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A companion website contains artist profiles that showcase some of the world's top makeup effects artists, including Steve Wang, Ve Neill, Matthew W. Mungle, Miles Teves, Jordu Schell, and many others. Also included are detailed makeup tutorials led by experts in the field, such as Maddie Singer and Toby Sells.
A companion website contains artist profiles that showcase some of the world's top makeup effects artists, including Steve Wang, Ve Neill, Matthew W. Mungle, Miles Teves, Jordu Schell, and many others. Also included are detailed makeup tutorials led by experts in the field, such as Maddie Singer and Toby Sells.
Todd Debreceni is a special makeup effects artist who has worked for Disney, Warner Bros., 20th Century Fox, and TBS, and is the owner of BaPoFX makeup effects. He is a recipient of a Los Angeles Drama Critics Circle Award, and has received two Ovation Awards, a True West Award, and a Henry Award for Special Accomplishment in Makeup Effects. Todd has worked in film, television, and theatre around the world for more than 30 years, and his background in orthopedics and reconstructive plastic surgery have made his transition into prosthetic makeup creation a natural evolution. At BaPoFX, Todd specializes in prosthetic makeup design, fabrication, and application. He continues to teach college courses in cinematography, acting, sculpture, makeup design, and visual effects in Denver, CO, which he has done for almost 20 years.
Foreword
Acknowledgments
A Special Note About the Companion Website
Preface
Chapter 1 - The Industry
- Key Points
- Introduction
- Stage vs. Screen
- Contributions from Medicine
- The Workspace
- Safety and Health
- Professionalism
- Your Portfolio
- Your Kit
- Chapter Summary
- Notes
Chapter 2 - Anatomy and Design
- Key Points
- Introduction
- Using the Computer
- Elements of the Design
- Body Types
- The Human Body
- The Skeletal System
- The Skeleto-Muscular System
- The Head and Neck
- The Face
- The Torso and Upper Limbs
- The Abdomen and Lower Limbs
- Surface Anatomy
- The Eyes, Ears, and Nose
- The Ears
- The Mouth
- The Skin
- Stretch Marks
- Age Spots
- Freckles and Moles
- Varicose Veins and Spider Veins
- Birthmarks
- Hair
- Scars
- Symmetry and Proportion
- Anatomical Planes
- Facial Ratios and Phi
- Ratios and Body Proportions
- Geometric Analysis
- Distinctions of Gender, Age, and Ancestry
- Distinctions of Gender
- Distinctions of Age
- Facial Aging
- Distinctions of Ancestry
- Chapter Summary
- Notes
- Key Points
- Introduction
- Safety Risks
- The Materials
- Alginate
- Silicone
- The Lifecasting Process
- Overview
- Teeth
- Face and Neck
- Casting a Positive
- Bust: Head and Shoulders
- Hands, Arms, Legs, Feet, and Ears
- Hands and Arms
- Legs and Feet
- Ears
- Full Body
- Full Body: Prone
- Full Body: Standing
- Tips and Suggestions
- Lifecasting with Silicone
- Chapter Summary
- Key Points
- Introduction
- Materials
- Preparing the Positive
- Tools
- Clay
- Sulfur Clay
- WED Clay
- Oil Clay
- Reference Photos
- Teeth
- Materials
- Sculpting the Face
- Blocking the Sculpture
- Refining the Sculpture
- Sculpting the Face, Head, and Neck
- Blocking the Full-Head Sculpture
- Sculpting Hands
- Blocking the Hand Sculpture
