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The After-Party: The Concealment of Appropriation in Contemporary Art
The Retreat and Concealment of Strategic Appropriation in Contemporary Art
Taschenbuch von Sean Lowry
Sprache: Englisch

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Beschreibung
Once a defining aspect of postmodernism, appropriation has retreated from the foreground of art parlance. With the dissolution of postmodernism, reconstruction has overtaken ironic quotation, and quotation has become a habit. Given that appropriation no longer constitutes a critically explicit subject of art, this investigation addresses the manner with which appropriation is still broadly exploited by artists and the commercial world alike in order to unearth low frequency emotional ties. Formerly served as an assault on prototype forms, appropriation now paradoxically provides a means for extending a prototype''s qualities. With this in mind, an interdisciplinary production methodology that deliberately conceals otherwise recognizable appropriated elements using a data- matching methodology is demonstrated as possessing the potential to evoke a ¿ghostly feeling of familiarity¿ as opposed to any specific historical or ironic distance from prototype forms. Emphasizing the paradoxical implications of reemploying an anti-aesthetic strategy to the production of new works, an ¿agnostic¿ approach is presented as a register of the complex dilemma of ¿carrying on¿.
Once a defining aspect of postmodernism, appropriation has retreated from the foreground of art parlance. With the dissolution of postmodernism, reconstruction has overtaken ironic quotation, and quotation has become a habit. Given that appropriation no longer constitutes a critically explicit subject of art, this investigation addresses the manner with which appropriation is still broadly exploited by artists and the commercial world alike in order to unearth low frequency emotional ties. Formerly served as an assault on prototype forms, appropriation now paradoxically provides a means for extending a prototype''s qualities. With this in mind, an interdisciplinary production methodology that deliberately conceals otherwise recognizable appropriated elements using a data- matching methodology is demonstrated as possessing the potential to evoke a ¿ghostly feeling of familiarity¿ as opposed to any specific historical or ironic distance from prototype forms. Emphasizing the paradoxical implications of reemploying an anti-aesthetic strategy to the production of new works, an ¿agnostic¿ approach is presented as a register of the complex dilemma of ¿carrying on¿.
Über den Autor
Sean Lowry is a Sydney based artist, writer, musician, and Lecturer at The University of Newcastle, Australia. Recently a Visiting Artist at UCSD and UCI, Lowry has presented research at international conferences, exhibited and performed internationally, and published broadly on topics related to contemporary art.
Details
Erscheinungsjahr: 2010
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Taschenbuch
Inhalt: 232 S.
ISBN-13: 9783843380584
ISBN-10: 3843380589
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Lowry, Sean
Hersteller: LAP LAMBERT Academic Publishing
Maße: 220 x 150 x 14 mm
Von/Mit: Sean Lowry
Erscheinungsdatum: 01.12.2010
Gewicht: 0,364 kg
Artikel-ID: 107193993
Über den Autor
Sean Lowry is a Sydney based artist, writer, musician, and Lecturer at The University of Newcastle, Australia. Recently a Visiting Artist at UCSD and UCI, Lowry has presented research at international conferences, exhibited and performed internationally, and published broadly on topics related to contemporary art.
Details
Erscheinungsjahr: 2010
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Taschenbuch
Inhalt: 232 S.
ISBN-13: 9783843380584
ISBN-10: 3843380589
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Lowry, Sean
Hersteller: LAP LAMBERT Academic Publishing
Maße: 220 x 150 x 14 mm
Von/Mit: Sean Lowry
Erscheinungsdatum: 01.12.2010
Gewicht: 0,364 kg
Artikel-ID: 107193993
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