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The Four Sound Areas framework presents a novel approach to sound design that enables the reader to more fully appreciate audience emotions and audience engagement, and provides a flexible, practical model that will allow professionals to more easily create and communicate soundtracks with greater emotional significance and meaning.
Of obvious benefit to sound specialists, as well as motion picture professionals such as film producers, directors and picture editors, Sound for Moving Pictures also provides valuable insight for others interested in the subject; such as those involved with teaching soundtrack analysis, or those researching the wider topics of film studies and screen writing.
Supplementary materials can be found on the companion website: [...]
The Four Sound Areas framework presents a novel approach to sound design that enables the reader to more fully appreciate audience emotions and audience engagement, and provides a flexible, practical model that will allow professionals to more easily create and communicate soundtracks with greater emotional significance and meaning.
Of obvious benefit to sound specialists, as well as motion picture professionals such as film producers, directors and picture editors, Sound for Moving Pictures also provides valuable insight for others interested in the subject; such as those involved with teaching soundtrack analysis, or those researching the wider topics of film studies and screen writing.
Supplementary materials can be found on the companion website: [...]
Neil Hillman, PhD, is a highly experienced sound designer, production sound mixer and scholar who contributes to both multi-million budgeted feature films and crowd-funded indie movies. His PhD investigated emotion within sound design and considered enhanced audience engagement through the thoughtful use of the soundtrack.
1 Introduction
PART 1 Constructing the soundtrack
2 Emotion in sound design
3 Validating a new approach
PART 2 Deconstructing the soundtrack
4 The Four Sound Areas
5 Applying the Four Sound Areas
6 Reflections on practice
PART 3 Communicating the soundtrack
7 Adding to the lexicon
8 Closing thoughts
9 Appendices
10 Credits
Glossary
References
Index
| Erscheinungsjahr: | 2021 |
|---|---|
| Genre: | Importe, Musik |
| Rubrik: | Kunst & Musik |
| Medium: | Taschenbuch |
| ISBN-13: | 9780367517786 |
| ISBN-10: | 0367517787 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Hillman, Neil |
| Hersteller: | Focal Press |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 234 x 156 x 12 mm |
| Von/Mit: | Neil Hillman |
| Erscheinungsdatum: | 26.04.2021 |
| Gewicht: | 0,345 kg |
Neil Hillman, PhD, is a highly experienced sound designer, production sound mixer and scholar who contributes to both multi-million budgeted feature films and crowd-funded indie movies. His PhD investigated emotion within sound design and considered enhanced audience engagement through the thoughtful use of the soundtrack.
1 Introduction
PART 1 Constructing the soundtrack
2 Emotion in sound design
3 Validating a new approach
PART 2 Deconstructing the soundtrack
4 The Four Sound Areas
5 Applying the Four Sound Areas
6 Reflections on practice
PART 3 Communicating the soundtrack
7 Adding to the lexicon
8 Closing thoughts
9 Appendices
10 Credits
Glossary
References
Index
| Erscheinungsjahr: | 2021 |
|---|---|
| Genre: | Importe, Musik |
| Rubrik: | Kunst & Musik |
| Medium: | Taschenbuch |
| ISBN-13: | 9780367517786 |
| ISBN-10: | 0367517787 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Hillman, Neil |
| Hersteller: | Focal Press |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 234 x 156 x 12 mm |
| Von/Mit: | Neil Hillman |
| Erscheinungsdatum: | 26.04.2021 |
| Gewicht: | 0,345 kg |
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