- Sculpting the Ears
- Blocking the Sculpture
- Chapter Summary
- Notes
- Key Points
- Introduction
- Tools and Materials
- Release Agents and Sealers
- Making the Negative Mold
- Keys, Flashing, and Cutting Edges
- Building the Dividing Wall
- Building a Different Style of Dividing Wall
- Stone (Gypsum) Molds
- Other Types of Molds
- Silicone Rubber Molds
- Matrix Molds/Jacket Molds
- Fiberglass Molds
- Fillers
- Resin Molds
- Epoxy Molds
- Syntactic Dough
- Urethane Molds
- Chapter Summary
- Endnotes
- Key Points
- Introduction
- Silicone: Platinum and Tin
- Coloration
- Color Theory
- Materials
- De-Airing/Degassing Silicone
- Gel-Filled Silicone Appliances
- Filling the Mold
- Injection Filling
- Hand Filling
- Removing the Appliance
- Conforming Molds
- Foam Latex
- Quirks
- Running Foam Latex
- Prepping the Mold
- Filling the mold
- Heat-Curing Foam
- Removing the Appliance
- Cold Foam (Urethane)
- Materials
- Quirks
- Prepping the Mold
- Filling the Mold
- Removing the Appliance
- Gelatin and Foamed Gelatin
- Materials
- Quirks
- Making Foamed Gelatin
- Filling the Mold
- Removing the Appliance
- Dental Acrylic
- Materials
- Filling the Mold and Removing the Appliance
- Seaming Prosthetic Appliances
- Seaming and Patching
- Silicone
- Foam Latex
- Gelatin
- Painting the Appliance
- Silicone
- Foam Latex
- Gelatin and Cold Foam
- Painting Teeth
- Materials
- Special Effects
- Chapter Summary
- Key Points
- Introduction
- Skin Types
- Adhesives
- Application Techniques
- Attaching the Appliance
- Materials
- Conforming Molds
- Blending the Edges
- Applying the Makeup
- Foam Latex
- Gelatin
- Cold Foam
- Silicone
- Removing the Appliance
- Materials
- Removers
- Technique
- Skin Care
- Cleaning and Storing the Appliance
- Chapter Summary
- Key Points
- Introduction
- Types and Varieties of Hair
- Tools and Materials for Postiche
- Wigs
- Weft Wigs
- Knotted Wigs
- Hair Attachment
- Preparation for a Wig
- How to Put on a Wig
- How to Put on a Lace Wig
- Beards, Mustaches, and Eyebrows
- Laid-On Facial Hair
- Crepe Wool (Hair)
- Preparation
- Application
- Ventilating (Knotting) Hair
- Preparation
- Technique
- Punching Hair
- Technique
- Technique (Eyelashes)
- Chapter Summary
- Notes
- Key Points
- Introduction
- Technology
- Mechanical
- Servos
- Additional Terminology
- Motion Control
- Electronic
- DMX Controllers
- Powering the Electronics
- Structural
- Surface
- Operation
- Chapter Summary
- Endnotes
- Key Points
- Introduction
- Resin Eyes
- Bondo
- Cap Material
- Bald Caps
- Making a Bald Cap
- Applying a Bald Cap
- Building up Ears and Nose
- Tuplast
- Nose and Scar Wax
- Materials
- Rigid Collodion
- Stencils
- Tattoos and Character/Creature Textures
- Airbrush
- Spatter and Stipple
- 3D prosthetic Transfers
- Making 3D Transfers
- Materials
- Electrostatic Flocking
- Wrinkle (Age) Stipple
- Trauma, Wounds, and Bruises
- Bruises
- The Baseball Stitch
- Nosebleed on Demand
- Bladder Effects
- Burns and Blisters
- Burns
- Blisters
- Other Conditions
- Skin Manifestations
- Infected Veins
- Skin-Safe Silicone and Gelatin
- Chapter Summary
- Key Points
- Introduction
- 3D Printing Glossary
- A Brief History
- Uses
- Who Uses 3D Printing?
- The Design Process
- Preparing the Model
- Technology
- Guidelines
- SLA or SLS?
