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concern itself with medical matters, nor directly with anatomy, physiology, and acoustics.
While not belittling the value of appropriate scientific investigation, Thomas Hemsley believes that modern methods of training have gone too far in the direction of the materialistic approach; that singing in all its aspects and at all times should be guided by the imagination, the feelings, and
the intuition; that we have become so pre-occupied by voice per se and the vocal function since the advent of vocal science, that we too easily forget that singing is not voice, but modification of voice - "not only a language through which we understand the emotions of others, but also a means of
exciting our sympathy with such emotions," (H. Spencer). This book can be seen as an attempt to redress the balance.
concern itself with medical matters, nor directly with anatomy, physiology, and acoustics.
While not belittling the value of appropriate scientific investigation, Thomas Hemsley believes that modern methods of training have gone too far in the direction of the materialistic approach; that singing in all its aspects and at all times should be guided by the imagination, the feelings, and
the intuition; that we have become so pre-occupied by voice per se and the vocal function since the advent of vocal science, that we too easily forget that singing is not voice, but modification of voice - "not only a language through which we understand the emotions of others, but also a means of
exciting our sympathy with such emotions," (H. Spencer). This book can be seen as an attempt to redress the balance.
- Introduction
- I: The Basic Principles
- Readiness to sing - The Raw Material
- Posture
- Posture - Hints
- The Impulse
- The Intention
- Intention - Hints
- The Anacrusis
- Colour
- Falsetto
- The Importance of Good Diction
- The Singer's Ear
- The Pitch-Intensity Effect
- Breath
- II: Words and Music
- The Works of the Imagination - Words and Music
- Legato and Tessitura
- The Pulse
- III: Performance
- Performance
- Bibliography
- Index
| Empfohlen (von): | 6 |
|---|---|
| Erscheinungsjahr: | 1998 |
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Musiktheorie & Musiklehre |
| Medium: | Taschenbuch |
| Inhalt: | Buch |
| ISBN-13: | 9780198790167 |
| ISBN-10: | 0198790163 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Hemsley, Thomas |
| Komponist: | Thomas Hemsley |
| Hersteller: | OUP Oxford |
| Maße: | 216 x 140 x 13 mm |
| Von/Mit: | Thomas Hemsley |
| Erscheinungsdatum: | 01.06.1998 |
| Gewicht: | 0,311 kg |
- Introduction
- I: The Basic Principles
- Readiness to sing - The Raw Material
- Posture
- Posture - Hints
- The Impulse
- The Intention
- Intention - Hints
- The Anacrusis
- Colour
- Falsetto
- The Importance of Good Diction
- The Singer's Ear
- The Pitch-Intensity Effect
- Breath
- II: Words and Music
- The Works of the Imagination - Words and Music
- Legato and Tessitura
- The Pulse
- III: Performance
- Performance
- Bibliography
- Index
| Empfohlen (von): | 6 |
|---|---|
| Erscheinungsjahr: | 1998 |
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Musiktheorie & Musiklehre |
| Medium: | Taschenbuch |
| Inhalt: | Buch |
| ISBN-13: | 9780198790167 |
| ISBN-10: | 0198790163 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Hemsley, Thomas |
| Komponist: | Thomas Hemsley |
| Hersteller: | OUP Oxford |
| Maße: | 216 x 140 x 13 mm |
| Von/Mit: | Thomas Hemsley |
| Erscheinungsdatum: | 01.06.1998 |
| Gewicht: | 0,311 kg |
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