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Space, Site, Intervention
Situating Installation Art
Taschenbuch von Erika Suderburg
Sprache: Englisch

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Beschreibung
From Ferdinand Chevel's Palais Ideal (1879-1905) and Simon Rodia's Watts Towers (1921-1954) to Ant Farm's Cadillac Ranch (1974) and Richard Serra's Tilted Arc (1981), installation art has continually crossed boundaries, encompassing sculpture, architecture, performance, and visual art. Although unique in its power to transform both the site in which a work is constructed and the viewer's experience of being in a place, installation art has not received the critical attention accorded other art forms.

In Space, Site, Intervention, some of today's most prominent art critics, curators, and artists view installation art as a diverse, multifaceted, and international art form that challenges institutional assumptions and narrow conceptual frameworks. The contributors discuss installation in relation to the genealogy of modern art, community and corporate space, multimedia cyberspace, public and private ritual, the gallery and the museum, public and private patronage, and political action. This ambitious volume focuses on issues of class, sexuality, cultural identity rase, and gender, and highlights a wide range of artists whose work is often marginalized by mainstream art history and criticism. Together, the essays in Space, Site, Intervention investigate how installation resonates within modern culture and society, as well as its ongoing influence on contemporary visual culture.

From Ferdinand Chevel's Palais Ideal (1879-1905) and Simon Rodia's Watts Towers (1921-1954) to Ant Farm's Cadillac Ranch (1974) and Richard Serra's Tilted Arc (1981), installation art has continually crossed boundaries, encompassing sculpture, architecture, performance, and visual art. Although unique in its power to transform both the site in which a work is constructed and the viewer's experience of being in a place, installation art has not received the critical attention accorded other art forms.

In Space, Site, Intervention, some of today's most prominent art critics, curators, and artists view installation art as a diverse, multifaceted, and international art form that challenges institutional assumptions and narrow conceptual frameworks. The contributors discuss installation in relation to the genealogy of modern art, community and corporate space, multimedia cyberspace, public and private ritual, the gallery and the museum, public and private patronage, and political action. This ambitious volume focuses on issues of class, sexuality, cultural identity rase, and gender, and highlights a wide range of artists whose work is often marginalized by mainstream art history and criticism. Together, the essays in Space, Site, Intervention investigate how installation resonates within modern culture and society, as well as its ongoing influence on contemporary visual culture.

Details
Erscheinungsjahr: 2000
Genre: Kunst
Rubrik: Kunst & Musik
Medium: Taschenbuch
Seiten: 384
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780816631599
ISBN-10: 081663159X
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Suderburg, Erika
Redaktion: Suderburg, Erika
Hersteller: University of Minnesota Press
Maße: 251 x 176 x 16 mm
Von/Mit: Erika Suderburg
Erscheinungsdatum: 15.03.2000
Gewicht: 0,658 kg
preigu-id: 128325373
Details
Erscheinungsjahr: 2000
Genre: Kunst
Rubrik: Kunst & Musik
Medium: Taschenbuch
Seiten: 384
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780816631599
ISBN-10: 081663159X
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Suderburg, Erika
Redaktion: Suderburg, Erika
Hersteller: University of Minnesota Press
Maße: 251 x 176 x 16 mm
Von/Mit: Erika Suderburg
Erscheinungsdatum: 15.03.2000
Gewicht: 0,658 kg
preigu-id: 128325373
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