Kendra Stepputat is Associate Professor and currently Head of the Institute for Ethnomusicology, University of Music and Performing Arts Graz (KUG), Austria. She graduated in comparative musicology, Southeast Asian studies, and communication studies at Freie Universität and Humboldt Universität Berlin and concluded her PhD and habilitation at KUG. Her research topics include Balinese performing arts and tango argentino in European perspective. Her research focus is on choreomusical aspects of performing arts.

Introduction

Tango Argentino: Dance, Music, and People

Musicality and Danceability

The Focus on Europe

Research Approach and Methods, Leading to the Structure of This Book

References

2 A Choreomusical Overview of Tango Argentino Development: 1900-2020

Beginnings in Buenos Aires and Montevideo

Dissemination Through Media

Connotations of Immorality

Reciprocation with Europe: The Way into High Society

The Reception of Tango in Argentina

Decline Under Economic and Political Pressure

The 1980s: Local and International Revival

Early Twenty-First Century: Back to the Roots, Reuniting Music and Dance

The State of Translocal Tango in the Early 2020s

References

3 Tango Music and Its Danceability

Tango Musical Features

Performance Practice

Tango Danceability

Tango Music and Its Danceability in a Nutshell

References

4 Tango Dance and Its Musicality

Basic Movement Repertoire

Dance Principles

Tango Dance Styles

Movement Repertoire Motion Capture Analysis

Tango Musicality

Tango Dance and Its Musicality in a Nutshell

References

5 Tango Music-Dance Relations: Toward a Conclusion

Spanish Summary: Baile y Música de Tango: Una Exploración Coreomusical del Tango Argentino en Europa

Accompanying Material