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Staging Voice is a unique approach to the aesthetics of voice and its staging in performance. This book will be of great interest to students and scholars in voice studies, opera, music theatre, musicology, directing, performance studies, practice-based research, theatre, visual art, stage design and cultural studies.
Staging Voice is a unique approach to the aesthetics of voice and its staging in performance. This book will be of great interest to students and scholars in voice studies, opera, music theatre, musicology, directing, performance studies, practice-based research, theatre, visual art, stage design and cultural studies.
Michal Grover-Friedlander is Associate Professor of Musicology and head of the Musicology Department at Tel Aviv University. Her first monograph, Vocal Apparitions: Cinema's Attraction to Opera, was published by Princeton University Press in 2005. Her second book Operatic Afterlives was published by Zone Books in 2011.She is artistic founder and director of the experimental opera ensemble Ta Opera Zuta.
Introduction
Directing Opera
Staging Voice
Chapter 1: Staging A Vulnerable Voice: Weill and Brecht's Der Jasager (1930)
'Music... goes its own vast peaceful way'
Translations and Transformations
Consent
Yes and No
Yes-singing and Mute Agreement
Doubling and Muteness
Death
The Gesture
Acrobat, Measure, Distance, Scale
Chapter 2: Binding the Voice: Ficarra and Whittington's The Empress's Feet (1995)
A Voice for the Feet
The Empress's Feet
Sleepwalking Feet
Sleepwalking Empress
Foot-binding
Castrati
Fold
Soaring Voice
Hollowed-out voice
Aerial Acrobat
Chapter 3: Staging Thought in Satie's Socrate (1919)
Enigmatic Work
Flexible Timbre
Satie's Plato
Marsyas
Cicadas
Swan Song
Nietzsche's Socrates
White
Furniture Music
Respectful Silence
Restaging Socrate
Voice and Music Echoed in Staging and Set
Staging Musical Myth
Staging Socrates's Death
Reference List
Index
| Erscheinungsjahr: | 2024 |
|---|---|
| Medium: | Taschenbuch |
| ISBN-13: | 9781032034287 |
| ISBN-10: | 1032034289 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Grover-Friedlander, Michal |
| Hersteller: | Taylor & Francis |
| Maße: | 216 x 140 x 8 mm |
| Von/Mit: | Michal Grover-Friedlander |
| Erscheinungsdatum: | 29.01.2024 |
| Gewicht: | 0,177 kg |
Michal Grover-Friedlander is Associate Professor of Musicology and head of the Musicology Department at Tel Aviv University. Her first monograph, Vocal Apparitions: Cinema's Attraction to Opera, was published by Princeton University Press in 2005. Her second book Operatic Afterlives was published by Zone Books in 2011.She is artistic founder and director of the experimental opera ensemble Ta Opera Zuta.
Introduction
Directing Opera
Staging Voice
Chapter 1: Staging A Vulnerable Voice: Weill and Brecht's Der Jasager (1930)
'Music... goes its own vast peaceful way'
Translations and Transformations
Consent
Yes and No
Yes-singing and Mute Agreement
Doubling and Muteness
Death
The Gesture
Acrobat, Measure, Distance, Scale
Chapter 2: Binding the Voice: Ficarra and Whittington's The Empress's Feet (1995)
A Voice for the Feet
The Empress's Feet
Sleepwalking Feet
Sleepwalking Empress
Foot-binding
Castrati
Fold
Soaring Voice
Hollowed-out voice
Aerial Acrobat
Chapter 3: Staging Thought in Satie's Socrate (1919)
Enigmatic Work
Flexible Timbre
Satie's Plato
Marsyas
Cicadas
Swan Song
Nietzsche's Socrates
White
Furniture Music
Respectful Silence
Restaging Socrate
Voice and Music Echoed in Staging and Set
Staging Musical Myth
Staging Socrates's Death
Reference List
Index
| Erscheinungsjahr: | 2024 |
|---|---|
| Medium: | Taschenbuch |
| ISBN-13: | 9781032034287 |
| ISBN-10: | 1032034289 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Grover-Friedlander, Michal |
| Hersteller: | Taylor & Francis |
| Maße: | 216 x 140 x 8 mm |
| Von/Mit: | Michal Grover-Friedlander |
| Erscheinungsdatum: | 29.01.2024 |
| Gewicht: | 0,177 kg |
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