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Whether you picture yourself as the next Ariana Grande or just feel like picking up a new hobby, Singing For Dummies walks you through the surprisingly straightforward steps you'll need to take to develop your voice. It's a practical guide to every important aspect of singing, from vocal techniques to performance tips.
You'll learn exercises and practice songs that gradually improve your craft and receive instruction on the latest technology and recording devices to capture and play back your songs. Singing For Dummies also shows you how to:
* Understand and use important singing techniques, improve your tone, upgrade your posture, and maximize your breath
* Maintain your voice with preventative self-care that keeps your vocal cords in tiptop shape
* Sing with instrumental accompaniment or with a partner in a duet
Perfect for men, women, boys, and girls, Singing For Dummies is the most intuitive and accessible resource on the market for anyone who hopes to find their voice.
Whether you picture yourself as the next Ariana Grande or just feel like picking up a new hobby, Singing For Dummies walks you through the surprisingly straightforward steps you'll need to take to develop your voice. It's a practical guide to every important aspect of singing, from vocal techniques to performance tips.
You'll learn exercises and practice songs that gradually improve your craft and receive instruction on the latest technology and recording devices to capture and play back your songs. Singing For Dummies also shows you how to:
* Understand and use important singing techniques, improve your tone, upgrade your posture, and maximize your breath
* Maintain your voice with preventative self-care that keeps your vocal cords in tiptop shape
* Sing with instrumental accompaniment or with a partner in a duet
Perfect for men, women, boys, and girls, Singing For Dummies is the most intuitive and accessible resource on the market for anyone who hopes to find their voice.
Pamelia S. Phillips is a professional singer, voice teacher, and author. Her voice clients range from beginners to professionals, some of whom have gone on to win Grammy, Tony, and Academy awards. She also wrote all previous editions of Singing for Dummies and Singing Exercises for Dummies.
Introduction 1
About This Book 1
Foolish Assumptions 3
Icons Used in This Book 3
Beyond This Book 4
Where to Go from Here 4
Part 1: Exploring Singing Basics 5
Chapter 1: Preparing to Sing 7
What You Want to Know Right from the Beginning 7
Determining your voice type 8
Locating the notes on the staff 8
Considering posture, breath, and tone 10
Developing Your Singing Voice 10
Working the Different Parts of Your Voice 11
Applying Your Technique 12
Having Fun 13
Chapter 2: Determining Your Voice Type 15
Sifting through the Ingredients to Figure Out Your Voice Type 16
Identifying the Fab Four 17
Highest range of the dames: Soprano 18
How low can she go: Mezzo 20
Highest range of the dudes: Tenor 21
He's so low: Bass 23
Comparing voice types 25
Chapter 3: Aligning Your Body for Great Singing 29
Evaluating Your Posture 30
Creating Ideal Posture 32
Feeling grounded on your feet 32
Engaging your legs 34
Releasing your hips 35
Lengthening your spine 36
Balancing your head and shoulders 36
Releasing Tension 37
Letting go of tension in your upper body 37
Opening space in the head 38
Walking with ease 39
Projecting confidence through posture 40
Chapter 4: Breathing for Singing 43
Tackling the Basics of Breathing 43
Inhaling to sing 44
Exhaling to sing 44
Posturing yourself for breathing 46
Practicing Inhalation 46
Opening your body 47
Breathing, slow and steady 51
Catching a quick breath 52
