Dekorationsartikel gehören nicht zum Leistungsumfang.
Sprache:
Englisch
Regulärer Preis:
inkl. MwSt.
72,55 €
Versandkostenfrei per Post / DHL
Lieferzeit 1-2 Wochen
Kategorien:
Beschreibung
An interdisciplinary glossary on machine vision and aesthetics within the humanities and beyond.
The Aesthetics of Machine Vision brings together scholars, researchers, and artists who explore machine vision from various academic and nonacademic perspectives. Edited by Kathrin Maurer, Rikke Munck Petersen, Dominique Routhier, Kassandra Wellendorf, and Kristin Veel, this glossary creates a conversation between different terms (and scholars) and engages them in productive critical dialogue. The book constitutes a crucial forum where key terms in the discourse of machine vision can generate and enhance the understanding of these technologies and their societal ramifications. Hence, the book exceeds the idea of a glossary as a compendium of definitions within a specialized field. Rather, the entries in the book establish a heteroglossia across disciplines, thereby breaking new critical ground where different voices can learn from and enrich one another.
Machine vision entails a variety of advanced technologies that can extract information from and process images on an automated basis. They operate in society in the fields of inspection, observation, and production. The term “machine” refers not only to software—AI, deep learning, algorithms, imaging—but also to hardware as well as the wider material relations and operative contexts of machine vision. Its application spans traffic flow analysis, medical data analysis, agriculture, and security—fields as varied as the artists, architects, art historians, and critical theorists who have made machine vision their subject.
The Aesthetics of Machine Vision brings together scholars, researchers, and artists who explore machine vision from various academic and nonacademic perspectives. Edited by Kathrin Maurer, Rikke Munck Petersen, Dominique Routhier, Kassandra Wellendorf, and Kristin Veel, this glossary creates a conversation between different terms (and scholars) and engages them in productive critical dialogue. The book constitutes a crucial forum where key terms in the discourse of machine vision can generate and enhance the understanding of these technologies and their societal ramifications. Hence, the book exceeds the idea of a glossary as a compendium of definitions within a specialized field. Rather, the entries in the book establish a heteroglossia across disciplines, thereby breaking new critical ground where different voices can learn from and enrich one another.
Machine vision entails a variety of advanced technologies that can extract information from and process images on an automated basis. They operate in society in the fields of inspection, observation, and production. The term “machine” refers not only to software—AI, deep learning, algorithms, imaging—but also to hardware as well as the wider material relations and operative contexts of machine vision. Its application spans traffic flow analysis, medical data analysis, agriculture, and security—fields as varied as the artists, architects, art historians, and critical theorists who have made machine vision their subject.
An interdisciplinary glossary on machine vision and aesthetics within the humanities and beyond.
The Aesthetics of Machine Vision brings together scholars, researchers, and artists who explore machine vision from various academic and nonacademic perspectives. Edited by Kathrin Maurer, Rikke Munck Petersen, Dominique Routhier, Kassandra Wellendorf, and Kristin Veel, this glossary creates a conversation between different terms (and scholars) and engages them in productive critical dialogue. The book constitutes a crucial forum where key terms in the discourse of machine vision can generate and enhance the understanding of these technologies and their societal ramifications. Hence, the book exceeds the idea of a glossary as a compendium of definitions within a specialized field. Rather, the entries in the book establish a heteroglossia across disciplines, thereby breaking new critical ground where different voices can learn from and enrich one another.
Machine vision entails a variety of advanced technologies that can extract information from and process images on an automated basis. They operate in society in the fields of inspection, observation, and production. The term “machine” refers not only to software—AI, deep learning, algorithms, imaging—but also to hardware as well as the wider material relations and operative contexts of machine vision. Its application spans traffic flow analysis, medical data analysis, agriculture, and security—fields as varied as the artists, architects, art historians, and critical theorists who have made machine vision their subject.
The Aesthetics of Machine Vision brings together scholars, researchers, and artists who explore machine vision from various academic and nonacademic perspectives. Edited by Kathrin Maurer, Rikke Munck Petersen, Dominique Routhier, Kassandra Wellendorf, and Kristin Veel, this glossary creates a conversation between different terms (and scholars) and engages them in productive critical dialogue. The book constitutes a crucial forum where key terms in the discourse of machine vision can generate and enhance the understanding of these technologies and their societal ramifications. Hence, the book exceeds the idea of a glossary as a compendium of definitions within a specialized field. Rather, the entries in the book establish a heteroglossia across disciplines, thereby breaking new critical ground where different voices can learn from and enrich one another.
Machine vision entails a variety of advanced technologies that can extract information from and process images on an automated basis. They operate in society in the fields of inspection, observation, and production. The term “machine” refers not only to software—AI, deep learning, algorithms, imaging—but also to hardware as well as the wider material relations and operative contexts of machine vision. Its application spans traffic flow analysis, medical data analysis, agriculture, and security—fields as varied as the artists, architects, art historians, and critical theorists who have made machine vision their subject.
Über den Autor
Kathrin Maurer is Professor of Culture and Technology at the University of Southern Denmark. She was research leader for “Drone Imaginaries and Communities” (Independent Research Fund Denmark) and is currently leading the project “The Aesthetics of Biomachines and the Question of Life” (The Velux Foundations). She is author of The Drone Sensorium and Communities (MIT Press).
