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Sound, Media, Ecology
Taschenbuch von Randolph Jordan (u. a.)
Sprache: Englisch

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Beschreibung
This volume reads the global urban environment through mediated sonic practices to put a contemporary spin on acoustic ecology¿s investigations at the intersection of space, cultures, technology, and the senses. Acoustic ecology is an interdisciplinary framework from the 1970s for documenting, analyzing, and transforming sonic environments: an early model of the cross-boundary thinking and multi-modal practices now common across the digital humanities. With the recent emergence of sound studies and the expansion of ¿ecological¿ thinking, there is an increased urgency to re-discover and contemporize the acoustic ecology tradition. This book serves as a comprehensive investigation into the ways in which current scholars working with sound are re-inventing acoustic ecology across diverse fields, drawing on acoustic ecology¿s focus on sensory experience, place, and applied research, as well as attendance to mediatized practices in sounded space. From sounding out the Anthropocene, to rethinking our auditory media landscapes, to exploring citizenship and community, this volume brings the original acoustic ecology problem set into the contemporary landscape of sound studies.
This volume reads the global urban environment through mediated sonic practices to put a contemporary spin on acoustic ecology¿s investigations at the intersection of space, cultures, technology, and the senses. Acoustic ecology is an interdisciplinary framework from the 1970s for documenting, analyzing, and transforming sonic environments: an early model of the cross-boundary thinking and multi-modal practices now common across the digital humanities. With the recent emergence of sound studies and the expansion of ¿ecological¿ thinking, there is an increased urgency to re-discover and contemporize the acoustic ecology tradition. This book serves as a comprehensive investigation into the ways in which current scholars working with sound are re-inventing acoustic ecology across diverse fields, drawing on acoustic ecology¿s focus on sensory experience, place, and applied research, as well as attendance to mediatized practices in sounded space. From sounding out the Anthropocene, to rethinking our auditory media landscapes, to exploring citizenship and community, this volume brings the original acoustic ecology problem set into the contemporary landscape of sound studies.
Über den Autor

Milena Droumeva is Assistant Professor in Communication and Glenfraser Endowed Professor in Sound Studies at Simon Fraser University, Vancouver, Canada, specializing in cultural sound studies and sensory ethnography. She works across the fields of urban soundscape research, sonification for public engagement, as well as gender and sound in video games.

Randolph Jordan is Visiting Assistant Professor of Cinema at Concordia University in Montréal, Canada. His research, teaching, and creative practice reside at the intersections of soundscape research, media studies, and critical geography. He has published widely on the ways in which the fields of acoustic ecology and film sound studies can inform each other.

Zusammenfassung

Provides a much needed update of acoustic ecology as a coherent problem set applicable to today's global sound studies research

Includes a rare set of histories of the World Soundscape Project by prominent scholars in the field

Offers a collection of interdisciplinary frameworks and methodologies that take up acoustic ecology through a variety of scholarly, environmental, and artistic concerns

Inhaltsverzeichnis
1. Sound, Media, Ecology: Introduction in Three Acts, Milena Droumeva and Randolph Jordan.- Section I: Acoustic Ecology: Foundations and Critical Responses.- 2. Acoustic ecology and the World Soundscape Project, Barry Truax.- 3. The Disruptive Nature of Listening, Hildegard Westerkamp.- 4. Local Eardonances: The Contribution of Acoustic Ecology to the History and Present-Day Practice of Noise Abatement, Karin Bijsterveld.- 5. Multimodal Scholarship in World Soundscape Project Composition: Toward a Different Media-Theoretical Legacy (Or: The WSP as OG DH), Jonathan Sterne.- Section II: Environment and Community.- 6. Nothing Connects Us But Imagined Sound, Mitchell Akiyama.- 7. Havana's Falling Tanks and Flooded Laneways: Examining the Acoustic Community, Vincent Andrisani.- 8. Acoustic Ecology and Ecological Sound Art: Listening to Changing Ecosystems, Leah Barclay.- 9. Listening toEcological Interference: Renewable Technologies and their Soundscapes, Linda O'Keeffe.- Section III: Media and Society.- 10. The Uncanny Soundscapes of the Palestinian Exile: Rethinking About Technics, Memory, and Sound, Özgün Eylül ¿¿cen.- 11. Responsive Listening: Negotiating cities of sirens, smartphones and sensors, Sarah Barns.- 12. Listening to Traffic with Guts and Antennae, Andra McCartney.- 13. Acouscenic Listening, Sean Taylor and Mikael Förnstrom (Softday).- 14. Evening of Sounds: Cultures in Call-in Programmes, Heikki Uimonen.
Details
Erscheinungsjahr: 2020
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Fotografie
Medium: Taschenbuch
Seiten: 320
Reihe: Palgrave Studies in Audio-Visual Culture
Inhalt: xxvi
294 S.
2 s/w Illustr.
15 farbige Illustr.
294 p. 17 illus.
15 illus. in color.
ISBN-13: 9783030165710
ISBN-10: 303016571X
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Redaktion: Jordan, Randolph
Droumeva, Milena
Herausgeber: Milena Droumeva/Randolph Jordan
Auflage: 1st ed. 2019
Hersteller: Springer International Publishing
Springer International Publishing AG
Palgrave Studies in Audio-Visual Culture
Maße: 210 x 148 x 18 mm
Von/Mit: Randolph Jordan (u. a.)
Erscheinungsdatum: 14.08.2020
Gewicht: 0,416 kg
preigu-id: 118817085
Über den Autor

