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Drawing on Daphne du Maurier's short story and contemporary newspaper reports of bird attacks in California, Alfred Hitchcock's The Birds (1963) featured Tippi Hedren in her first starring role. Camille Paglia's compelling study considers the film's aesthetic, technical and mythical qualities, and analyses its depiction of gender and family relations. A film about anxiety, sexual power and the violence of nature, it is quintessential Hitchcock.
Camille Paglia's foreword to this new edition reflects upon the relationship between Hitchcock and his leading lady Hedren in the light of recent debates about male power, female agency and the #MeToo movement.
Camille Paglia's foreword to this new edition reflects upon the relationship between Hitchcock and his leading lady Hedren in the light of recent debates about male power, female agency and the #MeToo movement.
Drawing on Daphne du Maurier's short story and contemporary newspaper reports of bird attacks in California, Alfred Hitchcock's The Birds (1963) featured Tippi Hedren in her first starring role. Camille Paglia's compelling study considers the film's aesthetic, technical and mythical qualities, and analyses its depiction of gender and family relations. A film about anxiety, sexual power and the violence of nature, it is quintessential Hitchcock.
Camille Paglia's foreword to this new edition reflects upon the relationship between Hitchcock and his leading lady Hedren in the light of recent debates about male power, female agency and the #MeToo movement.
Camille Paglia's foreword to this new edition reflects upon the relationship between Hitchcock and his leading lady Hedren in the light of recent debates about male power, female agency and the #MeToo movement.
Über den Autor
Camille Paglia is University Professor of Humanities & Media Studies at the University of the Arts, Philadelphia, USA. She is the author of Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990).
Zusammenfassung
Camille Paglia has written a new foreword to the new edition foregrounding the relationship dynamics between Hitchcock and his leading lady Tippi Hedren, and addressing re-readings of Hitchcock as an abusive bully in the context of #MeToo
Inhaltsverzeichnis
Foreword to the 2020 edition
'The Birds'
Appendix: Melanie Daniels' Social Calendar
Notes
Credits
Bibliography
'The Birds'
Appendix: Melanie Daniels' Social Calendar
Notes
Credits
Bibliography
Details
Erscheinungsjahr: | 2020 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781838719401 |
ISBN-10: | 1838719407 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Paglia, Camille |
Hersteller: | Bloomsbury Publishing PLC |
Maße: | 190 x 134 x 15 mm |
Von/Mit: | Camille Paglia |
Erscheinungsdatum: | 28.05.2020 |
Gewicht: | 0,19 kg |
Über den Autor
Camille Paglia is University Professor of Humanities & Media Studies at the University of the Arts, Philadelphia, USA. She is the author of Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990).
Zusammenfassung
Camille Paglia has written a new foreword to the new edition foregrounding the relationship dynamics between Hitchcock and his leading lady Tippi Hedren, and addressing re-readings of Hitchcock as an abusive bully in the context of #MeToo
Inhaltsverzeichnis
Foreword to the 2020 edition
'The Birds'
Appendix: Melanie Daniels' Social Calendar
Notes
Credits
Bibliography
'The Birds'
Appendix: Melanie Daniels' Social Calendar
Notes
Credits
Bibliography
Details
Erscheinungsjahr: | 2020 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781838719401 |
ISBN-10: | 1838719407 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Paglia, Camille |
Hersteller: | Bloomsbury Publishing PLC |
Maße: | 190 x 134 x 15 mm |
Von/Mit: | Camille Paglia |
Erscheinungsdatum: | 28.05.2020 |
Gewicht: | 0,19 kg |
Warnhinweis