Practicing Exhalation 54
Blowing in the wind 54
Trilling for exhalation 55
Recognizing resistance and suspending the breath 57
Testing Your Breath Control 58
Releasing abs and then ribs 59
Singing slowly 60
Chapter 5: Toning Up the Voice 63
Defining Tone 63
Creating unique tone 64
Identifying factors that affect tone 64
Considering tone, pitches, and notes 65
Flexing Your Singing Muscles 66
Discovering your own bands 66
Making the first sound 66
Dropping the jaw 67
Matching Pitch 71
Sliding up and down on pitch 72
Developing muscle memory 73
Recording yourself and singing along 74
Releasing Tension for Better Tone 74
Checking for neck or jaw tension 75
Bouncing the tongue and jaw 75
Part 2: Improving Your Singing 79
Chapter 6: Acquiring Beautiful Tone 81
Creating Tone 81
Starting the tone 82
Creating back space 83
Coordinating air with tone 83
Sighing your way to clarity 84
Releasing Tone 85
Inhaling to release tone 85
Letting your throat go 86
Sustaining Tone 86
Connecting the dots with legato 86
Trilling the lips or tongue 87
Working your breath control 87
Finding Your Vibrato 88
Moving from straight tone to vibrato 89
Imitating another singer's vibrato 90
Chapter 7: Exploring Resonance 91
Understanding Resonance - Good Vibrations 92
Identifying resonance in different styles of music 92
Exploring your resonators 94
Ringing it out 94
Eliminating Nasality 95
Getting the feel for soft palate work 95
Coordinating your soft palate and tongue 96
Moving air through the nose 97
Debunking Common Misconceptions 98
Misconception: Tone resonates in your sinuses 98
Misconception: You have to place every tone in the same location 99
Misconception: You're supposed to keep your tongue completely flat 99
Misconception: You need to open your mouth as wide as possible 100
Misconception: The more forward the sound, the better 100
Misconception: You have to smile to stay on pitch 100
Chapter 8: Shaping Your Vowels for Clarity 101
Getting Your Backside into Shape - Back Vowels, That Is 102
Exploring the shape of back vowels 103
Lipping around your back vowels 104
Singing the back vowels 105
Mastering the Front Vowels 106
Exploring the shape of front vowels 106
Speaking the front vowels 108
Singing the front vowels 109
Chapter 9: Exercising Consonants for Articulation 111
Saying Voiced and Unvoiced Consonants 112
Making Tip Consonants 113
Shaping tip consonants 113
Singing tip consonants 116
Making Soft Palate Consonants 116
Shaping soft palate consonants 117
Singing soft palate consonants 118
Working Lip Consonants 118
Shaping lip consonants 118
Singing lip consonants 120
Working Combination Consonants 120
Shaping combination consonants 121
Singing combination consonants 122
Chapter 10: Crafting a Practice Routine 123
Knuckling Down to a Practice Plan 124
Getting Answers to Your Practicing Questions 124
Where should I practice? 125
What's the best time to practice? 125
How long should I practice? 126
What do I need besides my voice? 126
Warming Up 127
Stretching to warm up your body 127
Warming up your voice 129
Exercising Your Voice 130
Picking exercises that work for you 130
Breaking it down 131
Practicing Correctly 133
Recording yourself 133
Applying information and exercises 134
Using the online tracks to practice exercises 134
Part 3: Advanced Techniques to Improve Your Voice 135
Chapter 11: Developing the Parts of Your Singing Voice 137
Finding Your Middle Voice 138
Noting your middle voice range 139
Singing in middle voice 140
Checking Out Your Chest Voice 142
Zeroing in on your chest voice range 142
Feeling your chest voice 144
Aiming High with Head Voice 145
Finding your head voice range 145
Feeling head voice 146
Figuring Out Falsetto 148
Discovering your falsetto 149
