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Englisch
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Beschreibung
Popular music and football rank among the most globally widespread and culturally significant practices in contemporary society. While neither defines the other, their intersections reveal a rich site of musical interaction. This Element investigates how and why popular music and football interact within the context of elite-level national league matches. Grounded in observations from several European case matches over the past decade, the Element examines these interactions as they unfold in stadium environments, focusing on three primary modes: intra-type music interactions, inter-type music interactions, and music-match interactions. In doing so, it engages with one of the most pervasive, multi-layered, and contested arenas for the distribution and significance of popular music in everyday life. Particular attention is given to emotionally charged, identity-infused mega-performances by musical amateurs - many of whom may be otherwise musically inactive and overlooked but embrace the stadium as a space for emotional release and collective expression.
Popular music and football rank among the most globally widespread and culturally significant practices in contemporary society. While neither defines the other, their intersections reveal a rich site of musical interaction. This Element investigates how and why popular music and football interact within the context of elite-level national league matches. Grounded in observations from several European case matches over the past decade, the Element examines these interactions as they unfold in stadium environments, focusing on three primary modes: intra-type music interactions, inter-type music interactions, and music-match interactions. In doing so, it engages with one of the most pervasive, multi-layered, and contested arenas for the distribution and significance of popular music in everyday life. Particular attention is given to emotionally charged, identity-infused mega-performances by musical amateurs - many of whom may be otherwise musically inactive and overlooked but embrace the stadium as a space for emotional release and collective expression.
Über den Autor
Nicolai Jørgensgaard Graakjær is Professor of Music and Sound in Market Communication in the Department of Communication and Psychology at Aalborg University, Denmark. His has served as the Editor-in-chief of MedieKultur: Journal of Communication Research (2010-2014) and he is the current Editor-in-chief of the book series MÆRKK - Æstetik og Kommunikation. His publications include Analyzing Music in Advertising (2015), Sound and Genre in Film and Television(2010, Co-editor), and Music in Advertising (2009, Co-editor).
Inhaltsverzeichnis
1. Introduction; 2. Organizer music; 3. Supporter music; 4. Conclusions; References.
Details
| Erscheinungsjahr: | 2026 |
|---|---|
| Genre: | Importe, Musik |
| Rubrik: | Kunst & Musik |
| Medium: | Taschenbuch |
| ISBN-13: | 9781009575997 |
| ISBN-10: | 1009575996 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Graakjær, Nicolai Jørgensgaard |
| Hersteller: | Cambridge University Press |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 229 x 152 x 5 mm |
| Von/Mit: | Nicolai Jørgensgaard Graakjær |
| Erscheinungsdatum: | 27.04.2026 |
| Gewicht: | 0,122 kg |