- Operation
- Application
- The Future
- Chapter Summary
- Notes
Chapter 3 - Lifecasting
Chapter 4 - Sculpting the Makeup
Chapter 5 - Breaking Down the Sculpture
Chapter 6 - Casting the Appliances
Chapter 7 - Applying and Painting the Prosthetics
Chapter 8 - Hair and Wigs
Chapter 9 - Animatronics
Chapter 10 - Other Makeup Effects
Chapter 11 - 3D Printing for Prosthetics and Animatronics
Appendix A Your Kit
Appendix B Recipes
Appendix C Suppliers
Appendix D Conversion Charts
Appendix E Suggested Reading and Viewing
Glossary
Index
Erscheinungsjahr: | 2018 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
ISBN-13: | 9781138049048 |
ISBN-10: | 1138049042 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Debreceni, Todd |
Auflage: | 3rd edition |
Hersteller: | Taylor & Francis Ltd (Sales) |
Maße: | 249 x 177 x 32 mm |
Von/Mit: | Todd Debreceni |
Erscheinungsdatum: | 16.08.2018 |
Gewicht: | 1,443 kg |
Todd Debreceni is a special makeup effects artist who has worked for Disney, Warner Bros., 20th Century Fox, and TBS, and is the owner of BaPoFX makeup effects. He is a recipient of a Los Angeles Drama Critics Circle Award, and has received two Ovation Awards, a True West Award, and a Henry Award for Special Accomplishment in Makeup Effects. Todd has worked in film, television, and theatre around the world for more than 30 years, and his background in orthopedics and reconstructive plastic surgery have made his transition into prosthetic makeup creation a natural evolution. At BaPoFX, Todd specializes in prosthetic makeup design, fabrication, and application. He continues to teach college courses in cinematography, acting, sculpture, makeup design, and visual effects in Denver, CO, which he has done for almost 20 years.
Foreword
Acknowledgments
A Special Note About the Companion Website
Preface
Chapter 1 - The Industry
- Key Points
- Introduction
- Stage vs. Screen
- Contributions from Medicine
- The Workspace
- Safety and Health
- Professionalism
- Your Portfolio
- Your Kit
- Chapter Summary
- Notes
Chapter 2 - Anatomy and Design
- Key Points
- Introduction
- Using the Computer
- Elements of the Design
- Body Types
- The Human Body
- The Skeletal System
- The Skeleto-Muscular System
- The Head and Neck
- The Face
- The Torso and Upper Limbs
- The Abdomen and Lower Limbs
- Surface Anatomy
- The Eyes, Ears, and Nose
- The Ears
- The Mouth
- The Skin
- Stretch Marks
- Age Spots
- Freckles and Moles
- Varicose Veins and Spider Veins
- Birthmarks
- Hair
- Scars
- Symmetry and Proportion
- Anatomical Planes
- Facial Ratios and Phi
- Ratios and Body Proportions
- Geometric Analysis
- Distinctions of Gender, Age, and Ancestry
- Distinctions of Gender
- Distinctions of Age
- Facial Aging
- Distinctions of Ancestry
- Chapter Summary
- Notes
- Key Points
- Introduction
- Safety Risks
- The Materials
- Alginate
- Silicone
- The Lifecasting Process
- Overview
- Teeth
- Face and Neck
- Casting a Positive
- Bust: Head and Shoulders
- Hands, Arms, Legs, Feet, and Ears
- Hands and Arms
- Legs and Feet
- Ears
- Full Body
- Full Body: Prone
- Full Body: Standing
- Tips and Suggestions
- Lifecasting with Silicone
- Chapter Summary
- Key Points
- Introduction
- Materials
- Preparing the Positive
- Tools
- Clay
- Sulfur Clay
- WED Clay
- Oil Clay
- Reference Photos
- Teeth
- Materials
- Sculpting the Face
- Blocking the Sculpture
- Refining the Sculpture
- Sculpting the Face, Head, and Neck
- Blocking the Full-Head Sculpture
- Sculpting Hands
- Blocking the Hand Sculpture
- Sculpting the Ears
- Blocking the Sculpture
- Chapter Summary
- Notes
- Key Points
- Introduction
- Tools and Materials
- Release Agents and Sealers
- Making the Negative Mold
- Keys, Flashing, and Cutting Edges
- Building the Dividing Wall
- Building a Different Style of Dividing Wall
- Stone (Gypsum) Molds
- Other Types of Molds
