CONTENTS: Lúcia Nagib: Foreword - Maria do Carmo Piçarra/Teresa Castro: Colonial Reflections, Post-Colonial Refractions: Film and the Moving Image in the Portuguese (Post-)Colonial Situation - Maria do Carmo Piçarra: Ruy Duarte: A Cinema of the Word Aspiring to Imagine Angolanness - Raquel Schefer: Between the Visible and the Invisible: Mueda, Memória e Massacre (1982) by Ruy Guerra and the Cultural Forms of the Makonde Plateau - Ros Gray: Clear Lines on an Internationalist Map: Foreign Filmmakers in Angola at Independence - Robert Stock: The Many Returns to Wiriyamu: Audiovisual Testimony and the Negotiation of Colonial Violence - Afonso Ramos: «Rarely penetrated by camera or film»: NBC's Angola: Journey to a War (1961) - Rui Lopes: The US and Portuguese Colonialism as Imagined through Television Drama - Iolanda Vasile: African Independence and the Socialist Republic of Romania's Photographic Archive - José Manuel Costa: Colonial Collection of the Portuguese Film Archive: Shot, Reverse Shot, Off-Screen - Ana Balona de Oliveira: A Decolonizing Impulse: Artists in the Colonial and Post-Colonial Archive, Or the Boxes of Departing Settlers between Maputo, Luanda and Lisbon - Teresa Castro: In-Between Memory and History: Artists' Films and the Portuguese Colonial Archive - Daniel Barroca: Drawing and Undrawing my Genealogy - Filipa César: A Grin without Marker - Mónica de Miranda: Hotel Globo.