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Elisabeth Schellekens is Senior Lecturer of Philosophy at the University of Durham
- Introduction
- I. Conceptual art as a kind of art
- 1: Peter Lamarque: On perceiving conceptual art
- 2: Derek Matravers: The dematerialization of the art object
- 3: Gregory Currie: The ontology of conceptual art
- 4: Robert Hopkins: Speaking through silence: conceptual art and conversational implicature
- II. Conceptual art and aesthetic value
- 5: Elisabeth Schellekens: The aesthetic value of ideas
- 6: Diarmuid Costello: Kant After LeWitt: Towards an aesthetics of conceptual art
- III. Conceptual art, knowledge and understanding
- 7: Carolyn Wilde: Mind and matter in the work of art: One and Three Chairs
- 8: David Davies: Telling Pictures: the place of narrative in late modern 'visual art'
- 9: Peter Goldie: Conceptual art and knowledge
- 10: Kathleen Stock: Sartre, Wittgenstein, and learning from imagination
- IV. Appreciating conceptual art
- 11: Matthew Kieran: Artistic character, creativity, and the appreciation of conceptual art
- 12: Margaret Boden: Creativity and conceptual art
- 13: Dominic McIver Lopes: Conceptual art is not what it seems
- 14: Art and Language: Emergency Conditionals
| Medium: | Taschenbuch |
|---|---|
| Seiten: | 308 |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780199568253 |
| ISBN-10: | 0199568251 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Goldie, Peter |
| Redaktion: | Schellekens, Elisabeth |
| Hersteller: | OUP Oxford |
| Maße: | 234 x 156 x 17 mm |
| Von/Mit: | Elisabeth Schellekens |
| Erscheinungsdatum: | 18.06.2009 |
| Gewicht: | 0,471 kg |
Elisabeth Schellekens is Senior Lecturer of Philosophy at the University of Durham
- Introduction
- I. Conceptual art as a kind of art
- 1: Peter Lamarque: On perceiving conceptual art
- 2: Derek Matravers: The dematerialization of the art object
- 3: Gregory Currie: The ontology of conceptual art
- 4: Robert Hopkins: Speaking through silence: conceptual art and conversational implicature
- II. Conceptual art and aesthetic value
- 5: Elisabeth Schellekens: The aesthetic value of ideas
- 6: Diarmuid Costello: Kant After LeWitt: Towards an aesthetics of conceptual art
- III. Conceptual art, knowledge and understanding
- 7: Carolyn Wilde: Mind and matter in the work of art: One and Three Chairs
- 8: David Davies: Telling Pictures: the place of narrative in late modern 'visual art'
- 9: Peter Goldie: Conceptual art and knowledge
- 10: Kathleen Stock: Sartre, Wittgenstein, and learning from imagination
- IV. Appreciating conceptual art
- 11: Matthew Kieran: Artistic character, creativity, and the appreciation of conceptual art
- 12: Margaret Boden: Creativity and conceptual art
- 13: Dominic McIver Lopes: Conceptual art is not what it seems
- 14: Art and Language: Emergency Conditionals
| Medium: | Taschenbuch |
|---|---|
| Seiten: | 308 |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780199568253 |
| ISBN-10: | 0199568251 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Goldie, Peter |
| Redaktion: | Schellekens, Elisabeth |
| Hersteller: | OUP Oxford |
| Maße: | 234 x 156 x 17 mm |
| Von/Mit: | Elisabeth Schellekens |
| Erscheinungsdatum: | 18.06.2009 |
| Gewicht: | 0,471 kg |
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