Dr Jane Barnwell is Reader in Moving Image at the University of Westminster, UK. She is the author of Production Design for Screen: Visual Storytelling in Film and TV (2017), Production Design: Architects of the screen (2004) and The Fundamentals of Film Making (2008).

Explores the notion of the home on screen from the perspective of the production designer

Gives insight on the creative process through interviews with production designers, process documentation and artwork

Offers a methodology for the analysis of production design that stems from professional practice

Chapter 1: Introduction: Production Design and the Cinematic Home.- Chapter 2: Vertical Hierarchy and the Home in Parasite (2019, Dir. Bong Joon Ho, PD Lee Ha-Jun).- Chapter 3: Racial Prejudice, the Ghosts of Colonialism and Spatial Segregation in Get Out (2017, Jordan Peele, PD Rusty Smith).- Chapter 4: Returning Home: How the Byers' Home in Stranger Things (2016-Duffer Brothers, PD Chris Trujillo) Reflects Narrative and Character Interior Landscape.- Chapter 5: Bridget Jones's Diary (2001, Sharon Maguire, PD Gemma Jackson): A Wild Unconventional Space Bursting with Potential.- Chapter 6: Secret Homes: How Are the Themes of Espionage Reflected in the Construction of Home in Tinker Tailor Soldier Spy (2011, Tomas Alfredson, PD Maria Djurkovic)?.- Chapter 7: Finding Your Way Through the Maze: Navigating the Public and Private Spaces of Downing Street in Darkest Hour (2017 Joe Wright, PD Sarah Greenwood).- Chapter 8: The Hero's Journey: The Quest for Home in Paddington 2 (2017, Dir. Paul King, PD Gary Williamson).