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Beschreibung
When Germany invaded Norway on 9 April 1940, the long lasting bilateral relations changed fundamentally. Immediately, the administration of the 'Reichskommissariat Norwegen' (responsible for culture and therein music together with the Norwegian puppet regime's department for culture) implemented the adaption to the new, official National Socialist guidelines.
The diversity of music in Norway during the occupation is presented in this book by Norwegian and German authors, confronting research on collaboration, persecution, and resistance for the first time as an international endeavour. The different essays illustrate not only examples of exile and persecution and ask for the consequences of Nazi politics on prominent and forgotten fates, but depict how Norwegian artists and their organisations positioned themselves towards collaboration or resistance during and after the war, as well as contrasting it with the impressions of German musicians, both military and civilian, playing in Norway during the occupation.
Including Norway into the international discourse on 'Music and Nazism', the articles address readers both interested in the German occupation of Norway, and the implications the German administration and its Norwegian counterparts had on the music life.
When Germany invaded Norway on 9 April 1940, the long lasting bilateral relations changed fundamentally. Immediately, the administration of the 'Reichskommissariat Norwegen' (responsible for culture and therein music together with the Norwegian puppet regime's department for culture) implemented the adaption to the new, official National Socialist guidelines.
The diversity of music in Norway during the occupation is presented in this book by Norwegian and German authors, confronting research on collaboration, persecution, and resistance for the first time as an international endeavour. The different essays illustrate not only examples of exile and persecution and ask for the consequences of Nazi politics on prominent and forgotten fates, but depict how Norwegian artists and their organisations positioned themselves towards collaboration or resistance during and after the war, as well as contrasting it with the impressions of German musicians, both military and civilian, playing in Norway during the occupation.
Including Norway into the international discourse on 'Music and Nazism', the articles address readers both interested in the German occupation of Norway, and the implications the German administration and its Norwegian counterparts had on the music life.
Details
Erscheinungsjahr: 2020
Genre: Geisteswissenschaften, Kunst, Musik
Rubrik: Kunst & Musik
Thema: Musikgeschichte
Medium: Taschenbuch
Inhalt: 184 S.
ISBN-13: 9783830941309
ISBN-10: 3830941307
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Rupprecht, Ina
Bringeland, Sjur Haga
Bußmann, Andreas
Custodis, Michael
Heidler, Manfred
Mattes, Arnulf Christian
Vollsnes, Arvid O.
Redaktion: Rupprecht, Ina
Herausgeber: Ina Rupprecht
Auflage: 1/2020
Hersteller: Waxmann Verlag
Verantwortliche Person für die EU: Waxmann Verlag GmbH, Steinfurter Str. 555, D-48159 Münster, info@waxmann.com
Maße: 239 x 172 x 18 mm
Von/Mit: Ina Rupprecht
Erscheinungsdatum: 29.09.2020
Gewicht: 0,368 kg
Artikel-ID: 118968002

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