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- Introduction to the New Edition
- Art History: Making the Visible Legible
- 1. Art as History
- Introduction
- Preface to Part III of 'The Lives'
- Reflections on the Imitation of Greek Works in Painting and Sculpture
- Winckelmann Divided: Mourning the Death of Art History
- Patterns of Intention
- 2. Aesthetics
- Introduction
- What is Enlightenment?
- Philosophy of Fine Art
- Impure Mimesis, or the Ends of the Aesthetic
- Fetish
- 3. Form, Content, and Style
- Introduction
- Principles of Art History
- Style
- 'Form', Nineteenth-Century Metaphysics, and the Problem of Art Historical Description
- 'Style'
- 4. Anthropology and/or Art History
- Introduction
- Leading Characteristics of the Late Roman 'Kunstwollen'
- Images from the Region of the Pueblo Indians of North America
- Warburg's Concept of 'Kunstwissenschaft' and its Meaning for Aesthetics
- Silent Moves: On Excluding the Ethnographic Subject from the Discourse of Art History
- 5. Mechanisms of Meaning
- Introduction
- Iconography and Iconology: An Introduction to the Study of Renaissance Art
- Semiotics and Iconography
- Semiotics and Art History: A Discussion of Contexts and Senders
- Meaning/Interpretation
- 6. The Limits of Interpretation
- Introduction
- The Temptation of New Perspectives
- The Origin of the Work of Art
- The Still Life as a Personal Object - a Note on Heidegger and van Gogh
- Restitutions of the Truth in Pointing [Pointure]
- 7. Authorship and Identity
- Introduction
- What is an Author?
- The Discourse of Others: Feminists and Postmodernism
- Re-Viewing Modernist Criticism
- Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory
- Postmodern Automatons
- 'Every Man Knows How Beauty Gives Him Pleasure': Beauty Discourse and the Logic of Aesthetics
- Queer Wallpaper
- 8. Globalization and its Discontents
- Introduction
- Orientalism and the Exhibitionary Order
- The Museum as Ritual
- The Work of Art in the Age of its Technological Reproducibility (Third Version)
- Can Our Values be Objective? On Ethics, Aesthetics, and Progessive Politics
- Visual Culture Studies: Questions of History, Theory, and Practice
- 'Life-Like': Historicizing Process in Digital Art
- Epilogue: The Art of Art History
- Coda: Plato's Dilemma and the Tasks of the Art Historian Today
| Erscheinungsjahr: | 2009 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Allgemeine Kunst |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780199229840 |
| ISBN-10: | 0199229848 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Preziosi, Donald (Emeritus Prof of Art History and Critical Theory, University of California, Los Angeles) |
| Redaktion: | Preziosi, Donald |
| Auflage: | New, Updated, Expanded edition |
| Hersteller: | Hurst & Co. |
| Maße: | 237 x 169 x 42 mm |
| Von/Mit: | Donald Preziosi |
| Erscheinungsdatum: | 15.04.2009 |
| Gewicht: | 1,402 kg |
- Introduction to the New Edition
- Art History: Making the Visible Legible
- 1. Art as History
- Introduction
- Preface to Part III of 'The Lives'
- Reflections on the Imitation of Greek Works in Painting and Sculpture
- Winckelmann Divided: Mourning the Death of Art History
- Patterns of Intention
- 2. Aesthetics
- Introduction
- What is Enlightenment?
- Philosophy of Fine Art
- Impure Mimesis, or the Ends of the Aesthetic
- Fetish
- 3. Form, Content, and Style
- Introduction
- Principles of Art History
- Style
- 'Form', Nineteenth-Century Metaphysics, and the Problem of Art Historical Description
- 'Style'
- 4. Anthropology and/or Art History
- Introduction
- Leading Characteristics of the Late Roman 'Kunstwollen'
- Images from the Region of the Pueblo Indians of North America
- Warburg's Concept of 'Kunstwissenschaft' and its Meaning for Aesthetics
- Silent Moves: On Excluding the Ethnographic Subject from the Discourse of Art History
- 5. Mechanisms of Meaning
- Introduction
- Iconography and Iconology: An Introduction to the Study of Renaissance Art
- Semiotics and Iconography
- Semiotics and Art History: A Discussion of Contexts and Senders
- Meaning/Interpretation
- 6. The Limits of Interpretation
- Introduction
- The Temptation of New Perspectives
- The Origin of the Work of Art
- The Still Life as a Personal Object - a Note on Heidegger and van Gogh
- Restitutions of the Truth in Pointing [Pointure]
- 7. Authorship and Identity
- Introduction
- What is an Author?
- The Discourse of Others: Feminists and Postmodernism
- Re-Viewing Modernist Criticism
- Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory
- Postmodern Automatons
- 'Every Man Knows How Beauty Gives Him Pleasure': Beauty Discourse and the Logic of Aesthetics
- Queer Wallpaper
- 8. Globalization and its Discontents
- Introduction
- Orientalism and the Exhibitionary Order
- The Museum as Ritual
- The Work of Art in the Age of its Technological Reproducibility (Third Version)
- Can Our Values be Objective? On Ethics, Aesthetics, and Progessive Politics
- Visual Culture Studies: Questions of History, Theory, and Practice
- 'Life-Like': Historicizing Process in Digital Art
- Epilogue: The Art of Art History
- Coda: Plato's Dilemma and the Tasks of the Art Historian Today
| Erscheinungsjahr: | 2009 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Allgemeine Kunst |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780199229840 |
| ISBN-10: | 0199229848 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Preziosi, Donald (Emeritus Prof of Art History and Critical Theory, University of California, Los Angeles) |
| Redaktion: | Preziosi, Donald |
| Auflage: | New, Updated, Expanded edition |
| Hersteller: | Hurst & Co. |
| Maße: | 237 x 169 x 42 mm |
| Von/Mit: | Donald Preziosi |
| Erscheinungsdatum: | 15.04.2009 |
| Gewicht: | 1,402 kg |
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