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Beschreibung
This investigation of Polish, Jewish, and German sources demonstrates the roles of music in occupied Poland. Its former citizens had their access to music controlled by the Nazi Ministry of Propaganda. It was rationed as other goods, depending on racial (i.e. also legal) status. Official music performances served as a propagandistic tool to further divide the Nazi-segregated population. Music played clandestinely embodied resistance. It restored the sense of community and helped save musicians persecuted as Jews, like W¿adys¿aw Szpilman. The documents analyzed in the monograph confirm the dehumanization of prospective victims, mixed with a narcissistic self-righteous view of Nazi songs and propaganda ultimately led to the organized presence of music in the Holocaust sites.
This investigation of Polish, Jewish, and German sources demonstrates the roles of music in occupied Poland. Its former citizens had their access to music controlled by the Nazi Ministry of Propaganda. It was rationed as other goods, depending on racial (i.e. also legal) status. Official music performances served as a propagandistic tool to further divide the Nazi-segregated population. Music played clandestinely embodied resistance. It restored the sense of community and helped save musicians persecuted as Jews, like W¿adys¿aw Szpilman. The documents analyzed in the monograph confirm the dehumanization of prospective victims, mixed with a narcissistic self-righteous view of Nazi songs and propaganda ultimately led to the organized presence of music in the Holocaust sites.
Über den Autor
Katarzyna Naliwajek, PhD, works at the Institute of Musicology, University of Warsaw, Poland. She has focused her research on music during the Nazi-Soviet occupation of Poland, Polish music in the 20th century, and connections between music and politics.
Inhaltsverzeichnis
Nazi pseudo-musicology - Occupied Poland - Holocaust - Music in Occupied Poland - Nazi propaganda - music as resistance
Details
Erscheinungsjahr: | 2023 |
---|---|
Genre: | Geisteswissenschaften, Kunst, Musik |
Rubrik: | Kunst & Musik |
Medium: | Buch |
Inhalt: | Gebunden |
ISBN-13: | 9783631881705 |
ISBN-10: | 3631881703 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: | Naliwajek, Katarzyna |
Redaktion: | Golab, Maciej |
Auflage: | 1. Auflage |
Hersteller: |
Peter Lang
Peter Lang GmbH, Internationaler Verlag der Wissenschaften |
Verantwortliche Person für die EU: | Lang, Peter GmbH, Gontardstr. 11, D-10178 Berlin, r.boehm-korff@peterlang.com |
Maße: | 216 x 153 x 23 mm |
Von/Mit: | Katarzyna Naliwajek |
Erscheinungsdatum: | 28.02.2023 |
Gewicht: | 0,57 kg |
Über den Autor
Katarzyna Naliwajek, PhD, works at the Institute of Musicology, University of Warsaw, Poland. She has focused her research on music during the Nazi-Soviet occupation of Poland, Polish music in the 20th century, and connections between music and politics.
Inhaltsverzeichnis
Nazi pseudo-musicology - Occupied Poland - Holocaust - Music in Occupied Poland - Nazi propaganda - music as resistance
Details
Erscheinungsjahr: | 2023 |
---|---|
Genre: | Geisteswissenschaften, Kunst, Musik |
Rubrik: | Kunst & Musik |
Medium: | Buch |
Inhalt: | Gebunden |
ISBN-13: | 9783631881705 |
ISBN-10: | 3631881703 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: | Naliwajek, Katarzyna |
Redaktion: | Golab, Maciej |
Auflage: | 1. Auflage |
Hersteller: |
Peter Lang
Peter Lang GmbH, Internationaler Verlag der Wissenschaften |
Verantwortliche Person für die EU: | Lang, Peter GmbH, Gontardstr. 11, D-10178 Berlin, r.boehm-korff@peterlang.com |
Maße: | 216 x 153 x 23 mm |
Von/Mit: | Katarzyna Naliwajek |
Erscheinungsdatum: | 28.02.2023 |
Gewicht: | 0,57 kg |
Sicherheitshinweis