Deniz Bayrakdar is a Professor of Film Studies at Kadir Has University. She is the Chair of the Communication Committee at Turkish National Commission for UNESCO. Robert Burgoyne is a writer and lecturer whose work centers on the representation of history in film. He was formerly Chair in Film Studies at The University of St Andrews, and Professor of English at Wayne State University. Dudley Andrew, at Yale University, is biographer and translator of André Bazin, whose ideas he extends in ''What Cinema Is!'' and ''Opening Bazin''. After several books on French cinema, he is preparing ''Encountering World Cinema''. Andrew was named Commandeur de l'Ordre des Arts et des Lettres and is a member of the American Academy of Arts and Sciences. The daughter of Holocaust survivors, Dora Apel's work is inspired by art and politics. She has authored six books on subjects including imagery of the Holocaust, contemporary war, lynching and racial violence, Detroit ruins, and, most recently, Calling Memory into Place, on the dynamic nature of memory, memorials, and inherited trauma. Selmin Kara is an associate professor of Film and New Media Studies at OCAD University in Toronto. Her primary research interests are digital aesthetics and ecological sensibilities in cinema as well as the use of sound and new technologies in contemporary documentary. Nevena Dakovi?, PhD is professor of Film Theory/Film Studies (FDA, Belgrade) and Director of the Institute for Theater, Film, radio and Television (FDA). She is the author (Film Studies: Essays in Film Texts of Memory, 2014; Balkan kao filmski žanr: slika, tekst, nacija, 2008.....) and editor of many books (Film and Screen Media Studies: Serbia 3.0, 2019; Me_x0002_dia Archaeology, 2016; Representation of the Holocaust in the Balkans in Arts and Media, 2015) etc. Nevena Dakovic publishes widely in the national and international framework (UK, Turkey, Slovakia, Italy, Austria, France, USA), participates at the conferences and is committee member of international project groups (COST and TEMPUS projects). She is visiting professor at European and American Universities and is member of Academia Europaea. As of January 2021 she is to be associate editor of ER (European review, Core Cambridge Journal). Main research themes: cinema, media, nation, representation, the Balkans, Holocaust, cultural memory. Iva Lekovi? is a PhD student in the Department of Theory and History at the Faculty of Dramatic Arts in Belgrade. She holds a BA degree in Art History and an MA in Cultural Policy and Management. She has participated at several international conferences and has published articles as well as exhibition and film reviews. Nagehan Uskan lives in Lésbos Island, Greece. After studying cinema at Bologna and Lyon II Universities, she finished her PhD at the Sociology Department of Mimar Sinan Fine Arts University in Istanbul, on the topic of Kurdish documentary cinema in Turkey. She conducted a postdoctoral research on the topic of the visual self-representation of migration at the University of Fribourg in Switzerland. She is the co-founder and the artistic director of Istanbul Silent Cinema Days and also works as a film programmer for different institutions. She has been part of different grassroots visual media collectives with migrants in Lésbos Island. Deniz Göktürk is a professor of German Studies, Film and Media at the University of California, Berkeley. Her research focuses on theories and practices of migration and media transformation in a global horizon. She is co-editor of The German Cinema Book (2002, 2020); Germany in Transit: Nation and Migration (2007); and Orienting Istanbul: Cultural Capital of Europe? (2010). Erik Marshall teaches Screen Studies at the University of Michigan Dearborn. In addition to film studies, his interests include video games, virtual reality, and data studies. Eileen Rositzka (1988-2021) holds a PhD in Film Studies from the University of St Andrews. Her dissertation has been published under the title Cinematic Corpographies: Re-Mapping the War Film Through the Body (2018). She was a postdoctoral researcher and lecturer at Freie Universität Berlin

Acknowledgements, Introduction: Refugees and Migrants in Contemporary Film, Art, and Media (Robert Burgoyne and Deniz Bayrakdar), Part I, 1. Moving Peoples and Motion Pictures: Migration in Film and Other Media (Dudley Andrew), 2. Modes of Self-Representation in the Images Collectively Produced by Migrants in Lesbos Island: Natives of the New World (Nagehan Uskan), 3. Abstraction, Bare Life, and Counternarratives of Mobility in the Refugee Films of Richard Mosse and Ai Weiwei, Incoming and Human Flow (Robert Burgoyne), 4. Across the Sonorous Desert: Sounding Migration in El Mar la Mar (Selmin Kara), 5. Dislodged from History, Confronted by Walls: Picturing Migration as a Global Emergency (Dora Apel), 6. Virtual Reality and Immersive Representation in Recent Refugee Narratives (Erik Marshall), Part II, 7. The Secret Life of Waste: Recycling Dreams of Migration (Deniz Gokturk), 8. Waiting in Line, Moving in Circles: Spaces of Instability in Christian Petzold's Transit (Eileen Rositzka), 9. Migrant Bodies in the Land/City/Seascapes of 2000s Turkish Cinema (Deniz Bayrakdar), 10. Third World On the Move: Cinematic Destination Belgrade/Serbia (Nevena Dakovic) 11. On the Borderlines of South-Eastern Europe: Migration in the Films of Aida Begic and Zelimir Zilnik (Iva Lekovic), Conclusion (Speculative) (Robert Burgoyne and Deniz Bayrakdar), References, Index.