Experiencing your falsetto 150
Making a Smooth Transition 153
Maneuvering in and out of chest voice 153
Mixing It Up 157
Making the most of your mix, man 157
Getting into the mix, gals 158
Chapter 12: Expanding Your Vocal Flexibility and Range 163
Tackling Register Transitions 164
Working On Your Range 165
Taking your range higher 165
Varying the dynamics 166
Moving between registers 167
Taking Your Agility to New Levels 168
Moving along the scale 169
Picking up the pace 169
Skipping through the intervals 170
Improvising for a Better Pop Sound 171
Mastering patterns in pop music 172
Singing pop riffs with chords 173
Chapter 13: It's a Cinch: Belting Out Your Song 175
Playing around with Pitch 176
Talking to yourself 177
Chanting and speaking 177
Finding your optimum speaking pitch 179
Increasing your speaking range 180
Using body energy to find clarity of tone 181
Defining Healthy Belting 182
Comparing belt and chest voice 183
Knowing your limits as a beginner belter 184
Noting the difference between the sexes 184
Coordinating breath and energy 185
Preparing for Belting 186
Speaking in a mix 186
Calling out to a friend 187
Moving Resonance to the Front 187
Exploring vibrations of resonance 188
Being bratty to feel resonance 189
Combining Resonance and Registration 189
Increasing your belt range 190
Belting up the scale 190
Advancing Your Belt 191
Sustaining belt sounds 192
Exploring different vowels 193
Belters and Belt Songs You Should Hear 194
Male belters 194
Female belters 195
Belt songs 195
Chapter 14: Training for Singing 199
Defining Training Requirements 199
Crooning as a country singer 200
Jazzing it up 200
Making your mark in musical theater 201
Performing pop-rock 202
Opting for opera 203
Showing your range with R&B 204
Training to Sing at Any Age 205
Recognizing differences between young singers and teens 205
Developing long-term technique in teenagers 206
Understanding that voices change with age 207
Training with a Choir 208
Enjoying the benefits of singing in the choir 208
Singing in the choir versus going solo 209
Chapter 15: Finding the Right Voice Teacher 211
Searching for the Best Voice Teacher 211
Finding a prospective voice teacher 212
Identifying what you want 212
Interviewing a prospective teacher 213
Knowing What to Expect from a Teacher 217
Feeling good when you leave the lesson 217
Working with imagery and other tools 218
Applying tried-and-true singing methods 218
Knowing What to Expect from Yourself 219
Developing your own practice process 219
Avoiding overworking your flaws 219
Making Your First Lesson a Success 220
Part 4: Preparing to Perform 221
Chapter 16: Selecting Your Music Material 223
Choosing the Song 223
Finding songs at your level 223
Determining the appropriate key for you 229
Selecting a suitable song style 229
Singing to your strengths 230
Shopping for Sheet Music 231
Downloading sheet music 231
Ordering music...
Erscheinungsjahr: | 2021 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Inhalt: | 384 S. |
ISBN-13: | 9781119842965 |
ISBN-10: | 1119842964 |
Sprache: | Englisch |
Herstellernummer: | 1W119842960 |
Einband: | Kartoniert / Broschiert |
Autor: | Phillips, Pamelia S. |
Komponist: | Pamelia S. Phillips |
Hersteller: | John Wiley & Sons Inc |
Verantwortliche Person für die EU: | Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 229 x 179 x 27 mm |
Von/Mit: | Pamelia S. Phillips |
Erscheinungsdatum: | 27.12.2021 |
Gewicht: | 0,528 kg |
Pamelia S. Phillips is a professional singer, voice teacher, and author. Her voice clients range from beginners to professionals, some of whom have gone on to win Grammy, Tony, and Academy awards. She also wrote all previous editions of Singing for Dummies and Singing Exercises for Dummies.
