Zum Hauptinhalt springen Zur Suche springen Zur Hauptnavigation springen
Beschreibung
Classical music was central to German national identity in the early twentieth century. The preeminence of composers such as Bach and Beethoven and artists such as conductor Wilhelm Furtwängler and pianist Walter Gieseking was cited by the Nazis as justification for German expansionism and as evidence of Aryan superiority. In the minds of many Americans, further German aggression could be prevented only if the population’s faith in its moral and cultural superiority was shattered. In Settling Scores, David Monod examines the attempted “denazification” of the German music world by the Music Control Branch of the Information Control Division of Military Government.

The occupying American forces barred from the stage and concert hall all former Nazi Party members and even anyone deemed to display an “authoritarian personality.” They also imported European and American music. These actions, however, divided American officials and outraged German audiences and performers. Nonetheless, the long-term effects were greater than has been previously recognized, as German government officials regained local control and voluntarily limited their involvement in artistic life while promoting “new” (anti-Nazi) music.
Classical music was central to German national identity in the early twentieth century. The preeminence of composers such as Bach and Beethoven and artists such as conductor Wilhelm Furtwängler and pianist Walter Gieseking was cited by the Nazis as justification for German expansionism and as evidence of Aryan superiority. In the minds of many Americans, further German aggression could be prevented only if the population’s faith in its moral and cultural superiority was shattered. In Settling Scores, David Monod examines the attempted “denazification” of the German music world by the Music Control Branch of the Information Control Division of Military Government.

The occupying American forces barred from the stage and concert hall all former Nazi Party members and even anyone deemed to display an “authoritarian personality.” They also imported European and American music. These actions, however, divided American officials and outraged German audiences and performers. Nonetheless, the long-term effects were greater than has been previously recognized, as German government officials regained local control and voluntarily limited their involvement in artistic life while promoting “new” (anti-Nazi) music.
Über den Autor
David Monod is professor of history at Wilfrid Laurier University, Waterloo, Ontario. He is author of Store Wars: Retailers and the Culture of Mass Marketing, 1890-1939.
Details
Erscheinungsjahr: 2016
Fachbereich: Regionalgeschichte
Genre: Geschichte, Importe
Rubrik: Geisteswissenschaften
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9781469634043
ISBN-10: 146963404X
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Monod, David
Hersteller: The University of North Carolina Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 234 x 156 x 21 mm
Von/Mit: David Monod
Erscheinungsdatum: 01.11.2016
Gewicht: 0,583 kg
Artikel-ID: 107737732

Ähnliche Produkte