- Silicone Rubber Molds
- Matrix Molds/Jacket Molds
- Fiberglass Molds
- Fillers
- Resin Molds
- Epoxy Molds
- Syntactic Dough
- Urethane Molds
- Chapter Summary
- Endnotes
- Key Points
- Introduction
- Silicone: Platinum and Tin
- Coloration
- Color Theory
- Materials
- De-Airing/Degassing Silicone
- Gel-Filled Silicone Appliances
- Filling the Mold
- Injection Filling
- Hand Filling
- Removing the Appliance
- Conforming Molds
- Foam Latex
- Quirks
- Running Foam Latex
- Prepping the Mold
- Filling the mold
- Heat-Curing Foam
- Removing the Appliance
- Cold Foam (Urethane)
- Materials
- Quirks
- Prepping the Mold
- Filling the Mold
- Removing the Appliance
- Gelatin and Foamed Gelatin
- Materials
- Quirks
- Making Foamed Gelatin
- Filling the Mold
- Removing the Appliance
- Dental Acrylic
- Materials
- Filling the Mold and Removing the Appliance
- Seaming Prosthetic Appliances
- Seaming and Patching
- Silicone
- Foam Latex
- Gelatin
- Painting the Appliance
- Silicone
- Foam Latex
- Gelatin and Cold Foam
- Painting Teeth
- Materials
- Special Effects
- Chapter Summary
- Key Points
- Introduction
- Skin Types
- Adhesives
- Application Techniques
- Attaching the Appliance
- Materials
- Conforming Molds
- Blending the Edges
- Applying the Makeup
- Foam Latex
- Gelatin
- Cold Foam
- Silicone
- Removing the Appliance
- Materials
- Removers
- Technique
- Skin Care
- Cleaning and Storing the Appliance
- Chapter Summary
- Key Points
- Introduction
- Types and Varieties of Hair
- Tools and Materials for Postiche
- Wigs
- Weft Wigs
- Knotted Wigs
- Hair Attachment
- Preparation for a Wig
- How to Put on a Wig
- How to Put on a Lace Wig
- Beards, Mustaches, and Eyebrows
- Laid-On Facial Hair
- Crepe Wool (Hair)
- Preparation
- Application
- Ventilating (Knotting) Hair
- Preparation
- Technique
- Punching Hair
- Technique
- Technique (Eyelashes)
- Chapter Summary
- Notes
- Key Points
- Introduction
- Technology
- Mechanical
- Servos
- Additional Terminology
- Motion Control
- Electronic
- DMX Controllers
- Powering the Electronics
- Structural
- Surface
- Operation
- Chapter Summary
- Endnotes
- Key Points
- Introduction
- Resin Eyes
- Bondo
- Cap Material
- Bald Caps
- Making a Bald Cap
- Applying a Bald Cap
- Building up Ears and Nose
- Tuplast
- Nose and Scar Wax
- Materials
- Rigid Collodion
- Stencils
- Tattoos and Character/Creature Textures
- Airbrush
- Spatter and Stipple
- 3D prosthetic Transfers
- Making 3D Transfers
- Materials
- Electrostatic Flocking
- Wrinkle (Age) Stipple
- Trauma, Wounds, and Bruises
- Bruises
- The Baseball Stitch
- Nosebleed on Demand
- Bladder Effects
- Burns and Blisters
- Burns
- Blisters
- Other Conditions
- Skin Manifestations
- Infected Veins
- Skin-Safe Silicone and Gelatin
- Chapter Summary
- Key Points
- Introduction
- 3D Printing Glossary
- A Brief History
- Uses
- Who Uses 3D Printing?
- The Design Process
- Preparing the Model
- Technology
- Guidelines
- SLA or SLS?
- Operation
- Application
- The Future
- Chapter Summary
- Notes
Chapter 3 - Lifecasting
Chapter 4 - Sculpting the Makeup
Chapter 5 - Breaking Down the Sculpture
Chapter 6 - Casting the Appliances
Chapter 7 - Applying and Painting the Prosthetics
Chapter 8 - Hair and Wigs
Chapter 9 - Animatronics
Chapter 10 - Other Makeup Effects
Chapter 11 - 3D Printing for Prosthetics and Animatronics
Appendix A Your Kit
Appendix B Recipes
Appendix C Suppliers
Appendix D Conversion Charts
Appendix E Suggested Reading and Viewing
Glossary
Index
Erscheinungsjahr: | 2018 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
ISBN-13: | 9781138049048 |
ISBN-10: | 1138049042 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Debreceni, Todd |
Auflage: | 3rd edition |
Hersteller: | Taylor & Francis Ltd (Sales) |
Maße: | 249 x 177 x 32 mm |
Von/Mit: | Todd Debreceni |
Erscheinungsdatum: | 16.08.2018 |
Gewicht: | 1,443 kg |