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Structured to mimic a 14-week semester, each chapter begins with an audio problem to be solved and ends with a solution drawn from information gleaned from past chapters. Suggested movie scenes that demonstrate the relevant audio techniques will also be included. Equally applicable to studio and location recording, the book is oriented toward commonly accessible environments such as conference rooms, hallways, beaches, car interiors, bathrooms, and so on. The intent is to allow the student to make the best of a location no matter how challenging it might be. Most importantly, this book will make one aware of the potential of sound on screen, for it is truly 50% of the viewing experience.
Structured to mimic a 14-week semester, each chapter begins with an audio problem to be solved and ends with a solution drawn from information gleaned from past chapters. Suggested movie scenes that demonstrate the relevant audio techniques will also be included. Equally applicable to studio and location recording, the book is oriented toward commonly accessible environments such as conference rooms, hallways, beaches, car interiors, bathrooms, and so on. The intent is to allow the student to make the best of a location no matter how challenging it might be. Most importantly, this book will make one aware of the potential of sound on screen, for it is truly 50% of the viewing experience.
Preface
Acknowledgements
Introduction
Chapter 1: What is Sound?
Chapter 2: Microphones: The Basic Types and How They Work
Chapter 3: The DSLR Shoot: Making the Most of What's at Hand
Chapter 4: The Audio Mixer
Chapter 5: Choosing a Location
Chapter 6: Booming: The View from Above
Chapter 7: Wireless Microphones: What They Are, How They Work, and How and Why We Use Them
Chapter 8: Interviews!
Chapter 9: On the Set
Chapter 10: Prep Is Everything: Your Basic Kit
Chapter 11: Synchronization
Chapter 12: Post-Production: Where Does It GO From Here?
Chapter 13: Opportunities for Sound Work in Film/Video
Chapter 14: Stereo: When Two Become One
Appendix
Glossary
Index
| Erscheinungsjahr: | 2015 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781501307089 |
| ISBN-10: | 1501307088 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Murphy, John J |
| Redaktion: | Landau, David |
| Hersteller: | Taylor & Francis Ltd (Sales) |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 233 x 187 x 20 mm |
| Von/Mit: | John J Murphy |
| Erscheinungsdatum: | 17.12.2015 |
| Gewicht: | 0,582 kg |
Preface
Acknowledgements
Introduction
Chapter 1: What is Sound?
Chapter 2: Microphones: The Basic Types and How They Work
Chapter 3: The DSLR Shoot: Making the Most of What's at Hand
Chapter 4: The Audio Mixer
Chapter 5: Choosing a Location
Chapter 6: Booming: The View from Above
Chapter 7: Wireless Microphones: What They Are, How They Work, and How and Why We Use Them
Chapter 8: Interviews!
Chapter 9: On the Set
Chapter 10: Prep Is Everything: Your Basic Kit
Chapter 11: Synchronization
Chapter 12: Post-Production: Where Does It GO From Here?
Chapter 13: Opportunities for Sound Work in Film/Video
Chapter 14: Stereo: When Two Become One
Appendix
Glossary
Index
| Erscheinungsjahr: | 2015 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781501307089 |
| ISBN-10: | 1501307088 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Murphy, John J |
| Redaktion: | Landau, David |
| Hersteller: | Taylor & Francis Ltd (Sales) |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 233 x 187 x 20 mm |
| Von/Mit: | John J Murphy |
| Erscheinungsdatum: | 17.12.2015 |
| Gewicht: | 0,582 kg |
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