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This book investigates performances as situated "machineries of knowing" (Karin Knorr Cetina), exploring them as relational processes for, in and with which performers as well as spectators actively (re)generate diverse practices of knowing, knowledges and epistemologies.
This book investigates performances as situated "machineries of knowing" (Karin Knorr Cetina), exploring them as relational processes for, in and with which performers as well as spectators actively (re)generate diverse practices of knowing, knowledges and epistemologies.
Torsten Jost is a researcher and academic coordinator at the Cluster of Excellence "Temporal Communities: Doing Literature in a Global Perspective" at Freie Universität Berlin.
Erika Fischer-Lichte is Director of the International Research Center "Interweaving Performance Cultures" at Freie Universität Berlin.
Milos Kosic studied creative writing at the City College of New York and English Studies at Freie Universität Berlin.
Astrid Schenka is a performing arts scholar, dramaturge and translator. She currently works as a research associate at the International Research Center "Interweaving Performance Cultures" at Freie Universität Berlin as well as a guest lecturer at the Zurich University of the Arts.
Acknowledgments
List of Figures
Contributor Bios
Introduction: Performance Cultures as Epistemic Cultures - (Re)Generating Knowledges through Interweaving Performance Cultures
Torsten Jost
PART I - (Re)Generating Cultural and Social Knowledges
- Building Relations, Engendering Knowledge: Te R¿hia Theatre's SolOthello in Toronto
- Contesting the Pov¿¿¿ as an Epistemological Mode: History, Form and Performance
- Kä¿aikk¿ttuas Practice-Based Knowledge
- Aesthetic Knowledge and Aesthetic Experience
- What Knowledges Do Dance Viewers Generate?
- Learning "to be Affected": Attaining "Relational Knowledge" through Interweaving in Acting
- On Being and Unknowing: Moving with an "Other" in Capoeira, Contact Improvisation and Queer Tango
- Approaching Practices of Acting through Concepts of Daoist Philosophy
- Teatr ZAR's Song Theater as Spiritual Knowledge
- Coda: Meditation on Not-Knowing
Ric Knowles
Kedar Arun Kulkarni
Hanne M. de Bruin
PART II - (Re)Generating Aesthetic Knowledges
Erika Fischer-Lichte
Susan Leigh Foster
Phillip Zarrilli
PART III - (Re)Generating Spiritual Knowledges
Ann Cooper Albright
Lynette Hunter
Maria Shevtsova
Christel Weiler
Index
Erscheinungsjahr: | 2023 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Medium: | Taschenbuch |
Seiten: | 238 |
ISBN-13: | 9781032445724 |
ISBN-10: | 1032445726 |
Einband: | Kartoniert / Broschiert |
Redaktion: |
Schenka, Astrid
Fischer-Lichte, Erika Kosic, Milos Jost, Torsten |
Hersteller: | Taylor & Francis Ltd |
Maße: | 152 x 228 x 17 mm |
Von/Mit: | Astrid Schenka (u. a.) |
Erscheinungsdatum: | 07.04.2023 |
Gewicht: | 0,384 kg |
Torsten Jost is a researcher and academic coordinator at the Cluster of Excellence "Temporal Communities: Doing Literature in a Global Perspective" at Freie Universität Berlin.
Erika Fischer-Lichte is Director of the International Research Center "Interweaving Performance Cultures" at Freie Universität Berlin.
Milos Kosic studied creative writing at the City College of New York and English Studies at Freie Universität Berlin.
Astrid Schenka is a performing arts scholar, dramaturge and translator. She currently works as a research associate at the International Research Center "Interweaving Performance Cultures" at Freie Universität Berlin as well as a guest lecturer at the Zurich University of the Arts.
Acknowledgments
List of Figures
Contributor Bios
Introduction: Performance Cultures as Epistemic Cultures - (Re)Generating Knowledges through Interweaving Performance Cultures
Torsten Jost
PART I - (Re)Generating Cultural and Social Knowledges
- Building Relations, Engendering Knowledge: Te R¿hia Theatre's SolOthello in Toronto
- Contesting the Pov¿¿¿ as an Epistemological Mode: History, Form and Performance
- Kä¿aikk¿ttuas Practice-Based Knowledge
- Aesthetic Knowledge and Aesthetic Experience
- What Knowledges Do Dance Viewers Generate?
- Learning "to be Affected": Attaining "Relational Knowledge" through Interweaving in Acting
- On Being and Unknowing: Moving with an "Other" in Capoeira, Contact Improvisation and Queer Tango
- Approaching Practices of Acting through Concepts of Daoist Philosophy
- Teatr ZAR's Song Theater as Spiritual Knowledge
- Coda: Meditation on Not-Knowing
Ric Knowles
Kedar Arun Kulkarni
Hanne M. de Bruin
PART II - (Re)Generating Aesthetic Knowledges
Erika Fischer-Lichte
Susan Leigh Foster
Phillip Zarrilli
PART III - (Re)Generating Spiritual Knowledges
Ann Cooper Albright
Lynette Hunter
Maria Shevtsova
Christel Weiler
Index
Erscheinungsjahr: | 2023 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Medium: | Taschenbuch |
Seiten: | 238 |
ISBN-13: | 9781032445724 |
ISBN-10: | 1032445726 |
Einband: | Kartoniert / Broschiert |
Redaktion: |
Schenka, Astrid
Fischer-Lichte, Erika Kosic, Milos Jost, Torsten |
Hersteller: | Taylor & Francis Ltd |
Maße: | 152 x 228 x 17 mm |
Von/Mit: | Astrid Schenka (u. a.) |
Erscheinungsdatum: | 07.04.2023 |
Gewicht: | 0,384 kg |