Maxim Osipov (b. 1963) is a Russian writer and cardiologist. In the early 1990s he was a research fellow at the University of California, San Francisco, before returning to Moscow, where he continued to practice medicine and also founded a publishing house that specialized in medical, musical, and theological texts. In 2005, while working at a local hospital in Tarusa, a small town ninety miles from Moscow, Osipov established a charitable foundation to ensure the hospital’s survival. Since 2007, he has published short stories, novellas, essays, and plays, and has won a number of literary prizes for his fiction. He has published six collections of prose, and his plays have been staged all across Russia. Osipov’s writings have been translated into more than a dozen languages. He lived in Tarusa up until February 2022, when he moved to Germany.

Boris Dralyuk is the executive editor of the Los Angeles Review of Books. His recent translations include Isaac Babel’s Red Cavalry and Odessa Stories and Mikhail Zoshchenko’s Sentimental Tales. He is the editor of 1917: Stories and Poems from the Russian Revolution and co-editor of The Penguin Book of Russian Poetry and Lev Ozerov’s Portraits Without Frames (published by NYRB Classics).

Alex Fleming is a translator of Swedish and Russian literature and children’s fiction. Her previous translations include works by Therése Söderlind and Cilla Naumann, and in 2015 she was awarded the British Centre for Literary Translation’s Emerging Translator Mentorship for Russian. She is based in London.

Anne Marie Jackson has lived for extended periods in Russia and Moldova. She is a co-translator, with Robert Chandler and Rose France of Tolstoy, Rasputin, Others, and Me: The Best of Teffi, and with Robert Chandler, Elizabeth Chandler, and Irina Steinberg of Memories: From Moscow to the Black Sea (both published by NYRB Classics). Her previous translations include works by Alexei Nikitin and Olga Slavnikova.

Svetlana Alexievich is a Belarusian journalist, writer, and historian. The daughter of two teachers, she studied journalism at the Belarusian State University in Minsk and went on to work as a teacher and newspaper journalist. She published her first book, The Unwomanly Face of War, an oral history of women’s experiences in World War II, in 1985, and since then has released five chronicles of Soviet and post-Soviet history, including Boys in Zinc (1991) and Voices from Chernobyl (1997). In 2015, she was awarded the Nobel Prize in Literature, the first time it had been given to a journalist.

Table of Contents:

Preface: The Cry of the Domestic Fowl

Moscow-Petrozavodsk

The Gypsy

Rock, Paper, Scissors

Renaissance Man

In the Wave of the Sea

Polish Friend

The Mill

After Eternity

On the Banks of the Spree

Good People

Objects in Mirror