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Englisch
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Beschreibung
Terence Davies has made some of the most innovative, harrowing, and hauntingly lyrical films of the contemporary era. This is the first ever book-length study of his work, combining detailed analysis of all his films with a persuasive and stimulating investigation of key filmic issues of time and memory, identity and selfhood, and the nature of literary adaptation, as well as a previously unpublished interview with Davies himself.
The book demonstrates that Davies's films successfully subvert traditional division between 'popular' culture and 'art-house' cinema. Gardner explores not only Davies's debt to social realism, the British Documentary movement, and Ealing comedies, but equally to the European auteur tradition and to the great Hollywood musicals and melodramas that continue to inspire him. It provides fresh insight into the centrality of music in Davies's work, and into his conviction that film itself is closer to music than to any other art form.
The book demonstrates that Davies's films successfully subvert traditional division between 'popular' culture and 'art-house' cinema. Gardner explores not only Davies's debt to social realism, the British Documentary movement, and Ealing comedies, but equally to the European auteur tradition and to the great Hollywood musicals and melodramas that continue to inspire him. It provides fresh insight into the centrality of music in Davies's work, and into his conviction that film itself is closer to music than to any other art form.
Terence Davies has made some of the most innovative, harrowing, and hauntingly lyrical films of the contemporary era. This is the first ever book-length study of his work, combining detailed analysis of all his films with a persuasive and stimulating investigation of key filmic issues of time and memory, identity and selfhood, and the nature of literary adaptation, as well as a previously unpublished interview with Davies himself.
The book demonstrates that Davies's films successfully subvert traditional division between 'popular' culture and 'art-house' cinema. Gardner explores not only Davies's debt to social realism, the British Documentary movement, and Ealing comedies, but equally to the European auteur tradition and to the great Hollywood musicals and melodramas that continue to inspire him. It provides fresh insight into the centrality of music in Davies's work, and into his conviction that film itself is closer to music than to any other art form.
The book demonstrates that Davies's films successfully subvert traditional division between 'popular' culture and 'art-house' cinema. Gardner explores not only Davies's debt to social realism, the British Documentary movement, and Ealing comedies, but equally to the European auteur tradition and to the great Hollywood musicals and melodramas that continue to inspire him. It provides fresh insight into the centrality of music in Davies's work, and into his conviction that film itself is closer to music than to any other art form.
Über den Autor
Wendy Everett is Senior Lecturer in French and Film at the University of Bath
Inhaltsverzeichnis
Introduction
1. Framing the director
2. Time, space and memory: the Terence Davies trilogy
3. 'A pattern of timeless moments': 'Distant Voices, Still Lives'
4. Mapping the topographies of childhood:'The Long Day Closes'
5. Symphony for a new world?: 'The Neon Bible'
6. 'A tapestry of small things': 'The House of Mirth'
7. Music and time: a new dimension
8. Coles-up: an interview with Terence Davies
Terence Davies filmography
General filmography
Select bibliography
Index
1. Framing the director
2. Time, space and memory: the Terence Davies trilogy
3. 'A pattern of timeless moments': 'Distant Voices, Still Lives'
4. Mapping the topographies of childhood:'The Long Day Closes'
5. Symphony for a new world?: 'The Neon Bible'
6. 'A tapestry of small things': 'The House of Mirth'
7. Music and time: a new dimension
8. Coles-up: an interview with Terence Davies
Terence Davies filmography
General filmography
Select bibliography
Index
Details
| Erscheinungsjahr: | 2004 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Fotografie |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780719060625 |
| ISBN-10: | 0719060621 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Everett, Wendy |
| Hersteller: | Manchester University Press |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 216 x 140 x 15 mm |
| Von/Mit: | Wendy Everett |
| Erscheinungsdatum: | 01.09.2004 |
| Gewicht: | 0,332 kg |