Introduction 1
About This Book 1
Foolish Assumptions 3
Icons Used in This Book 3
Beyond This Book 4
Where to Go from Here 4
Part 1: Exploring Singing Basics 5
Chapter 1: Preparing to Sing 7
What You Want to Know Right from the Beginning 7
Determining your voice type 8
Locating the notes on the staff 8
Considering posture, breath, and tone 10
Developing Your Singing Voice 10
Working the Different Parts of Your Voice 11
Applying Your Technique 12
Having Fun 13
Chapter 2: Determining Your Voice Type 15
Sifting through the Ingredients to Figure Out Your Voice Type 16
Identifying the Fab Four 17
Highest range of the dames: Soprano 18
How low can she go: Mezzo 20
Highest range of the dudes: Tenor 21
He's so low: Bass 23
Comparing voice types 25
Chapter 3: Aligning Your Body for Great Singing 29
Evaluating Your Posture 30
Creating Ideal Posture 32
Feeling grounded on your feet 32
Engaging your legs 34
Releasing your hips 35
Lengthening your spine 36
Balancing your head and shoulders 36
Releasing Tension 37
Letting go of tension in your upper body 37
Opening space in the head 38
Walking with ease 39
Projecting confidence through posture 40
Chapter 4: Breathing for Singing 43
Tackling the Basics of Breathing 43
Inhaling to sing 44
Exhaling to sing 44
Posturing yourself for breathing 46
Practicing Inhalation 46
Opening your body 47
Breathing, slow and steady 51
Catching a quick breath 52
Practicing Exhalation 54
Blowing in the wind 54
Trilling for exhalation 55
Recognizing resistance and suspending the breath 57
Testing Your Breath Control 58
Releasing abs and then ribs 59
Singing slowly 60
Chapter 5: Toning Up the Voice 63
Defining Tone 63
Creating unique tone 64
Identifying factors that affect tone 64
Considering tone, pitches, and notes 65
Flexing Your Singing Muscles 66
Discovering your own bands 66
Making the first sound 66
Dropping the jaw 67
Matching Pitch 71
Sliding up and down on pitch 72
Developing muscle memory 73
Recording yourself and singing along 74
Releasing Tension for Better Tone 74
Checking for neck or jaw tension 75
Bouncing the tongue and jaw 75
Part 2: Improving Your Singing 79
Chapter 6: Acquiring Beautiful Tone 81
Creating Tone 81
Starting the tone 82
Creating back space 83
Coordinating air with tone 83
Sighing your way to clarity 84
Releasing Tone 85
Inhaling to release tone 85
Letting your throat go 86
Sustaining Tone 86
Connecting the dots with legato 86
Trilling the lips or tongue 87
Working your breath control 87
Finding Your Vibrato 88
Moving from straight tone to vibrato 89
Imitating another singer's vibrato 90
Chapter 7: Exploring Resonance 91
Understanding Resonance - Good Vibrations 92
Identifying resonance in different styles of music 92
Exploring your resonators 94
Ringing it out 94
Eliminating Nasality 95
Getting the feel for soft palate work 95
Coordinating your soft palate and tongue 96
Moving air through the nose 97
Debunking Common Misconceptions 98
Misconception: Tone resonates in your sinuses 98
Misconception: You have to place every tone in the same location 99
Misconception: You're supposed to keep your tongue completely flat 99
Misconception: You need to open your mouth as wide as possible 100
Misconception: The more forward the sound, the better 100
Misconception: You have to smile to stay on pitch 100
Chapter 8: Shaping Your Vowels for Clarity 101
Getting Your Backside into Shape - Back Vowels, That Is 102
Exploring the shape of back vowels 103
Lipping around your back vowels 104
Singing the back vowels 105
Mastering the Front Vowels 106
Exploring the shape of front vowels 106
Speaking the front vowels 108
Singing the front vowels 109
Chapter 9: Exercising Consonants for Articulation 111
Saying Voiced and Unvoiced Consonants 112
Making Tip Consonants 113
Shaping tip consonants 113
Singing tip consonants 116
Making Soft Palate Consonants 116
Shaping soft palate consonants 117
Singing soft palate consonants 118
Working Lip Consonants 118
Shaping lip consonants 118
Singing lip consonants 120
Working Combination Consonants 120
Shaping combination consonants 121
Singing combination consonants 122
Chapter 10: Crafting a Practice Routine 123
Knuckling Down to a Practice Plan 124
Getting Answers to Your Practicing Questions 124
Where should I practice? 125
What's the best time to practice? 125
