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Beschreibung
"A philosophical analysis of sonically charged concepts to map a theory of "sound affects.""--
"A philosophical analysis of sonically charged concepts to map a theory of "sound affects.""--
Über den Autor
Sharon Jane Mee is Adjunct Lecturer in Film Studies at the University of New South Wales, Australia.
Luke Robinson is a PhD candidate and a casual academic in the School of Arts and Media, University of New South Wales, Australia.
Luke Robinson is a PhD candidate and a casual academic in the School of Arts and Media, University of New South Wales, Australia.
Inhaltsverzeichnis
List of IllustrationsAcknowledgements
The Clatter and Clang of Sound Affects
Sharon Jane Mee (University of New South Wales, Australia) and Luke Robinson (University of New South Wales, Australia)Part 1: Start, Stop, Repeat
Chapter 1. Silence
Sandra Kazlauskaite (University of Lincoln, UK)
Chapter 2. Shuffle
Jim Drobnick (OCAD University, Canada) and Jennifer Fisher (York University, Canada)
Chapter 3. Oriental Riff
Runchao Liu (University of Denver, USA)Part 2: Voices and Vocals
Chapter 4. aa ee ii oo uuuuu
Rachel Shearer (Te Wananga Aronui o Tamaki Makau Rau/Auckland University of Technology, Aotearoa New Zealand)
Chapter 5. Sympathetic Response
Charlotte Eubanks (Pennsylvania State University, USA)
Chapter 6. Whispers
Christian de Mouilpied Sancto (University of Rochester, USA)
Chapter 7. Sing
Katherine Nolan (Technological University Dublin, Ireland)
Chapter 8. The Disembodied Voice
Julius Greve (University of Oldenburg, Germany) Part 3: Threshold Sounds
Chapter 9. Tin/ny
Rob Garbutt (Southern Cross University, Australia)
Chapter 10. Vroom
Andrija Filipovic (Singidunum University, Serbia)
Chapter 11. Thump
Andrea Avidad (New York University, USA)
Chapter 12: Buzz
Sharon Jane Mee (University of New South Wales, Australia)Part 4: Beyond Audibility
Chapter 13: Inaudible Tremors
Luke Robinson (University of New South Wales, Australia)
Chapter 14: Distortion
Greg Hainge (University of Queensland, Australia)
Chapter 15. Feedback
Manuel 'Mandel' CabreraJr. (Yonsei University, South Korea)
Chapter 16. Sub-bass
Aidan Delaney (Middlesex University, UK)
Chapter 17. Squish, Squelch, ShlshlshlurppppNorie Neumark (Victorian College of the Arts, University of Melbourne and La Trobe University, Australia)
Bibliography
MediographyContributorsIndex
The Clatter and Clang of Sound Affects
Sharon Jane Mee (University of New South Wales, Australia) and Luke Robinson (University of New South Wales, Australia)Part 1: Start, Stop, Repeat
Chapter 1. Silence
Sandra Kazlauskaite (University of Lincoln, UK)
Chapter 2. Shuffle
Jim Drobnick (OCAD University, Canada) and Jennifer Fisher (York University, Canada)
Chapter 3. Oriental Riff
Runchao Liu (University of Denver, USA)Part 2: Voices and Vocals
Chapter 4. aa ee ii oo uuuuu
Rachel Shearer (Te Wananga Aronui o Tamaki Makau Rau/Auckland University of Technology, Aotearoa New Zealand)
Chapter 5. Sympathetic Response
Charlotte Eubanks (Pennsylvania State University, USA)
Chapter 6. Whispers
Christian de Mouilpied Sancto (University of Rochester, USA)
Chapter 7. Sing
Katherine Nolan (Technological University Dublin, Ireland)
Chapter 8. The Disembodied Voice
Julius Greve (University of Oldenburg, Germany) Part 3: Threshold Sounds
Chapter 9. Tin/ny
Rob Garbutt (Southern Cross University, Australia)
Chapter 10. Vroom
Andrija Filipovic (Singidunum University, Serbia)
Chapter 11. Thump
Andrea Avidad (New York University, USA)
Chapter 12: Buzz
Sharon Jane Mee (University of New South Wales, Australia)Part 4: Beyond Audibility
Chapter 13: Inaudible Tremors
Luke Robinson (University of New South Wales, Australia)
Chapter 14: Distortion
Greg Hainge (University of Queensland, Australia)
Chapter 15. Feedback
Manuel 'Mandel' CabreraJr. (Yonsei University, South Korea)
Chapter 16. Sub-bass
Aidan Delaney (Middlesex University, UK)
Chapter 17. Squish, Squelch, ShlshlshlurppppNorie Neumark (Victorian College of the Arts, University of Melbourne and La Trobe University, Australia)
Bibliography
MediographyContributorsIndex
Details
Erscheinungsjahr: | 2024 |
---|---|
Fachbereich: | Mechanik & Akustik |
Genre: | Physik |
Rubrik: | Naturwissenschaften & Technik |
Medium: | Taschenbuch |
ISBN-13: | 9781501388927 |
ISBN-10: | 1501388924 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Redaktion: |
Mee, Sharon Jane
Herzogenrath, Bernd Robinson, Luke Pisters, Patricia |
Hersteller: | Taylor & Francis Ltd (Sales) |
Maße: | 216 x 140 x 25 mm |
Von/Mit: | Sharon Jane Mee (u. a.) |
Erscheinungsdatum: | 25.07.2024 |
Gewicht: | 0,454 kg |
Über den Autor
Sharon Jane Mee is Adjunct Lecturer in Film Studies at the University of New South Wales, Australia.
