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Political Film
The Dialectics Of Third Cinema
Taschenbuch von Mike Wayne
Sprache: Englisch

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Beschreibung
Third Cinema is a cinema committed to social and cultural emancipation. In this book, Mike Wayne argues that Third Cinema is absolutely central to key debates concerning contemporary film practices and cultures. As a body of films, Third Cinema expands our horizons of the medium and its possibilities. Wayne develops Third Cinema theory by exploring its dialectical relations with First Cinema (dominant,commercial) and Second Cinema (arthouse,auteur). Discussing an eclectic range of films, from Evita to Dollar Mambo, The Big Lebowski to The Journey, Amistad to Camp de Thiaroye, Political Film explores the affinities and crucial political differences between First and Third Cinema. Third Cinema's relationship with Second Cinema is explored via the cinematic figure of the bandit (Bandit Queen, The General, Eskiya). The continuities and differences with European precursors such as Eisenstein, Vertov, Lukacs, Brecht and Walter Benjamin are also assessed. The book is a polemical call for a film criticism that is politically engaged with the life of the masses.
Third Cinema is a cinema committed to social and cultural emancipation. In this book, Mike Wayne argues that Third Cinema is absolutely central to key debates concerning contemporary film practices and cultures. As a body of films, Third Cinema expands our horizons of the medium and its possibilities. Wayne develops Third Cinema theory by exploring its dialectical relations with First Cinema (dominant,commercial) and Second Cinema (arthouse,auteur). Discussing an eclectic range of films, from Evita to Dollar Mambo, The Big Lebowski to The Journey, Amistad to Camp de Thiaroye, Political Film explores the affinities and crucial political differences between First and Third Cinema. Third Cinema's relationship with Second Cinema is explored via the cinematic figure of the bandit (Bandit Queen, The General, Eskiya). The continuities and differences with European precursors such as Eisenstein, Vertov, Lukacs, Brecht and Walter Benjamin are also assessed. The book is a polemical call for a film criticism that is politically engaged with the life of the masses.
Über den Autor
Mike Wayne is Professor of Film and Television Studies at Brunel University, London. He is the author of England's Discontents: History, Politics, Culture and Identities (Pluto, 2018), Understanding Film (Pluto, 2005) and Marxism and Media Studies (Pluto, 2003).
Details
Erscheinungsjahr: 2001
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Fotografie
Medium: Taschenbuch
Seiten: 178
ISBN-13: 9780745316697
ISBN-10: 0745316697
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Wayne, Mike
Hersteller: Pluto Press
Maße: 216 x 140 x 10 mm
Von/Mit: Mike Wayne
Erscheinungsdatum: 20.06.2001
Gewicht: 0,232 kg
preigu-id: 123690370
Über den Autor
Mike Wayne is Professor of Film and Television Studies at Brunel University, London. He is the author of England's Discontents: History, Politics, Culture and Identities (Pluto, 2018), Understanding Film (Pluto, 2005) and Marxism and Media Studies (Pluto, 2003).
Details
Erscheinungsjahr: 2001
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Fotografie
Medium: Taschenbuch
Seiten: 178
ISBN-13: 9780745316697
ISBN-10: 0745316697
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Wayne, Mike
Hersteller: Pluto Press
Maße: 216 x 140 x 10 mm
Von/Mit: Mike Wayne
Erscheinungsdatum: 20.06.2001
Gewicht: 0,232 kg
preigu-id: 123690370
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