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Cover: 9780197631539 | The Art of the Filmmaker | The Practical Aesthetics of the Screen
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The Art of the Filmmaker
The Practical Aesthetics of the Screen
Taschenbuch von Peter Markham
Sprache: Englisch

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Beschreibung
The Art of the Filmmaker: The Practical Aesthetics of the Screen explores the filmmaker's intention and method, their creation and capture of the fiction on the screen, and their formulation of the elements of the frame as a designed address to the audience. Written in accessible language and generously illustrated with film stills, this book is essential reading for film students and practitioners alike.
The Art of the Filmmaker: The Practical Aesthetics of the Screen explores the filmmaker's intention and method, their creation and capture of the fiction on the screen, and their formulation of the elements of the frame as a designed address to the audience. Written in accessible language and generously illustrated with film stills, this book is essential reading for film students and practitioners alike.
Über den Autor
After a career in production with BBC TV Drama and Films, working with filmmakers such as Anthony Minghella and Martin Scorsese, and directing in Film and TV, Peter Markham was head of the MFA directing program at the AFI Conservatory, Los Angeles. He has taught in Beijing and Shanghai, been a lead instructor with Sundance Collab, and is a consultant and educator in creative filmmaking. He is the author of What's the Story? The Director Meets Their Screenplay: An Essential Guide for Directors and Writer-Directors (2020).
Inhaltsverzeichnis
  • Acknowledgments

  • Introduction

  • PART ONE: PERSPECTIVES

  • CHAPTER ONE Appreciating the Art of The Filmmaker.

  • CHAPTER TWO Language and Cinema.

  • Definitions of Language, Visual vs. Pictorial Films, Cinematic Language as Theft.

  • CHAPTER THREE The 'Five Domains in Which a Film 'Comes to Life.''

  • The Fiction, The Screen, The 'Screen of the Mind', The Audience (Heart, Mind, Guts), Audience Memory.

  • CHAPTER FOUR The 'Five Tasks' of the Filmmaker.

  • Information, Emotion, Visceral/Tactile/Neural Sensation, Vision, Storytelling.

  • The 'Two Vectors' of the Filmmaker

  • PART TWO: CRITERIA

  • CHAPTER FIVE Dramatic Narrative.

  • Story, Structure, 'Narrative Units', Characters, World.

  • CHAPTER SIX The Elements Before the Lens.

  • Sets and Locations, Actors and Staging, Performance, Props and Equipment.

  • CHAPTER SEVEN Screen Language.

  • Grammar and Language, Visual Language-Meaning through Use vs. Meaning inherent in the Language, Ikones, Color, Eye Trace, Uninflected vs. Inflected Cinematic Language, The Image, Visual Language, and Style.

  • CHAPTER EIGHT The Shot.

  • Composition and Mise-en-Scène, Aspect Ratio, Selection, Establishing Shots and Masters, Subject, Size, Framing.

  • CHAPTER NINE Camera.

  • Camera as Concept, Placement and Angle (Frontal, Profiles and Half-Profiles, Back Shots, Raking Angles, Top Shots, 'Dutched' Angles, Angles on the Axis of the Drama), Camera Movement (x-, y-, z-axes, Editing in Camera, Narrative Moves, Descriptive Moves, Pivots), Lensing (Depth of Field, Wide, Neutral, Long, Spherical, Anamorphic, Modulation of Space).

  • CHAPTER TEN Editing: the Nature of Cuts and Transitions.

  • Editorial Art, Walter Murch's Criteria for Making the Cut, Narrative Point of View, Modulation of Time and Space, Transitions.

  • CHAPTER ELEVEN Sound, Music, and the Screen.

  • Sound: Verisimilitude, The 'Screen of the Mind', Narrative Point of View, Subliminal Messaging, Tonal Dissonance and Irony, Register, Immersive Experience, Silence.

  • Music: Diegetic, Non-diegetic, Verisimilitude, Narrative POV and Subliminal Messaging, Tonal Dissonance and Irony, Register, Immersive Experience.

  • CHAPTER TWELVE Reading the Screenplay.

