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Beschreibung
Comedy has been a feature of cinema since its inception. From mickey-moused accompaniments to slapstick scenes, ironic musical statements, clever musical allusions and jokes, well-worn sound-effects, and even laugh tracks, sound has been integral to the development of the comedy on screen. This volume covers all aspects of sound (including dialogue) and music as they have been utilised in comedy film. The volume looks at various subsets of the 'comedy film' from the post-War period, including black comedy, romantic comedy, slapstick, dialogue comedy, parody and spoofs. This volume aims to explore the way in which music and sound articulate humour, create comedic situations and direct comedic identifications for viewer/listeners.
Comedy has been a feature of cinema since its inception. From mickey-moused accompaniments to slapstick scenes, ironic musical statements, clever musical allusions and jokes, well-worn sound-effects, and even laugh tracks, sound has been integral to the development of the comedy on screen. This volume covers all aspects of sound (including dialogue) and music as they have been utilised in comedy film. The volume looks at various subsets of the 'comedy film' from the post-War period, including black comedy, romantic comedy, slapstick, dialogue comedy, parody and spoofs. This volume aims to explore the way in which music and sound articulate humour, create comedic situations and direct comedic identifications for viewer/listeners.
Über den Autor
Mark Evans is Head of the Department of Contemporary Music Studies at Macquarie University and is co-editor of Perfect Beat - The Pacific Journal of Research into Contemporary Music and Popular Culture. Philip Hayward has taught film and popular music studies in Australia and the United Kingdom and is Professor and Deputy Pro Vice Chancellor (Research) at Southern Cross University, Australia.
Details
Erscheinungsjahr: | 2015 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Musikgeschichte |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781845536749 |
ISBN-10: | 1845536746 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Evans, Mark |
Redaktion: |
Evans, Mark
Hayward, Philip |
Hersteller: | Equinox Publishing Ltd |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 234 x 156 x 15 mm |
Von/Mit: | Mark Evans (u. a.) |
Erscheinungsdatum: | 20.11.2015 |
Gewicht: | 0,409 kg |
Über den Autor
Mark Evans is Head of the Department of Contemporary Music Studies at Macquarie University and is co-editor of Perfect Beat - The Pacific Journal of Research into Contemporary Music and Popular Culture. Philip Hayward has taught film and popular music studies in Australia and the United Kingdom and is Professor and Deputy Pro Vice Chancellor (Research) at Southern Cross University, Australia.
Details
Erscheinungsjahr: | 2015 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Musikgeschichte |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781845536749 |
ISBN-10: | 1845536746 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Evans, Mark |
Redaktion: |
Evans, Mark
Hayward, Philip |
Hersteller: | Equinox Publishing Ltd |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 234 x 156 x 15 mm |
Von/Mit: | Mark Evans (u. a.) |
Erscheinungsdatum: | 20.11.2015 |
Gewicht: | 0,409 kg |
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