Luke Robinson is a PhD candidate and a casual academic in the School of Arts and Media, University of New South Wales, Australia.
Luke Robinson is a PhD candidate and a casual academic in the School of Arts and Media, University of New South Wales, Australia.
Inhaltsverzeichnis
List of IllustrationsAcknowledgements
The Clatter and Clang of Sound Affects
Sharon Jane Mee (University of New South Wales, Australia) and Luke Robinson (University of New South Wales, Australia)Part 1: Start, Stop, Repeat
Chapter 1. Silence
Sandra Kazlauskaite (University of Lincoln, UK)
Chapter 2. Shuffle
Jim Drobnick (OCAD University, Canada) and Jennifer Fisher (York University, Canada)
Chapter 3. Oriental Riff
Runchao Liu (University of Denver, USA)Part 2: Voices and Vocals
Chapter 4. aa ee ii oo uuuuu
Rachel Shearer (Te Wananga Aronui o Tamaki Makau Rau/Auckland University of Technology, Aotearoa New Zealand)
Chapter 5. Sympathetic Response
Charlotte Eubanks (Pennsylvania State University, USA)
Chapter 6. Whispers
Christian de Mouilpied Sancto (University of Rochester, USA)
Chapter 7. Sing
Katherine Nolan (Technological University Dublin, Ireland)
Chapter 8. The Disembodied Voice
Julius Greve (University of Oldenburg, Germany) Part 3: Threshold Sounds
Chapter 9. Tin/ny
Rob Garbutt (Southern Cross University, Australia)
Chapter 10. Vroom
Andrija Filipovic (Singidunum University, Serbia)
Chapter 11. Thump
Andrea Avidad (New York University, USA)
Chapter 12: Buzz
Sharon Jane Mee (University of New South Wales, Australia)Part 4: Beyond Audibility
Chapter 13: Inaudible Tremors
Luke Robinson (University of New South Wales, Australia)
Chapter 14: Distortion
Greg Hainge (University of Queensland, Australia)
Chapter 15. Feedback
Manuel 'Mandel' CabreraJr. (Yonsei University, South Korea)
Chapter 16. Sub-bass
Aidan Delaney (Middlesex University, UK)
Chapter 17. Squish, Squelch, ShlshlshlurppppNorie Neumark (Victorian College of the Arts, University of Melbourne and La Trobe University, Australia)
Bibliography
MediographyContributorsIndex
The Clatter and Clang of Sound Affects
Sharon Jane Mee (University of New South Wales, Australia) and Luke Robinson (University of New South Wales, Australia)Part 1: Start, Stop, Repeat
Chapter 1. Silence
Sandra Kazlauskaite (University of Lincoln, UK)
Chapter 2. Shuffle
Jim Drobnick (OCAD University, Canada) and Jennifer Fisher (York University, Canada)
Chapter 3. Oriental Riff
Runchao Liu (University of Denver, USA)Part 2: Voices and Vocals
Chapter 4. aa ee ii oo uuuuu
Rachel Shearer (Te Wananga Aronui o Tamaki Makau Rau/Auckland University of Technology, Aotearoa New Zealand)
Chapter 5. Sympathetic Response
Charlotte Eubanks (Pennsylvania State University, USA)
Chapter 6. Whispers
Christian de Mouilpied Sancto (University of Rochester, USA)
Chapter 7. Sing
Katherine Nolan (Technological University Dublin, Ireland)
Chapter 8. The Disembodied Voice
Julius Greve (University of Oldenburg, Germany) Part 3: Threshold Sounds
Chapter 9. Tin/ny
Rob Garbutt (Southern Cross University, Australia)
Chapter 10. Vroom
Andrija Filipovic (Singidunum University, Serbia)
Chapter 11. Thump
Andrea Avidad (New York University, USA)
Chapter 12: Buzz
Sharon Jane Mee (University of New South Wales, Australia)Part 4: Beyond Audibility
Chapter 13: Inaudible Tremors
Luke Robinson (University of New South Wales, Australia)
Chapter 14: Distortion
Greg Hainge (University of Queensland, Australia)
Chapter 15. Feedback
Manuel 'Mandel' CabreraJr. (Yonsei University, South Korea)
Chapter 16. Sub-bass
Aidan Delaney (Middlesex University, UK)
Chapter 17. Squish, Squelch, ShlshlshlurppppNorie Neumark (Victorian College of the Arts, University of Melbourne and La Trobe University, Australia)
Bibliography
MediographyContributorsIndex
Details
Erscheinungsjahr: | 2024 |
---|---|
Fachbereich: | Mechanik & Akustik |
Genre: | Physik |
Rubrik: | Naturwissenschaften & Technik |
Medium: | Taschenbuch |
ISBN-13: | 9781501388927 |
ISBN-10: | 1501388924 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Redaktion: |
Mee, Sharon Jane
Herzogenrath, Bernd Robinson, Luke Pisters, Patricia |
Hersteller: | Taylor & Francis Ltd (Sales) |
Maße: | 216 x 140 x 25 mm |
Von/Mit: | Sharon Jane Mee (u. a.) |
Erscheinungsdatum: | 25.07.2024 |
Gewicht: | 0,454 kg |
Warnhinweis