AN ECONOMIST BOOK OF THE YEAR 2024'A masterclass in masterpieces' SUNDAY TELEGRAPH'Epic, personal, smart, wise, witty' JOSHUA COHEN'Sizzles with passion' TOM McCARTHYFor more than two decades, Edwin Frank has introduced readers to forgotten or overlooked texts as director of the acclaimed publisher New York Review Books. In Stranger than Fiction, he offers a legendary editor's survey of the key works that defined the twentieth-century novel. Starting with Dostoevsky's Notes from Underground, Frank shows how its twitchy, self-undermining narrator established a voice that would echo through the coming century. He illuminates Gertrude Stein and Ernest Hemingway's reinvention of the American sentence; Colette and André Gide's subversions of traditional gender roles; and the monumental ambitions of works such as Mrs Dalloway, The Magic Mountain and The Man Without Qualities to encompass their times. Also included are Japan's Natsume Soseki and Nigeria's Chinua Achebe, as well as Vasily Grossman, Hans Erich Nossack and Elsa Morante. Later chapters range from Ralph Ellison and Marguerite Yourcenar to Gabriel García Márquez and WG Sebald. Frank makes sense of the century by mixing biographical portraiture, cultural history and close encounters with great works of art. In so doing he renews our appreciation of the paradigmatic art form of our times.
AN ECONOMIST BOOK OF THE YEAR 2024'A masterclass in masterpieces' SUNDAY TELEGRAPH'Epic, personal, smart, wise, witty' JOSHUA COHEN'Sizzles with passion' TOM McCARTHYFor more than two decades, Edwin Frank has introduced readers to forgotten or overlooked texts as director of the acclaimed publisher New York Review Books. In Stranger than Fiction, he offers a legendary editor's survey of the key works that defined the twentieth-century novel. Starting with Dostoevsky's Notes from Underground, Frank shows how its twitchy, self-undermining narrator established a voice that would echo through the coming century. He illuminates Gertrude Stein and Ernest Hemingway's reinvention of the American sentence; Colette and André Gide's subversions of traditional gender roles; and the monumental ambitions of works such as Mrs Dalloway, The Magic Mountain and The Man Without Qualities to encompass their times. Also included are Japan's Natsume Soseki and Nigeria's Chinua Achebe, as well as Vasily Grossman, Hans Erich Nossack and Elsa Morante. Later chapters range from Ralph Ellison and Marguerite Yourcenar to Gabriel García Márquez and WG Sebald. Frank makes sense of the century by mixing biographical portraiture, cultural history and close encounters with great works of art. In so doing he renews our appreciation of the paradigmatic art form of our times.
Über den Autor
EDWIN FRANK is the editorial director of New York Review Books and the founder of the NYRB Classics series. Born in Boulder, Colorado, and educated at Harvard College and Columbia University, he has been a Wallace Stegner Fellow and a Lannan Fellow and is a member of the New York Institute for the Humanities. He has taught in the Columbia Writing Programme and served on the jury of the 2015 International Booker Prize. A Chevalier de l'Ordre des Arts et des Lettres and a recipient of a lifetime award from the American Academy of Arts and Letters for distinguished service to the arts, he is the author of Snake Train: Poems 1984-2013.
