diagrammatical Reading (Piet Defraeye, University of Alberta, Canada)
13. Mourning a Europe in Crisis: En Avant, Marche! (Lourdes Orozco, University of Leeds, UK)
14. Troubled Pasts, Differential Futures: Platel's Choreopolitics with Les Ballets C de la B (Christel Stalpaert, Ghent University, Belgium)
Conclusion: A Genealogical Perspective on Les Ballets C de la B's Influences and Offspring (Christel Stalpaert, Ghent University, Belgium; Guy Cools, Ghent University, Belgium; and Hildegard De Vuyst, Les Ballets C de la B, Belgium)
Bibliography
Index
Details
Medium: | Taschenbuch |
---|---|
Reihe: | Dance in Dialogue |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781350233577 |
ISBN-10: | 1350233579 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Hersteller: | Bloomsbury Publishing PLC |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Abbildungen: | 34 bw illus |
Maße: | 232 x 154 x 18 mm |
Erscheinungsdatum: | 22.04.2021 |
Gewicht: | 0,44 kg |
Details
Medium: | Taschenbuch |
---|---|
Reihe: | Dance in Dialogue |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781350233577 |
ISBN-10: | 1350233579 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Hersteller: | Bloomsbury Publishing PLC |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Abbildungen: | 34 bw illus |
Maße: | 232 x 154 x 18 mm |
Erscheinungsdatum: | 22.04.2021 |
Gewicht: | 0,44 kg |
Sicherheitshinweis