Rikke Munck Petersen is Associate Professor in landscape architecture and planning in the Department of Geosciences and Natural Resource Management at the University of Copenhagen.
Dominique Routhier is Assistant Professor at Roskilde University’s Department of Communication and Arts. He is the author of With and Against.
Kassandra Wellendorf is Teaching Associate Professor in the Department of Arts and Cultural Studies at the University of Copenhagen.
Kristin Veel is Professor of Aesthetic Technology Studies at the Department for Arts and Cultural Studies at the University of Copenhagen and coauthor of Tower to Tower (MIT Press).
Rikke Munck Petersen is Associate Professor in landscape architecture and planning in the Department of Geosciences and Natural Resource Management at the University of Copenhagen.
Dominique Routhier is Assistant Professor at Roskilde University’s Department of Communication and Arts. He is the author of With and Against.
Kassandra Wellendorf is Teaching Associate Professor in the Department of Arts and Cultural Studies at the University of Copenhagen.
Kristin Veel is Professor of Aesthetic Technology Studies at the Department for Arts and Cultural Studies at the University of Copenhagen and coauthor of Tower to Tower (MIT Press).
Inhaltsverzeichnis
Contents
Introduction - Kathrin Maurer
Abstraction - Svea Braeunert
Adversarial Perturbation - Bernd Behr
Affect - Bodil Marie Stavning Thomsen
Algorithmic Audiences - Joanna Zylinska
Annotation - Linda Kronman
Automation - Dominique Routhier
Camera Play - Ragnhild Solberg
Computational Ekphrasis - Daniel Chávez Heras
Content Moderation - Zeerak Talat
Convolutional Aesthetics - Naja Grundtmann
Curation - Magdalena Tyżlik-Carver and Daniela Agostinho
Deep Space - Elizabeth A. Kessler
Domestication - Jaime Lee Kirtz
Emergence - Rikke Munck Petersen
Environmental Sensing - Gökçe Önal
Error - Miguel Sicart
Facial Recognition - Cristina Voto
Filters - Jill Walker Rettberg
Glitch - Lea Laura N. Michelsen
Human / Nonhuman - Kerstin Borchhardt
Labor - Tim Christiaens
Machine - Kathrin Maurer
Machine Learning - Norbert Krüger and Florentin Wörgötter
Navigation - Kristin Veel
Negative Optics - Luciana Parisi
Neural Networks - Joseph Lemelin and Jacob Browning
Observation - Adrian Mackenzie and Anna Munster
Operations - Jussi Parikka
Parametric Truth - Simone C. Niquille
Planetary - Hedwig Wagner
Recomposition - Alasdair Milne
Speculation - Orit Halpern
Statistics - Justin Joque
Straight Line - Ina Blom
Surveillance - Torin Monahan
Suspension of Knowledge - Kassandra Wellendorf
Synthetic - Tanja Wiehn
World-Making - Christina Jauernik
Introduction - Kathrin Maurer
Abstraction - Svea Braeunert
Adversarial Perturbation - Bernd Behr
Affect - Bodil Marie Stavning Thomsen
Algorithmic Audiences - Joanna Zylinska
Annotation - Linda Kronman
Automation - Dominique Routhier
Camera Play - Ragnhild Solberg
Computational Ekphrasis - Daniel Chávez Heras
Content Moderation - Zeerak Talat
Convolutional Aesthetics - Naja Grundtmann
Curation - Magdalena Tyżlik-Carver and Daniela Agostinho
Deep Space - Elizabeth A. Kessler
Domestication - Jaime Lee Kirtz
Emergence - Rikke Munck Petersen
Environmental Sensing - Gökçe Önal
Error - Miguel Sicart
Facial Recognition - Cristina Voto
Filters - Jill Walker Rettberg
Glitch - Lea Laura N. Michelsen
Human / Nonhuman - Kerstin Borchhardt
Labor - Tim Christiaens
Machine - Kathrin Maurer
Machine Learning - Norbert Krüger and Florentin Wörgötter
Navigation - Kristin Veel
Negative Optics - Luciana Parisi
Neural Networks - Joseph Lemelin and Jacob Browning
Observation - Adrian Mackenzie and Anna Munster
Operations - Jussi Parikka
Parametric Truth - Simone C. Niquille
Planetary - Hedwig Wagner
Recomposition - Alasdair Milne
Speculation - Orit Halpern
Statistics - Justin Joque
Straight Line - Ina Blom
Surveillance - Torin Monahan
Suspension of Knowledge - Kassandra Wellendorf
Synthetic - Tanja Wiehn
World-Making - Christina Jauernik
Details
| Erscheinungsjahr: | 2026 |
|---|---|
| Genre: | Importe |
| Rubrik: | Wissenschaften |
| Medium: | Taschenbuch |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9780262054171 |
| ISBN-10: | 0262054175 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: |
Maurer, Kathrin
Petersen, Rikke Munck Petersen |
| Redaktion: |
Kathrin Maurer
Rikke Munck Petersen Dominique Routhier Kassandra Wellendorf Kristin Veel |
| Hersteller: | MIT Press Ltd |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 229 x 181 x 31 mm |
| Von/Mit: | Kathrin Maurer (u. a.) |
| Erscheinungsdatum: | 01.09.2026 |
| Gewicht: | 0,562 kg |