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St Petersburg has always felt like an impossible metropolis, risen from the freezing mists and flooded marshland of the River Neva on the western edge of Russia. It was a new capital in an old country. Established in 1703 by the sheer will of its charismatic founder, the homicidal megalomaniac Peter-the-Great, its dazzling yet unhinged reputation was quickly fashioned by the sadistic dominion of its early rulers.
This city, in its successive incarnations - St Petersburg; Petrograd; Leningrad and, once again, St Petersburg - has always been a place of perpetual contradiction. It was a window on to Europe and the Enlightenment, but so much of the glory of Russia was created here: its literature, music, dance and, for a time, its political vision. It gave birth to the artistic genius of Pushkin and Dostoyevsky, Tchaikovsky and Shostakovich, Pavlova and Nureyev. Yet, for all its glittering palaces, fairytale balls and enchanting gardens, the blood of thousands has been spilt on its snow-filled streets. It has been a hotbed of war and revolution, a place of siege and starvation, and the crucible for Lenin and Stalin's power-hungry brutality.
In St Petersburg, Jonathan Miles recreates the drama of three hundred years in this absurd and brilliant city, bringing us up to the present day, when - once more - its fate hangs in the balance. This is an epic tale of murder, massacre and madness played out against squalor and splendour. It is an unforgettable portrait of a city and its people.
This city, in its successive incarnations - St Petersburg; Petrograd; Leningrad and, once again, St Petersburg - has always been a place of perpetual contradiction. It was a window on to Europe and the Enlightenment, but so much of the glory of Russia was created here: its literature, music, dance and, for a time, its political vision. It gave birth to the artistic genius of Pushkin and Dostoyevsky, Tchaikovsky and Shostakovich, Pavlova and Nureyev. Yet, for all its glittering palaces, fairytale balls and enchanting gardens, the blood of thousands has been spilt on its snow-filled streets. It has been a hotbed of war and revolution, a place of siege and starvation, and the crucible for Lenin and Stalin's power-hungry brutality.
In St Petersburg, Jonathan Miles recreates the drama of three hundred years in this absurd and brilliant city, bringing us up to the present day, when - once more - its fate hangs in the balance. This is an epic tale of murder, massacre and madness played out against squalor and splendour. It is an unforgettable portrait of a city and its people.
St Petersburg has always felt like an impossible metropolis, risen from the freezing mists and flooded marshland of the River Neva on the western edge of Russia. It was a new capital in an old country. Established in 1703 by the sheer will of its charismatic founder, the homicidal megalomaniac Peter-the-Great, its dazzling yet unhinged reputation was quickly fashioned by the sadistic dominion of its early rulers.
This city, in its successive incarnations - St Petersburg; Petrograd; Leningrad and, once again, St Petersburg - has always been a place of perpetual contradiction. It was a window on to Europe and the Enlightenment, but so much of the glory of Russia was created here: its literature, music, dance and, for a time, its political vision. It gave birth to the artistic genius of Pushkin and Dostoyevsky, Tchaikovsky and Shostakovich, Pavlova and Nureyev. Yet, for all its glittering palaces, fairytale balls and enchanting gardens, the blood of thousands has been spilt on its snow-filled streets. It has been a hotbed of war and revolution, a place of siege and starvation, and the crucible for Lenin and Stalin's power-hungry brutality.
In St Petersburg, Jonathan Miles recreates the drama of three hundred years in this absurd and brilliant city, bringing us up to the present day, when - once more - its fate hangs in the balance. This is an epic tale of murder, massacre and madness played out against squalor and splendour. It is an unforgettable portrait of a city and its people.
This city, in its successive incarnations - St Petersburg; Petrograd; Leningrad and, once again, St Petersburg - has always been a place of perpetual contradiction. It was a window on to Europe and the Enlightenment, but so much of the glory of Russia was created here: its literature, music, dance and, for a time, its political vision. It gave birth to the artistic genius of Pushkin and Dostoyevsky, Tchaikovsky and Shostakovich, Pavlova and Nureyev. Yet, for all its glittering palaces, fairytale balls and enchanting gardens, the blood of thousands has been spilt on its snow-filled streets. It has been a hotbed of war and revolution, a place of siege and starvation, and the crucible for Lenin and Stalin's power-hungry brutality.
In St Petersburg, Jonathan Miles recreates the drama of three hundred years in this absurd and brilliant city, bringing us up to the present day, when - once more - its fate hangs in the balance. This is an epic tale of murder, massacre and madness played out against squalor and splendour. It is an unforgettable portrait of a city and its people.
Über den Autor
Cultural historian Jonathan Miles has a personal engagement with St Petersburg and its people that dates back to the Soviet era. Born in a trunk, Jonathan has been travelling ever since and currently lives in Paris. Having taken a first from University College, London, he received his doctorate from Jesus College, Oxford. Early books include studies of British artists Eric Gill and David Jones. Most recently, Medusa, The Shipwreck, the Scandal and the Masterpiece, a voyage through the artistic, political and moral clashes of Restoration France, and Nine Lives of Otto Katz, the tale of a flamboyant Soviet spy, were both published to international acclaim.
Details
Erscheinungsjahr: | 2018 |
---|---|
Fachbereich: | Regionalgeschichte |
Genre: | Geschichte |
Rubrik: | Geisteswissenschaften |
Medium: | Taschenbuch |
Inhalt: | 592 S. |
ISBN-13: | 9780099592792 |
ISBN-10: | 0099592797 |
Sprache: | Englisch |
Herstellernummer: | 720764 |
Einband: | Kartoniert / Broschiert |
Autor: | Miles, Jonathan |
Hersteller: | Cornerstone |
Maße: | 195 x 128 x 53 mm |
Von/Mit: | Jonathan Miles |
Erscheinungsdatum: | 05.04.2018 |
Gewicht: | 0,582 kg |
Über den Autor
Cultural historian Jonathan Miles has a personal engagement with St Petersburg and its people that dates back to the Soviet era. Born in a trunk, Jonathan has been travelling ever since and currently lives in Paris. Having taken a first from University College, London, he received his doctorate from Jesus College, Oxford. Early books include studies of British artists Eric Gill and David Jones. Most recently, Medusa, The Shipwreck, the Scandal and the Masterpiece, a voyage through the artistic, political and moral clashes of Restoration France, and Nine Lives of Otto Katz, the tale of a flamboyant Soviet spy, were both published to international acclaim.
Details
Erscheinungsjahr: | 2018 |
---|---|
Fachbereich: | Regionalgeschichte |
Genre: | Geschichte |
Rubrik: | Geisteswissenschaften |
Medium: | Taschenbuch |
Inhalt: | 592 S. |
ISBN-13: | 9780099592792 |
ISBN-10: | 0099592797 |
Sprache: | Englisch |
Herstellernummer: | 720764 |
Einband: | Kartoniert / Broschiert |
Autor: | Miles, Jonathan |
Hersteller: | Cornerstone |
Maße: | 195 x 128 x 53 mm |
Von/Mit: | Jonathan Miles |
Erscheinungsdatum: | 05.04.2018 |
Gewicht: | 0,582 kg |
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