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Englisch
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Beschreibung
Over the last quarter-century, feminist criticism of Shakespeare has greatly expanded and enriched the range of interpretations of the Shakespearean texts, their original historical location, and subsequent reinterpretation. Characteristically it weaves between past and present, driven by a commitment both to intervene in contemporary cultural politics and to recover a fuller sense of the sexual politics of the literary heritage. Collecting together essays which offer detailed accounts of particular plays with others that take a broader overview of the field, this Casebook showcases the range of critical strategies used by feminist criticism, and illustrates how vital attention to the politics of gender and sexuality is to a full understanding and appreciation of Shakespearean drama.
Over the last quarter-century, feminist criticism of Shakespeare has greatly expanded and enriched the range of interpretations of the Shakespearean texts, their original historical location, and subsequent reinterpretation. Characteristically it weaves between past and present, driven by a commitment both to intervene in contemporary cultural politics and to recover a fuller sense of the sexual politics of the literary heritage. Collecting together essays which offer detailed accounts of particular plays with others that take a broader overview of the field, this Casebook showcases the range of critical strategies used by feminist criticism, and illustrates how vital attention to the politics of gender and sexuality is to a full understanding and appreciation of Shakespearean drama.
Über den Autor
Kate Chedgzoy
Zusammenfassung
Combines two well-studied topics Shakespeare and gender Contains a wide range of recent essays covering feminism and other aspects of gender studies
Inhaltsverzeichnis
Acknowledgements.- General Editor's Preface.- Introduction; K. Chedgzoy.- The Patriarchal Bard: Feminist Criticism and Shakespeare: King Lear and Measure for Measure; K. McLuskie.- Feminist Theory and the Editing of Shakespeare: The Taming of the Shrew Revisited; A. Thompson.- Woman's Alternative Shakespeares and Women's Alternatives to Shakespeare in Contemporary British Theatre; L. Goodman.- Gender and Nation: Anticipations of Modernity in the Second Tetralogy; J.E. Howard & P. Rackin.- How to Read The Merchant of Venice without being Heterosexist; A. Sinfield.- The Homoerotics of Shakespearean Comedy; V. Traub.- Mourning and Misogyny: Hamlet and the Final Progress of Elizabeth I; S. Mullaney.- He Do Cressida in Different Voices; B. Hodgdon.- Revolutions, Petty Tyranny and the Murderous Husband; F. Dolan.- Macbeth and the All-singing, All-dancing Plays of the Jacobean Witch-Vogue; D. Purkiss.- The Colour of Patriarchy: Critical Difference, Cultural Difference and Renaissance Drama; A. Loomba.- Further Reading.- Notes on Contributors.- Index.
Details
| Erscheinungsjahr: | 2001 |
|---|---|
| Genre: | Importe, Lyrik & Dramatik |
| Rubrik: | Belletristik |
| Medium: | Taschenbuch |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9780333716526 |
| ISBN-10: | 0333716523 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Kate Chedgzoy |
| Redaktion: | Chedgzoy, Kate |
| Hersteller: |
Bloomsbury 3PL
Macmillan Education |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 216 x 140 x 17 mm |
| Von/Mit: | Kate Chedgzoy |
| Erscheinungsdatum: | 01.02.2001 |
| Gewicht: | 0,399 kg |
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