  • PART THREE: THE ART OF THE FILMMAKER: THE CASE STUDIES

  • The Filmmakers

  • Ari Aster: Hereditary

  • The Prelude

  • The Dinner Scene

  • The Family Séance

  • Barry Jenkins: Moonlight

  • Announcing Little

  • Announcing Chiron

  • Announcing Black

  • Chloe Zhao: Nomadland

  • Empire-Opening and Ending

  • Storytelling from Life, from the Filmmaker, Resonance from Nature

  • Fern and Dave-Invitation and Departure

  • CONCLUSION

  • Glossary of Abbreviations

  • Bibliography

  • Filmography

  • Index

Details
Erscheinungsjahr: 2023
Fachbereich: Allgemeines
Genre: Erziehung & Bildung
Rubrik: Sozialwissenschaften
Thema: Lexika
Medium: Taschenbuch
Seiten: 344
ISBN-13: 9780197631539
ISBN-10: 0197631533
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Markham, Peter
Hersteller: Sydney University Press
Maße: 231 x 152 x 20 mm
Von/Mit: Peter Markham
Erscheinungsdatum: 13.10.2023
Gewicht: 0,5 kg
preigu-id: 126877930
Über den Autor
After a career in production with BBC TV Drama and Films, working with filmmakers such as Anthony Minghella and Martin Scorsese, and directing in Film and TV, Peter Markham was head of the MFA directing program at the AFI Conservatory, Los Angeles. He has taught in Beijing and Shanghai, been a lead instructor with Sundance Collab, and is a consultant and educator in creative filmmaking. He is the author of What's the Story? The Director Meets Their Screenplay: An Essential Guide for Directors and Writer-Directors (2020).
Inhaltsverzeichnis
  • Acknowledgments

  • Introduction

  • PART ONE: PERSPECTIVES

  • CHAPTER ONE Appreciating the Art of The Filmmaker.

  • CHAPTER TWO Language and Cinema.

  • Definitions of Language, Visual vs. Pictorial Films, Cinematic Language as Theft.

  • CHAPTER THREE The 'Five Domains in Which a Film 'Comes to Life.''

  • The Fiction, The Screen, The 'Screen of the Mind', The Audience (Heart, Mind, Guts), Audience Memory.

  • CHAPTER FOUR The 'Five Tasks' of the Filmmaker.

  • Information, Emotion, Visceral/Tactile/Neural Sensation, Vision, Storytelling.

  • The 'Two Vectors' of the Filmmaker

  • PART TWO: CRITERIA

  • CHAPTER FIVE Dramatic Narrative.

  • Story, Structure, 'Narrative Units', Characters, World.

  • CHAPTER SIX The Elements Before the Lens.

  • Sets and Locations, Actors and Staging, Performance, Props and Equipment.

  • CHAPTER SEVEN Screen Language.

  • Grammar and Language, Visual Language-Meaning through Use vs. Meaning inherent in the Language, Ikones, Color, Eye Trace, Uninflected vs. Inflected Cinematic Language, The Image, Visual Language, and Style.

  • CHAPTER EIGHT The Shot.

  • Composition and Mise-en-Scène, Aspect Ratio, Selection, Establishing Shots and Masters, Subject, Size, Framing.

  • CHAPTER NINE Camera.

  • Camera as Concept, Placement and Angle (Frontal, Profiles and Half-Profiles, Back Shots, Raking Angles, Top Shots, 'Dutched' Angles, Angles on the Axis of the Drama), Camera Movement (x-, y-, z-axes, Editing in Camera, Narrative Moves, Descriptive Moves, Pivots), Lensing (Depth of Field, Wide, Neutral, Long, Spherical, Anamorphic, Modulation of Space).

  • CHAPTER TEN Editing: the Nature of Cuts and Transitions.

  • Editorial Art, Walter Murch's Criteria for Making the Cut, Narrative Point of View, Modulation of Time and Space, Transitions.

  • CHAPTER ELEVEN Sound, Music, and the Screen.

  • Sound: Verisimilitude, The 'Screen of the Mind', Narrative Point of View, Subliminal Messaging, Tonal Dissonance and Irony, Register, Immersive Experience, Silence.

  • Music: Diegetic, Non-diegetic, Verisimilitude, Narrative POV and Subliminal Messaging, Tonal Dissonance and Irony, Register, Immersive Experience.

  • CHAPTER TWELVE Reading the Screenplay.

  • PART THREE: THE ART OF THE FILMMAKER: THE CASE STUDIES

  • The Filmmakers

  • Ari Aster: Hereditary

  • The Prelude

  • The Dinner Scene

  • The Family Séance

  • Barry Jenkins: Moonlight

  • Announcing Little

  • Announcing Chiron

  • Announcing Black

  • Chloe Zhao: Nomadland

  • Empire-Opening and Ending

  • Storytelling from Life, from the Filmmaker, Resonance from Nature

  • Fern and Dave-Invitation and Departure

  • CONCLUSION

  • Glossary of Abbreviations

  • Bibliography

  • Filmography

  • Index

Details
Erscheinungsjahr: 2023
Fachbereich: Allgemeines
Genre: Erziehung & Bildung
Rubrik: Sozialwissenschaften
Thema: Lexika
Medium: Taschenbuch
Seiten: 344
ISBN-13: 9780197631539
ISBN-10: 0197631533
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Markham, Peter
Hersteller: Sydney University Press
Maße: 231 x 152 x 20 mm
Von/Mit: Peter Markham
Erscheinungsdatum: 13.10.2023
Gewicht: 0,5 kg
preigu-id: 126877930
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