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The Accident of Art
Taschenbuch von Paul Virilio (u. a.)
Sprache: Englisch

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There is a catastrophe within contemporary art. What I call the "optically correct" is at stake. The vision machine and the motor have triggered it, but the visual arts haven't learned from it. Instead, they've masked this failure with commercial success. This "accident" is provoking a reversal of values. In my view, this is positive: the accident reveals something important we would not otherwise know how to perceive.—Paul Virilio, The Accident of Art

Urbanist and technological theorist Paul Virilio trained as a painter, studying under Henri Matisse, Georges Braque, Bazaine and de Stael. In The Accident of Art, his third extended conversation with Sylvère Lotringer, Virilio addresses the situation of art within technological society for the first time. This book completes a collaborative trilogy the two began in 1982 with Pure War and continued with Crepuscular Dawn, their 2002 work on architecture and biotechnology. In The Accident of Art, Virilio and Lotringer argue that a direct relation exists between war trauma and art. Why has art failed to reinvent itself in the face of technology, unlike performing art? Why has art simply retreated into painting, or surrendered to digital technology? Accidents, Virilio claims, can free us from speed's inertia. As technological catastrophes, accidents are inventions in their own right.

There is a catastrophe within contemporary art. What I call the "optically correct" is at stake. The vision machine and the motor have triggered it, but the visual arts haven't learned from it. Instead, they've masked this failure with commercial success. This "accident" is provoking a reversal of values. In my view, this is positive: the accident reveals something important we would not otherwise know how to perceive.—Paul Virilio, The Accident of Art

Urbanist and technological theorist Paul Virilio trained as a painter, studying under Henri Matisse, Georges Braque, Bazaine and de Stael. In The Accident of Art, his third extended conversation with Sylvère Lotringer, Virilio addresses the situation of art within technological society for the first time. This book completes a collaborative trilogy the two began in 1982 with Pure War and continued with Crepuscular Dawn, their 2002 work on architecture and biotechnology. In The Accident of Art, Virilio and Lotringer argue that a direct relation exists between war trauma and art. Why has art failed to reinvent itself in the face of technology, unlike performing art? Why has art simply retreated into painting, or surrendered to digital technology? Accidents, Virilio claims, can free us from speed's inertia. As technological catastrophes, accidents are inventions in their own right.

Über den Autor
Sylvère Lotringer and Paul Virilio; translated by Mike Taormina
Details
Empfohlen (von): 18
Erscheinungsjahr: 2005
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Taschenbuch
Seiten: 128
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9781584350200
ISBN-10: 1584350202
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Virilio, Paul
Lotringer, Sylvere
Übersetzung: Taormina, Mike
Hersteller: MIT Press
Maße: 216 x 151 x 10 mm
Von/Mit: Paul Virilio (u. a.)
Erscheinungsdatum: 12.08.2005
Gewicht: 0,181 kg
preigu-id: 102574367
Über den Autor
Sylvère Lotringer and Paul Virilio; translated by Mike Taormina
Details
Empfohlen (von): 18
Erscheinungsjahr: 2005
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Taschenbuch
Seiten: 128
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9781584350200
ISBN-10: 1584350202
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Virilio, Paul
Lotringer, Sylvere
Übersetzung: Taormina, Mike
Hersteller: MIT Press
Maße: 216 x 151 x 10 mm
Von/Mit: Paul Virilio (u. a.)
Erscheinungsdatum: 12.08.2005
Gewicht: 0,181 kg
preigu-id: 102574367
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