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Huron proposes that emotions evoked by expectation involve five functionally distinct response systems: reaction responses (which engage defensive reflexes); tension responses (where uncertainty leads to stress); prediction responses (which reward accurate prediction); imagination responses (which facilitate deferred gratification); and appraisal responses (which occur after conscious thought is engaged). For real-world events, these five response systems typically produce a complex mixture of feelings. The book identifies some of the aesthetic possibilities afforded by expectation, and shows how common musical devices (such as syncopation, cadence, meter, tonality, and climax) exploit the psychological opportunities. The theory also provides new insights into the physiological psychology of awe, laughter, and spine-tingling chills. Huron traces the psychology of expectations from the patterns of the physical/cultural world through imperfectly learned heuristics used to predict that world to the phenomenal qualia we experienced as we apprehend the world.
Huron proposes that emotions evoked by expectation involve five functionally distinct response systems: reaction responses (which engage defensive reflexes); tension responses (where uncertainty leads to stress); prediction responses (which reward accurate prediction); imagination responses (which facilitate deferred gratification); and appraisal responses (which occur after conscious thought is engaged). For real-world events, these five response systems typically produce a complex mixture of feelings. The book identifies some of the aesthetic possibilities afforded by expectation, and shows how common musical devices (such as syncopation, cadence, meter, tonality, and climax) exploit the psychological opportunities. The theory also provides new insights into the physiological psychology of awe, laughter, and spine-tingling chills. Huron traces the psychology of expectations from the patterns of the physical/cultural world through imperfectly learned heuristics used to predict that world to the phenomenal qualia we experienced as we apprehend the world.
| Empfohlen (von): | 18 |
|---|---|
| Erscheinungsjahr: | 2008 |
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Musiktheorie & Musiklehre |
| Medium: | Taschenbuch |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9780262582780 |
| ISBN-10: | 0262582783 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Huron, David |
| Hersteller: | MIT Press Ltd |
| Maße: | 227 x 179 x 21 mm |
| Von/Mit: | David Huron |
| Erscheinungsdatum: | 25.01.2008 |
| Gewicht: | 0,717 kg |
| Empfohlen (von): | 18 |
|---|---|
| Erscheinungsjahr: | 2008 |
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Musiktheorie & Musiklehre |
| Medium: | Taschenbuch |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9780262582780 |
| ISBN-10: | 0262582783 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Huron, David |
| Hersteller: | MIT Press Ltd |
| Maße: | 227 x 179 x 21 mm |
| Von/Mit: | David Huron |
| Erscheinungsdatum: | 25.01.2008 |
| Gewicht: | 0,717 kg |
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