Milena Droumeva is Assistant Professor in Communication and Glenfraser Endowed Professor in Sound Studies at Simon Fraser University, Vancouver, Canada, specializing in cultural sound studies and sensory ethnography. She works across the fields of urban soundscape research, sonification for public engagement, as well as gender and sound in video games.

Randolph Jordan is Visiting Assistant Professor of Cinema at Concordia University in Montréal, Canada. His research, teaching, and creative practice reside at the intersections of soundscape research, media studies, and critical geography. He has published widely on the ways in which the fields of acoustic ecology and film sound studies can inform each other.

Zusammenfassung

Provides a much needed update of acoustic ecology as a coherent problem set applicable to today's global sound studies research

Includes a rare set of histories of the World Soundscape Project by prominent scholars in the field

Offers a collection of interdisciplinary frameworks and methodologies that take up acoustic ecology through a variety of scholarly, environmental, and artistic concerns

Inhaltsverzeichnis
1. Sound, Media, Ecology: Introduction in Three Acts, Milena Droumeva and Randolph Jordan.- Section I: Acoustic Ecology: Foundations and Critical Responses.- 2. Acoustic ecology and the World Soundscape Project, Barry Truax.- 3. The Disruptive Nature of Listening, Hildegard Westerkamp.- 4. Local Eardonances: The Contribution of Acoustic Ecology to the History and Present-Day Practice of Noise Abatement, Karin Bijsterveld.- 5. Multimodal Scholarship in World Soundscape Project Composition: Toward a Different Media-Theoretical Legacy (Or: The WSP as OG DH), Jonathan Sterne.- Section II: Environment and Community.- 6. Nothing Connects Us But Imagined Sound, Mitchell Akiyama.- 7. Havana's Falling Tanks and Flooded Laneways: Examining the Acoustic Community, Vincent Andrisani.- 8. Acoustic Ecology and Ecological Sound Art: Listening to Changing Ecosystems, Leah Barclay.- 9. Listening toEcological Interference: Renewable Technologies and their Soundscapes, Linda O'Keeffe.- Section III: Media and Society.- 10. The Uncanny Soundscapes of the Palestinian Exile: Rethinking About Technics, Memory, and Sound, Özgün Eylül ¿¿cen.- 11. Responsive Listening: Negotiating cities of sirens, smartphones and sensors, Sarah Barns.- 12. Listening to Traffic with Guts and Antennae, Andra McCartney.- 13. Acouscenic Listening, Sean Taylor and Mikael Förnstrom (Softday).- 14. Evening of Sounds: Cultures in Call-in Programmes, Heikki Uimonen.
Details
Erscheinungsjahr: 2020
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Fotografie
Medium: Taschenbuch
Seiten: 320
Reihe: Palgrave Studies in Audio-Visual Culture
Inhalt: xxvi
294 S.
2 s/w Illustr.
15 farbige Illustr.
294 p. 17 illus.
15 illus. in color.
ISBN-13: 9783030165710
ISBN-10: 303016571X
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Redaktion: Jordan, Randolph
Droumeva, Milena
Herausgeber: Milena Droumeva/Randolph Jordan
Auflage: 1st ed. 2019
Hersteller: Springer International Publishing
Springer International Publishing AG
Palgrave Studies in Audio-Visual Culture
Maße: 210 x 148 x 18 mm
Von/Mit: Randolph Jordan (u. a.)
Erscheinungsdatum: 14.08.2020
Gewicht: 0,416 kg
preigu-id: 118817085
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