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Beschreibung
Over fifty years after the Situationist International appeared, they continue to influence activists, artists and theorists. From the Invisible Committee's bestselling The Coming Insurrection to Iain Sinclair's psychogeographic explorations, their work is still found to be rich with possibilities, yet its breadth and diversity is still unexplored. In the first account since Greil Marcus's Lipstick Traces (19.8 x 12.99), McKenzie Wark traces the Situationist International's beginnings in 1950s bohemian Paris up to the explosive days of May 1968. This account puts the legendary figure of Guy Debord back into the context of the other fascinating figures who made up the movement, including Constant, Asger Jorn, Michele Bernstein and Jacqueline De Jong. It treats them as an international movement of conflicting passions rather than as a Paris coterie. Accessible to those who have only just discovered the Situationists and filled with new insights, Wark reconnects their work to new practices in communication, built form, and everyday life.
Over fifty years after the Situationist International appeared, they continue to influence activists, artists and theorists. From the Invisible Committee's bestselling The Coming Insurrection to Iain Sinclair's psychogeographic explorations, their work is still found to be rich with possibilities, yet its breadth and diversity is still unexplored. In the first account since Greil Marcus's Lipstick Traces (19.8 x 12.99), McKenzie Wark traces the Situationist International's beginnings in 1950s bohemian Paris up to the explosive days of May 1968. This account puts the legendary figure of Guy Debord back into the context of the other fascinating figures who made up the movement, including Constant, Asger Jorn, Michele Bernstein and Jacqueline De Jong. It treats them as an international movement of conflicting passions rather than as a Paris coterie. Accessible to those who have only just discovered the Situationists and filled with new insights, Wark reconnects their work to new practices in communication, built form, and everyday life.
Über den Autor
McKenzie Wark is the author of A Hacker Manifesto, The Beach beneath the Street, The Spectacle of Disintegration, Molecular Red, Capital Is Dead, as well as the popular introductions to contemporary thought General Intellects and Sensoria. In 2017, she came out as transgender. Since, she has published her trans autofiction books, Reverse Cowgirl and Raving, and a work that combines memoir and literary criticism about Kathy Acker, Philosophy for Spiders. She teaches at Eugene Lang College, the New School.
Details
Erscheinungsjahr: | 2015 |
---|---|
Genre: | Politikwissenschaften |
Rubrik: | Wissenschaften |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781781688380 |
ISBN-10: | 1781688389 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Wark, Mckenzie |
Hersteller: | Verso Books |
Maße: | 208 x 139 x 20 mm |
Von/Mit: | Mckenzie Wark |
Erscheinungsdatum: | 03.04.2015 |
Gewicht: | 0,269 kg |
Über den Autor
McKenzie Wark is the author of A Hacker Manifesto, The Beach beneath the Street, The Spectacle of Disintegration, Molecular Red, Capital Is Dead, as well as the popular introductions to contemporary thought General Intellects and Sensoria. In 2017, she came out as transgender. Since, she has published her trans autofiction books, Reverse Cowgirl and Raving, and a work that combines memoir and literary criticism about Kathy Acker, Philosophy for Spiders. She teaches at Eugene Lang College, the New School.
Details
Erscheinungsjahr: | 2015 |
---|---|
Genre: | Politikwissenschaften |
Rubrik: | Wissenschaften |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781781688380 |
ISBN-10: | 1781688389 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Wark, Mckenzie |
Hersteller: | Verso Books |
Maße: | 208 x 139 x 20 mm |
Von/Mit: | Mckenzie Wark |
Erscheinungsdatum: | 03.04.2015 |
Gewicht: | 0,269 kg |
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