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As victory in World War II drew near, the Allies decided to hold a major trial of Nazi leaders, which began in Nuremberg in November 1945. Conflict soon broke out between the United States and the Soviet Union over not only how to assess German guilt but also how to depict the trial. The Americans saw it as a judicial and media spectacle that would convey "the greatest moral tale ever told," illustrated with Hollywood techniques. The Soviets, for their part, drew on extensive experience filming show trials to craft their own narrative of the tribunal.
Sylvie Lindeperg offers a pioneering account of the cinematic stagecraft, storytelling, and imagery of the Nuremberg trials, revealing how film was used both as legal evidence and as a propaganda tool. She follows the American campaign to influence world opinion before, during, and after the trial, on stage and behind the scenes. Lindeberg chronicles how the hope of scripting a Hollywood-style courtroom drama crumbled amid rising geopolitical tensions and the mundane reality of the tribunal. The book interweaves in-depth reconstruction of the filming of the trial with portraits of the colorful characters who played leading or supporting roles. Drawing on American, British, Soviet, French, and German archives as well as analysis of films, newsreels, and photographs, Staging Nuremberg is a revelatory study of the theater of justice.As victory in World War II drew near, the Allies decided to hold a major trial of Nazi leaders, which began in Nuremberg in November 1945. Conflict soon broke out between the United States and the Soviet Union over not only how to assess German guilt but also how to depict the trial. The Americans saw it as a judicial and media spectacle that would convey "the greatest moral tale ever told," illustrated with Hollywood techniques. The Soviets, for their part, drew on extensive experience filming show trials to craft their own narrative of the tribunal.
Sylvie Lindeperg offers a pioneering account of the cinematic stagecraft, storytelling, and imagery of the Nuremberg trials, revealing how film was used both as legal evidence and as a propaganda tool. She follows the American campaign to influence world opinion before, during, and after the trial, on stage and behind the scenes. Lindeberg chronicles how the hope of scripting a Hollywood-style courtroom drama crumbled amid rising geopolitical tensions and the mundane reality of the tribunal. The book interweaves in-depth reconstruction of the filming of the trial with portraits of the colorful characters who played leading or supporting roles. Drawing on American, British, Soviet, French, and German archives as well as analysis of films, newsreels, and photographs, Staging Nuremberg is a revelatory study of the theater of justice.Sylvie Lindeperg is professor of history at the University of Paris 1 Panthéon-Sorbonne. She is the author of prizewinning books in French and the codirector or cowriter of documentary films. Her books in English translation include "Night and Fog" A Film in History (2014).
Claudia Gorbman is professor emerita of film studies at the University of Washington, Tacoma, and has translated several books by Michel Chion.| Erscheinungsjahr: | 2026 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Reihe: | Investigating Visible Evidence: New Challenges for Documentary |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9780231211994 |
| ISBN-10: | 0231211996 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Lindeperg, Sylvie |
| Übersetzung: | Gorbman, Claudia |
| Hersteller: |
Columbia University Press
Investigating Visible Evidence: New Challenges for Documentary |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 230 x 154 x 24 mm |
| Von/Mit: | Sylvie Lindeperg |
| Erscheinungsdatum: | 14.07.2026 |
| Gewicht: | 0,6 kg |
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