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Englisch
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Beschreibung
This is the first book to explore all central issues surrounding the relationship between the film-image and philosophy. It tackles the work of particular philosophers of film (¿i¿ek, Deleuze and Cavell) as well as general philosophical positions (Cognitivist and Culturalist), and analyses the ability of film to teach and create philosophy.
This is the first book to explore all central issues surrounding the relationship between the film-image and philosophy. It tackles the work of particular philosophers of film (¿i¿ek, Deleuze and Cavell) as well as general philosophical positions (Cognitivist and Culturalist), and analyses the ability of film to teach and create philosophy.
Über den Autor
JOHN MULLARKEY is Professor of Film and Television, Kingston University, London, UK. His publications include Bergson and Philosophy (1999) and Post-Continental Philosophy: An Outline (2006). He is an editor of [...].
Inhaltsverzeichnis
Acknowledgements Preface: The Film-Envy of Philosophy Introduction: Nobody Knows Anything! Illustrating Manuscripts Bordwell and Other Cogitators iek and the Cinema of Perversion Deleuze's Kinematic Philosophy Cavell, Badiou, and Other Ontologists Expanded Cognitions and the Speeds of Cinema Fabulation, Process and Event Refractions of Reality Or, What is Thinking Anyway? Conclusion: Code Unknown - A Bastard Theory for a Bastard Art Notes Bibliography Index
Details
Erscheinungsjahr: | 2009 |
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Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Fotografie |
Medium: | Taschenbuch |
Inhalt: |
xviii
286 S. |
ISBN-13: | 9781349280650 |
ISBN-10: | 1349280658 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Mullarkey, John |
Auflage: | 1st edition 2009 |
Hersteller: |
Palgrave Macmillan
Palgrave Macmillan UK |
Verantwortliche Person für die EU: | Springer Verlag GmbH, Tiergartenstr. 17, D-69121 Heidelberg, juergen.hartmann@springer.com |
Maße: | 216 x 140 x 17 mm |
Von/Mit: | John Mullarkey |
Erscheinungsdatum: | 01.01.2009 |
Gewicht: | 0,385 kg |