How long should I practice? 126
What do I need besides my voice? 126
Warming Up 127
Stretching to warm up your body 127
Warming up your voice 129
Exercising Your Voice 130
Picking exercises that work for you 130
Breaking it down 131
Practicing Correctly 133
Recording yourself 133
Applying information and exercises 134
Using the online tracks to practice exercises 134
Part 3: Advanced Techniques to Improve Your Voice 135
Chapter 11: Developing the Parts of Your Singing Voice 137
Finding Your Middle Voice 138
Noting your middle voice range 139
Singing in middle voice 140
Checking Out Your Chest Voice 142
Zeroing in on your chest voice range 142
Feeling your chest voice 144
Aiming High with Head Voice 145
Finding your head voice range 145
Feeling head voice 146
Figuring Out Falsetto 148
Discovering your falsetto 149
Experiencing your falsetto 150
Making a Smooth Transition 153
Maneuvering in and out of chest voice 153
Mixing It Up 157
Making the most of your mix, man 157
Getting into the mix, gals 158
Chapter 12: Expanding Your Vocal Flexibility and Range 163
Tackling Register Transitions 164
Working On Your Range 165
Taking your range higher 165
Varying the dynamics 166
Moving between registers 167
Taking Your Agility to New Levels 168
Moving along the scale 169
Picking up the pace 169
Skipping through the intervals 170
Improvising for a Better Pop Sound 171
Mastering patterns in pop music 172
Singing pop riffs with chords 173
Chapter 13: It's a Cinch: Belting Out Your Song 175
Playing around with Pitch 176
Talking to yourself 177
Chanting and speaking 177
Finding your optimum speaking pitch 179
Increasing your speaking range 180
Using body energy to find clarity of tone 181
Defining Healthy Belting 182
Comparing belt and chest voice 183
Knowing your limits as a beginner belter 184
Noting the difference between the sexes 184
Coordinating breath and energy 185
Preparing for Belting 186
Speaking in a mix 186
Calling out to a friend 187
Moving Resonance to the Front 187
Exploring vibrations of resonance 188
Being bratty to feel resonance 189
Combining Resonance and Registration 189
Increasing your belt range 190
Belting up the scale 190
Advancing Your Belt 191
Sustaining belt sounds 192
Exploring different vowels 193
Belters and Belt Songs You Should Hear 194
Male belters 194
Female belters 195
Belt songs 195
Chapter 14: Training for Singing 199
Defining Training Requirements 199
Crooning as a country singer 200
Jazzing it up 200
Making your mark in musical theater 201
Performing pop-rock 202
Opting for opera 203
Showing your range with R&B 204
Training to Sing at Any Age 205
Recognizing differences between young singers and teens 205
Developing long-term technique in teenagers 206
Understanding that voices change with age 207
Training with a Choir 208
Enjoying the benefits of singing in the choir 208
Singing in the choir versus going solo 209
Chapter 15: Finding the Right Voice Teacher 211
Searching for the Best Voice Teacher 211
Finding a prospective voice teacher 212
Identifying what you want 212
Interviewing a prospective teacher 213
Knowing What to Expect from a Teacher 217
Feeling good when you leave the lesson 217
Working with imagery and other tools 218
Applying tried-and-true singing methods 218
Knowing What to Expect from Yourself 219
Developing your own practice process 219
Avoiding overworking your flaws 219
Making Your First Lesson a Success 220
Part 4: Preparing to Perform 221
Chapter 16: Selecting Your Music Material 223
Choosing the Song 223
Finding songs at your level 223
Determining the appropriate key for you 229
Selecting a suitable song style 229
Singing to your strengths 230
Shopping for Sheet Music 231
Downloading sheet music 231
Ordering music...
Erscheinungsjahr: | 2021 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Inhalt: | 384 S. |
ISBN-13: | 9781119842965 |
ISBN-10: | 1119842964 |
Sprache: | Englisch |
Herstellernummer: | 1W119842960 |
Einband: | Kartoniert / Broschiert |
Autor: | Phillips, Pamelia S. |
Komponist: | Pamelia S. Phillips |
Hersteller: | John Wiley & Sons Inc |
Verantwortliche Person für die EU: | Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 229 x 179 x 27 mm |
Von/Mit: | Pamelia S. Phillips |
Erscheinungsdatum: | 27.12.2021 |
Gewicht: | 0,528 kg |