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Beschreibung
Matthew Flisfeder introduces readers to key concepts in postmodern theory and demonstrates how it can be used for a critical interpretation and analysis of Blade Runner, arguably 'the greatest science fiction film'. By contextualizing the film within the culture of late 20th and early 21st-century capitalism, Flisfeder provides a valuable guide for both students and scholars interested in learning more about one of the most significant, influential, and controversial concepts in film and cultural studies of the past 40 years.
The "Film Theory in Practice" series fills a gaping hole in the world of film theory. By marrying the explanation of film theory with interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Postmodern Theory and Blade Runner offers a concise introduction to Postmodernism in jargon-free language and shows how this theory can be deployed to interpret Ridley Scott's cult film Blade Runner.
The "Film Theory in Practice" series fills a gaping hole in the world of film theory. By marrying the explanation of film theory with interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Postmodern Theory and Blade Runner offers a concise introduction to Postmodernism in jargon-free language and shows how this theory can be deployed to interpret Ridley Scott's cult film Blade Runner.
Matthew Flisfeder introduces readers to key concepts in postmodern theory and demonstrates how it can be used for a critical interpretation and analysis of Blade Runner, arguably 'the greatest science fiction film'. By contextualizing the film within the culture of late 20th and early 21st-century capitalism, Flisfeder provides a valuable guide for both students and scholars interested in learning more about one of the most significant, influential, and controversial concepts in film and cultural studies of the past 40 years.
The "Film Theory in Practice" series fills a gaping hole in the world of film theory. By marrying the explanation of film theory with interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Postmodern Theory and Blade Runner offers a concise introduction to Postmodernism in jargon-free language and shows how this theory can be deployed to interpret Ridley Scott's cult film Blade Runner.
The "Film Theory in Practice" series fills a gaping hole in the world of film theory. By marrying the explanation of film theory with interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Postmodern Theory and Blade Runner offers a concise introduction to Postmodernism in jargon-free language and shows how this theory can be deployed to interpret Ridley Scott's cult film Blade Runner.
Über den Autor
Matthew Flisfeder is an Assistant Professor in the Department of Rhetoric, Writing, and Communications at the University of Winnipeg. He is the author of The Symbolic, The Sublime, and Slavoj Zizek's Theory of Film (2012) and co-editor of Zizek and Media Studies: A Reader (2014).
Zusammenfassung
Locates the film within the context of new modes of making, exhibiting, and consuming cinema in the age of digital media
Inhaltsverzeichnis
Acknowledgements
Introduction
Chapter One: Postmodernism and Postmodern Theory
Chapter Two: Postmodernism and Blade Runner
Conclusion: Postmodern Theory After The End Of History
Further Reading
Introduction
Chapter One: Postmodernism and Postmodern Theory
Chapter Two: Postmodernism and Blade Runner
Conclusion: Postmodern Theory After The End Of History
Further Reading
Details
Erscheinungsjahr: | 2017 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781501311796 |
ISBN-10: | 1501311794 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Flisfeder, Matthew |
Redaktion: | McGowan, Todd |
Hersteller: | Bloomsbury Academic |
Maße: | 195 x 126 x 22 mm |
Von/Mit: | Matthew Flisfeder |
Erscheinungsdatum: | 06.04.2017 |
Gewicht: | 0,209 kg |
Über den Autor
Matthew Flisfeder is an Assistant Professor in the Department of Rhetoric, Writing, and Communications at the University of Winnipeg. He is the author of The Symbolic, The Sublime, and Slavoj Zizek's Theory of Film (2012) and co-editor of Zizek and Media Studies: A Reader (2014).
Zusammenfassung
Locates the film within the context of new modes of making, exhibiting, and consuming cinema in the age of digital media
Inhaltsverzeichnis
Acknowledgements
Introduction
Chapter One: Postmodernism and Postmodern Theory
Chapter Two: Postmodernism and Blade Runner
Conclusion: Postmodern Theory After The End Of History
Further Reading
Introduction
Chapter One: Postmodernism and Postmodern Theory
Chapter Two: Postmodernism and Blade Runner
Conclusion: Postmodern Theory After The End Of History
Further Reading
Details
Erscheinungsjahr: | 2017 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781501311796 |
ISBN-10: | 1501311794 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Flisfeder, Matthew |
Redaktion: | McGowan, Todd |
Hersteller: | Bloomsbury Academic |
Maße: | 195 x 126 x 22 mm |
Von/Mit: | Matthew Flisfeder |
Erscheinungsdatum: | 06.04.2017 |
Gewicht: | 0,209 kg |
Warnhinweis