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The tenets articulated here are universal, not instrument-specific, borne of modern research and the methods of legendary virtuosi and teachers. Those figures discussed include:
Luminaries Franz Liszt and Frederic Chopin
Renowned performers Anton Rubinstein, Mark Hambourg, Ignace Paderewski, and Sergei Rachmaninoff
Extraordinary teachers Theodor Leschetizky, Rafael Joseffy, Leopold Auer, Carl Flesch, and Ivan Galamian
Lesser-known musicians who wrote perceptively on the subject, such as violinists Frank Thistleton, Rowsby Woof, Achille Rivarde, and Sydney Robjohns
Practicing Music by Design forges old with new connections between research and practice, outlining the practice practices of some of the most virtuosic concert performers in history while ultimately addressing the question: How does all this work to make for better musicians and artists?
The tenets articulated here are universal, not instrument-specific, borne of modern research and the methods of legendary virtuosi and teachers. Those figures discussed include:
Luminaries Franz Liszt and Frederic Chopin
Renowned performers Anton Rubinstein, Mark Hambourg, Ignace Paderewski, and Sergei Rachmaninoff
Extraordinary teachers Theodor Leschetizky, Rafael Joseffy, Leopold Auer, Carl Flesch, and Ivan Galamian
Lesser-known musicians who wrote perceptively on the subject, such as violinists Frank Thistleton, Rowsby Woof, Achille Rivarde, and Sydney Robjohns
Practicing Music by Design forges old with new connections between research and practice, outlining the practice practices of some of the most virtuosic concert performers in history while ultimately addressing the question: How does all this work to make for better musicians and artists?
Christopher Berg is a Carolina Distinguished Professor at the University of South Carolina School of Music, where he runs the classical guitar program.
Chapter One Introduction / Chapter Two A Foundation of Knowledge and Skill / Chapter Three Chunking / Chapter Four Mental Work / Chapter Five Slow Practice / Chapter Six Variety in Repetition / Chapter Seven Continuity / Chapter Eight Phrase-Storming / Chapter Nine Feedback and Self-Criticism / Chapter Ten Codetta
Erscheinungsjahr: | 2019 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Allg. Handbücher & Lexika |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9780367190071 |
ISBN-10: | 0367190079 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Berg, Christopher |
Hersteller: | Routledge |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 229 x 152 x 12 mm |
Von/Mit: | Christopher Berg |
Erscheinungsdatum: | 24.06.2019 |
Gewicht: | 0,312 kg |
Christopher Berg is a Carolina Distinguished Professor at the University of South Carolina School of Music, where he runs the classical guitar program.
Chapter One Introduction / Chapter Two A Foundation of Knowledge and Skill / Chapter Three Chunking / Chapter Four Mental Work / Chapter Five Slow Practice / Chapter Six Variety in Repetition / Chapter Seven Continuity / Chapter Eight Phrase-Storming / Chapter Nine Feedback and Self-Criticism / Chapter Ten Codetta
Erscheinungsjahr: | 2019 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Allg. Handbücher & Lexika |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9780367190071 |
ISBN-10: | 0367190079 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Berg, Christopher |
Hersteller: | Routledge |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 229 x 152 x 12 mm |
Von/Mit: | Christopher Berg |
Erscheinungsdatum: | 24.06.2019 |
Gewicht: | 0,312 kg |